Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we take another look at an Australian gem, remake a movie about cannibalism get swole while asking the eternal question of whether you lift bro and top it off with an uplifting story about boys growing into men.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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IFC Midnight and Dark Sky Films have released a new image and official plot synopsis for Stake Land, one of my favorite films from Fantastic Fest 2010. The movie is a combination of Children of Men. 28 Days Later, The Road, and Y: The Last Man, set in the not too far future, in a post apocalyptic world overrun by vampires. Somewhat episodic, the movie was made on an incredible low budget but they were somehow able to create a world which feels more expansive than most Hollywood films of the same genre. Hit the jump to see a new photo from the film, followed by an official plot synopsis.
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Last night I screened Stake Land — the best film I’ve seen thus far at Fantastic Fest. Stake Land premiered last week at the Toronto International Film Festival, and was completely off my radar until it won the audience award in the Midnight Madness category.
Imagine a film which is a combination of Children of Men. 28 Days Later, The Road, and Y: The Last Man. The movie takes place in the not too far future, in a post apocalyptic world overrun by vampires.
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Last night we got a brief preview of some of the films that will appear in the always-entertaining Midnight Madness lineup at this year’s Toronto International Film Festival. Now we’ve got the full nine, which in addition to the three announced last night (Super, Bunraku and The Butcher, The Chef and the Swordsman) include John Carpenter‘s The Ward, Brad Anderson‘s Vanishing on 7th Street and Insidious, by James Wan.
But TIFF isn’t stopping there: a whole host of other high-profile films were announced for the fest today. They include Clint Eastwood‘s Hereafter, Casey Affleck‘s I’m Still Here, Matt Reeves‘ Let Me In, Dustin Lance Black‘s directorial debut What’s Wrong With Virginia? and the Will Ferrell dramedy Everything Must Go, along with confirmation of Danny Boyle‘s 127 Hours, for which there’s a new photo. (Above.) This year’s TIFF looks like a good one: check info about all the films after the break. Read More »