There’s a hell of a lot of great stuff in this second trailer for The Monuments Men. Start with George Clooney and Matt Damon building an “Ocean’s Eleven in WWII” squad to preserve and recover art stolen by the Nazis, and add guys like Bill Murray, John Goodman and Bob Balaban as members of the squad. But I think Cate Blanchett gets the win here, with her super droll question: “how can I help you steal our stolen art?”
Check out the full trailer for the December release below. Read More »
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Here’s a new long trailer for Inside Llewyn Davis, the new film from Joel and Ethan Coen. Oscar Isaac stars as the title character, who is making his way through a music career in ’60s New York as he also navigates a few tricky personal and business relationships with the likes of Carey Mulligan, Justin Timberlake, and John Goodman.
Everything we’ve seen of the film has been aces so far, and reactions out of festivals have been enthusiastic and full of praise. You’ll get a taste of that praise in the trailer thanks to a slew of pullquotes, but you’ll also get the feeling that the praise might just be justified, thanks to the exquisite tone of the performances, the comedy, and the film’s imagery. Read More »
Here’s the first trailer from The Monuments Men, the new film from director George Clooney. It’s based on a true story, and features Clooney and Matt Damon as two members of a team that ran through the battlefields of World War II trying to save art from destruction by various war machines. As Clooney’s character says in the trailer, “if you destroy an entire generation of people’s culture, it’s as if they never existed.”
It’s a noble purpose, and since these guys weren’t soldiers — they were museum directors, curators, and art historians — there’s some opportunity for comedy, too. That’s why the rest of the cast includes actors like John Goodman, Bob Balaban, Bill Murray, Cate Blanchett, Jean Dujardin, and Hugh Bonneville.
Check out the footage below.
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Thursday August 8, audiences will get their first look at George Clooney‘s latest directorial effort, The Monuments Men. Featuring one of the most impressive casts in recent memory (Clooney, Matt Damon, Cate Blanchett, Bill Murray, John Goodman, Jean Dujardin, Hugh Bonneville, Bob Balaban), it’s the true story of art historians who attempted to protect the world’s greatest pieces of art from a thieving Adolf Hitler and Nazi Germany. It’s scheduled for release December 18.
The trailer will be out Thursday, but below, check out the first image from the film. Read More »
Posted on Monday, July 1st, 2013 by Angie Han
Whereas some filmmakers prefer to stick with one mode or another, the Coen Bros. have shown an ability to leap from Depression-era Greek musical epic to ’90s stoner neo-noir comedy to violent Oscar-winning thriller. Their newest film, Inside Llewyn Davis, sees them dropping by ’60s New York for an intimate character study of a folk musician.
Oscar Isaac stars as the title character, who’s loosely based on real-life singer Dave Von Ronk. Backing him up are an intriguing supporting cast, including Carey Mulligan, John Goodman, Justin Timberlake, and Garrett Hedlund, and a poignant soundtrack mostly comprised of folk covers. Watch the newest trailer and get the soundtrack info after the jump.
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Pixar’s favorite monsters, Mike and Sulley, return to the big screen this weekend as the excellent Monsters University has finally been released. To mark the occasion, College Humor has imagined the moment when Pixar first revealed the younger versions of the characters to their voices, John Goodman and Billy Crystal. The results are hilarious. Read More »
Monsters University features all the entertainment and heart you’ve come to expect from Pixar, and then some. We meet Mike (Billy Crystal) and Sulley (John Goodman) during their college years, as the company’s first prequel is set years before the events of 2001’s Monsters Inc.
Director Dan Scanlon turns that simple story idea into a great, fast paced college comedy with an intriguing blend of emotional highs and lows. Every single character and moment is played to near perfect effect, leaving the audience dumbfounded at how the movie constantly keeps raising the bar. Just when you think it can’t get better, it does, and you’ll leave the theater fulfilled, but also wildly surprised at where Pixar goes this time around.
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Posted on Thursday, May 30th, 2013 by Angie Han
As college kids across the country toss their mortarboards into the air, the bright-eyed freshmen of Monsters University are just now getting ready to arrive on campus and hit the books. And this year’s new class includes future Monsters, Inc. co-workers Mike (voiced by Billy Crystal) and Sulley (voiced by John Goodman).
With three weeks to go until the release date, Disney has now revealed the final trailer for the Pixar prequel. This promo’s a little heavier on the plot, with a fair amount of new footage. Watch it after the jump.
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The Hangover Part III isn’t much of a comedy. It wants to be funny (I think) but there are stretches without even an attempt at a joke. It’s closer to a hallucinogenic drama, decorated occasionally with an bloom of laughter. There are wild moments, but compared to the first two movies this one pushes the needle towards a different form of “outrageous.” (The most conventionally extreme jokes come when a mid-credits stinger scene goes straight for what viewers of the second film jeered: a flat-out reprise of the scenario from the original film.)
The focus this time is Zach Galifianakis as the damaged, nearly deranged Alan. Entitled and abusive, Alan is domineering at home and ever more reckless in the wild. His grossly disastrous attempt to domesticate a giraffe leads to horror at home; soon his wolf pack “friends” from the previous two films unite to stage an intervention. The Hangover Part III doesn’t go very far with the intervention idea, because further trouble takes precedence. A gangster once robbed by Lesley Chow (Ken Jeong) coerces the guys into tracking Chow, and life goes off the rails once more.
Director Todd Phillips, who co-wrote with Craig Mazin, seems stuck halfway between two extremes. On one side there’s a super-dark movie about mental illness; on the other there’s an Id-indulging comedy. In a way that is almost perversely appropriate for a film series about hijacked plans, The Hangover Part III never gets close to either point.
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