Zach Braff‘s Wish I Was Here is now infamous because of the controversy surrounding Braff’s Kickstarter campaign. But let’s not allow that to cloud the real picture –Braff’s fans coughed up $3.1 million for his second feature film because they loved his first movie. Garden State connected with teens and college-aged twenty somethings in a manner that rarely happens, almost in the way that a song or a poem connects, rather than a movie. Fans have been waiting over a decade for Braff to go back behind the camera for a follow-up. This year at Sundance they got it.
Wish I Was Here is a real crowd pleaser, earning a standing ovation at the Premiere screening at Park City’s The Marc theatre. The film is very funny; when the lights came up I was hurting from laughter and sniffling a bit. (Must have been the cold temperature of Utah, right? Yeah that has to be the reason…) It is my favorite movie of Sundance this year (thus far).
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Posted on Friday, October 11th, 2013 by Angie Han
After spending four seasons of Breaking Bad trying to evade law enforcement, Bob Odenkirk will switch sides for FX’s Fargo.
The comedian has boarded the ten-part limited series in a supporting role, along with Glenn Howerton (It’s Always Sunny in Philadelphia), Kate Walsh (Private Practice), Joey King (The Conjuring), Adam Goldberg, Oliver Platt, and more. Hit the jump to find out which characters the new stars will be playing.
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Posted on Monday, June 10th, 2013 by Angie Han
Roland Emmerich‘s White House Down is the second of two “Die Hard on Pennsylvania Avenue” pics to hit screens this year, but if it delivers on the promises made by this four-minute final trailer, it could just blow the other one out of the water altogether. It has all the ingredients for a satisfying summer blockbuster: tons of big, explosive action; a liberal sprinkling of humor; and even some cute buddy-cop rapport between Channing Tatum and Jamie Foxx. Watch it after the jump.
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The first trailer for White House Down was exactly that: down. It had a very somber feel, almost like the movie was a drama with action elements. Now a second trailer for this summer’s Roland Emmerich blockbuster has been released and it goes for the opposite feel. There’s huge action, great character interaction, and, of course, the destruction of several Washington DC landmarks. This is the White House Down we all want.
In the film, Channing Tatum stars as John Cale, a would-be Secret Service agent who loses his daughter (Joey King) and must protect the President (Jamie Foxx) when terrorists take over the White House. You can read all about the epic production in my set visit here, or just click below and see the kick-ass new trailer. Read More »
Saw, Dead Silence, Insidious and now The Conjuring. It would be very easy to assume the latest horror film from director James Wan to be another in a long string of scary films right in the director’s wheelhouse. However as this new trailer shows, and as Wan said at WonderCon this past weekend, he doesn’t feel he has anything more to prove in the genre. He was drawn to The Conjuring because its basis in fact, period setting and family dynamic gave him a whole new creative jolt.
The Conjuring, out July 19, stars Vera Farmiga and Patrick Wilson as real life paranormal investigators Lorraine and Ed Warren. Best known for their work on what would become known as “The Amityville Horror,” this story of small-town family haunted by spirits is supposedly so terrifying, the Warrens preferred not to talk about it. The film follows suit, gaining an R-rating without any language or graphic violence. At WonderCon, producers said the MPAA just deemed it “too scary” to give a PG-13.
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Sam Raimi was faced with a predicament. Two of the characters in his upcoming film Oz The Great and Powerful are completely fantastical (a flying talking monkey and a foot tall talking/walking breakable china ceramic doll) but he didn’t want to have the characters to be completely created and performed in post production, and he also didn’t want to use performance capture as it sometimes results in very robotic-looking performances.
Trust me, you will be amazed at the computer generated performances in this film. How did Raimi and team pull it off? Find out after the jump.
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In October 2011, I got to visit the wonderful world of Oz and watch director Sam Raimi direct his preboot (prequel/reboot) of the classic L. Frank Baum book series. I learned much on the set of Oz: The Great and Powerful. Most fascinating to me was some of the things Disney had to do satisfy legal concerns over possibly violating copyrighted imagery from the classic 1939 film adaptation, owned by Warner Bros.
And while trailers for the film focus on wholly computer-generated worlds and characters, you might be shocked to learn the lengths that Sam Raimi went through to shoot a lot of the film practically. For example, it was interesting to see Raimi inventing new practical solutions to help the supporting actors create and react to live performances for characters who would eventually be created in CG — and I’m not talking about performance capture.
After the jump you can watch a video blog we recorded talking about the visit, followed by many more things I learned while on the set.
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One would imagine Sam Raimi is planning on being incredibly respectful to the original Wizard of Oz with his 2013 3D prequel, Oz The Great and Powerful. There’s just no way the filmmaker would even think to tackle such a mythos unless he could pay homage to the classic film in new and interesting ways. One of those ways has just been revealed thanks to one of the film’s young stars. Joey King, who also stars in The Dark Knight Rises, revealed in an interview that the film begins, and presumably ends, in black and white just like the original. Read her quote and more after the jump. Read More »