Would you watch a Steven Spielberg movie starring Tom Hanks, written by the Coen Brothers? Yeah, thought so. Last year, Matt Charman wrote a true-life cold war drama that tells the story of a US attorney who negotiated with the KGB to secure the release of a spy plane pilot. Tom Hanks came on board, and Steven Spielberg was recently attached to the Dreamworks project. It’s at the point now where the film is being talked up as one of the most likely next projects for the director. And now Joel and Ethan Coen are rewriting the script. Read More »
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Posted on Friday, May 16th, 2014 by Angie Han
If the plot of Inside Llewyn Davis didn’t break your heart, the soundtrack surely did. No wonder, then, that the Coens are now ready for some sunnier fare.
Joel and Ethan Coen are reportedly gearing up for Hail Caesar, a comedy set in ’50s California. While this isn’t the first we’ve heard about this project, the plot details sound a bit different from the last time we checked on it. Hit the jump for all the new info.
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Remember Gambit? Not the Marvel Comics character, but the remake of a great ’60s caper that originally starred Michael Caine and Shirley MacLaine. The remake was scripted by the Coen Brothers — hence our interest in the movie. While that script kicked around town for a few years, it was eventually directed by Michael Hoffman. Colin Firth plays an art dealer who tries to con a wealthy buyer (Alan Rickman) into buying a fake painting, and enlists the help of a Texan lady (Cameron Diaz) to pull off the caper. While the film was finished in 2012 it never got proper US distribution. Until now. People have asked how they could see it, and with the film hitting VOD this weekend, here’s a current Gambit trailer to remind you that it exists. Read More »
Unbroken is the story of Louis Zamperini, an American Olympian who competed in 1936, and a World War II veteran who survived a plane crash at sea during the war only to be picked up by the Japanese Navy and interred in a POW camp.
Angelina Jolie directs the film as her follow-up to In the Land of Blood and Honey, but it’s a few of the other names in the crew roster that might get your attention: Roger Deakins (No Country For Old Men, Skyfall, Prisoners) shot the film, and Joel and Ethan Coen did some work on the script. (Just how much we don’t know, but their involvement is a good bullet point in Universal’s sales pitch if nothing else.)
Here is an unusual “trailer,” written and cut specifically for an Olympic audience, with narration by Tom Brokaw and vintage photos and footage of Zamperini cut into the footage from Jolie’s film along with a recent interview with Zamperini. Read More »
We’re back to the question of what the Joel and Ethan Coen will do to follow the stellar Inside Llewyn Davis. We’ve recently heard that there could be scripts that take place in the world of opera, and possibly in ancient Rome. The latter led people to think of a script called Hail Caesar that had been talked up many years ago, meant to star George Clooney. The actor called it a capper to their loose “idiot trilogy,” the first two films being O Brother, Where Art Thou? and Intolerable Cruelty.
Turns out that Hail Caesar script is still in play, and could even be next. But it isn’t the Roman movie — or it might not be, anyway. The Coens talk, below. Read More »
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Inside Llewyn Davis opens in limited release tomorrow, and with a new Coen Brothers film on screens, there are two great pleasures to take up our time. One — the primary one, obviously — is discussing the movie itself, and there is no shortage of topics with respect to Inside Llewyn Davis. The other is more minor, but still entertaining: sifting through comments from the directors to get a sense of what new horizon they’ve fixated upon.
One option, floated some time ago, is a film set in or around the world of opera singer, and another new one is set in perhaps the most unlikely Coen territory: ancient Rome. Read More »
The Coen Brothers‘ new film is Inside Llewyn Davis, and this one is particularly special. It’s a beautiful, bleak picture. One of the characteristics of the movie is a silky, strangely luminous color palette that relies on subdued silvery grey and faded browns. It’s nearly black and white.
That led me back to the brothers’ 2001 film, The Man Who Wasn’t There. Released in black and white, the film was shot in color — with a palette not dissimilar from that of Inside Llewyn Davis — and then graded to B&W in post-production.
A color version of the movie was also finished for contractual reasons, and released on DVD in markets such as France and South Korea. Though the movie wasn’t really intended to be seen in color (most of the making-of shots you’ll see are even B&W) it’s still an interesting way to see the film. Below, see a long color clip from that version, and watch an interview with the Coens talking about its creation. Read More »
Posted on Wednesday, December 4th, 2013 by Angie Han
The Coen Brothers‘ Inside Llewyn Davis has earned strong buzz from the get-go, picking up the Grand Jury Prize shortly after its Cannes debut and earning Best Feature at the Gotham Independent Film Awards this past weekend. Now, after months of hype and even more months of marketing, it’s finally about to arrive in theaters.
Oscar Isaac leads the drama as Llewyn, a singer trying to make his way around the folk scene in the early ’60s. He’s not having an easy go of it: his solo career isn’t taking off, his best friend’s girlfriend is pissed at him, and he doesn’t even have a proper coat to keep him warm through the winter. But his misfortune is our good luck, as his many trials make for a pretty great film. Watch the newest U.K. trailer after the jump.
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Hopefully you’ve got 90 minutes of free time in the next couple days, and assuming that you do, bookmark this long talk about the emotional effect of music when paired with image.
“Art Of The Score” was put together by the World Science Festival and the New York Philharmonic, and is hosted by Alec Baldwin. He’s joined by Ethan and Joel Coen, their frequent collaborator Carter Burwell, and neuroscientist Aniruddh Patel. The topic in general is music and film scores, and the ways in which they create an emotional response in the audience.
The talk begins with the example of 2001: A Space Odyssey, and the fact that Alex North’s original score was shelved in favor of music that Kubrick had used as the temp track, including the well-known Richard Strauss composition ‘Also Sprach Zarathustra.’ But it goes a good bit deeper than that over the course of the hour-plus talk, from the neurological response to music, to the ways that musical influences can shape the direction or gestation of a film, and the ideas behind choosing music that conflicts with the image or scene, rather than directly complimenting it. Watch below. Read More »