This trailer made me laugh. In Somebody Up There Likes Me, which originally premiered last year at SXSW, Nick Offerman of Parks & Rec. plays an ascerbic but good-natured guy who… well, it’s possible that he doesn’t actually do a whole lot other than comment drily on things taking place around him. But since it’s Offerman, I can’t say I’m too upset about that.

And while the rest of the trailer may be a bit uber-indie for some people, the kicker gag is a good one. Check out the footage below.  Read More »

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Jesse Eisenberg Joins Cast of ‘Free Samples’

Briefly: You’ve got to appreciate a move like this. Jesse Eisenberg is enjoying justified praise for his work in The Social Network, and will very likely score an Oscar nomination in the deal. So what does he do to follow up the film? He signs on to a small-ish indie dramedy called Free Samples.

The film features Jess Weixler (Teeth) as “a law school drop-out who fills in as a server as a friend’s food truck, where she doles out free samples of ice cream. The job tests her patience, and while she figures out what to do with her life, she finds herself being courted by a young man (Eisenberg) whom she barely remembers from the night before.”

The film is in production now. Jay Gammill (Hello, My Name is Charlie) directs from a script by Jim Beggarly, and Jason Ritter (who was in The Education of Charlie Banks with Eisenberg), Tippi Hedren, Hallie Pfeiffer, Keir O’Donnell, Jocelyn Donahue and Matt Walsh fill out the cast.

Jesse Eisenberg will next be seen in 30 Minutes or Less from his Zombieland director Ruben Fleischer, and voices a character in the animated film Rio. [The Wrap]

2009 Sundance Film Festival Competition Films Announced

The Sundance Institute has announced the first half of the line-up for the 2009 Sundance Film Festival. Included in the first press release are the films in competition in the Drama and Documentary segments. 3,661 feature-length films were submitted this year, which is 37 more films than last year. For the 2009 Sundance Film Festival, 118 feature-length films were selected including 87 world premieres, 19 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. Before we get into the full list, I would like to point out some of the films that particularly interest me. Also, now should be the time for me to admit that I focus more on English-language films, so my foreign picks will probably be lacking.

The Wrestler screenwriter Robert Siegel makes his directorial debut with Big Fan, which stars Patton Oswalt as a parking garage attendant and hardcore New York Giants football fan who struggles to deal with the consequences when he is beaten up by his favorite player. Michael Rapaport also stars. I loved the humor that Siegel brought to The Wrestler, and with Oswalt in the lead – this one is a no brainer.

The Office star John Krasinski makes his directorial debut with a big screen adaptation of David Foster Wallace‘s book Breif Interviews with Hideous Men. The story follows Julianne Nicholson as a doctoral candidate in anthropology who “tries to remedy the heartache” of being dumped with little explanation, by interviewing men about their behavior. Krasinski, Dominic Cooper and Timothy Hutton also star.

In Cold Souls, Paul Giamatti stars as a famous American actor who in the midst of an existential crisis, “explores soul extraction as a relief from the burdens of daily life.” Okay, doesn’t have the best plot description but Giamatti is involved, as well as David Strathairn, Emily Watson, and Lauren Ambrose.


Emmy Rossum stars in Adam Salky‘s feature directorial debut Dare, about “three very different teenagers discover that, even in the safe world of a suburban prep school, no one is who she or he appears to be.” IMDB also provides a different teaser synopsis: “The good girl, the outsider and the bad boy…like you’ve never seen them before.” This is a feature length adaptation of Salky’s 2005 short film which was met with acclaim at film festivals. I’m a sucker for coming of age films.

Everyone is talking about Paper Heart, the film that Michael Cera made under the raydar with his girlfriend Charlyne Yi. The film is apparently a meta-love story with the stars playing themselves (?). The pre-festival hype aside, I would see this film based on Cera’s involvement alone.

Teeth star Jess Weixler returns to Sundance opposite Jason Ritter in a big screen adaptation of Peter and Vandy, the Drama Desk Nominated Best Play that was lauded for its “almost embarrassing intimacy and killer comic timing.” The film tells the story of a contemporary Manhattan love story, told out of order, with no beginning and no end. Festival programer Geoffrey Gilmore says that “One of the themes” of this year’s festival is “the kind of new-generation love story,” … a new “way of telling love stories right now by a new, younger generation that’s different, that’s fresh, that’s original.” This and the Cera film Paper Heart seems to fit into this statement.

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Jeff Daniels stars as the title character Arlen Faber, a reclusive author of a groundbreaking spiritual book awakens to new truths when two strangers enter his life. The film also stars Kat Dennings (Nick and Norah), Olivia Thirlby (Juno, Wackness), and Lauren Gram. The film was formerly titled “The Dream of the Romans“, which is a much better title if you ask me.


In Good Hair, Comedian Chris Rock turns documentary filmmaker when he sets out to examine the culture of African-American hair and hairstyles. I’m not sure if it will be good, like many of Chris Rock’s films, but I’ll always be there for anything the guy creates.

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Documentary filmmaker R.J. Cutler was given unprecedented access for a film titled “The September Issue“. Cutler and crew shot Vogue editor in chief Anna Wintour and her team over the corse of nine months as they prepared the 2007 VogueSeptember issue, widely accepted as the “fashion bible” for the year’s trends. I’ve always been interested in the world of journalism, even if the Fashion world might be a very different realm. And I must admit that The Devil Wears Prada has me very interested to catch this one.

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You can read the full press release (which includes a listing of all the films announced today) after the jump.

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Sundance Horror Movie Teeth Finally Unleashed

TeethOne of the most talked about films at the 2007 Sundance Film Festival was a small indie horror flick called Teeth. The movie is about a High School student named Dawn who has teeth in her vagina. Yes, you read that correctly – teeth in her vagina. I enjoyed the flick, but not as much as most women I spoke to at the fest. I found that most men were extremely disturbed by this flick. Sundance awarded Jess Weixler with the Special Dramatic Jury Prize For Acting. The Weinstein Co and Lionsgate purchased the film at the festival and promised to keep the film uncut. And last I heard, somehow the film earned an R-Rating (which seems almost impossible to me).

Fangoria now reports that the film will finally be getting a theatrical release. Roadside Attractions will be releasing the film in Los Angeles and New York on November 30. Teeth will expand to a small nationwide release in mid-December.

Teeth gets an R-Rating, But How?

Teeth PosterWhen The Weinstein Co and Lionsgate Films picked up Teeth at the Sundance Film Festival, everyone wondered if the film would be release unrated. The dark comedy follows a girl who has teeth in her vagina, and uses her extra set to take revenge against guys that have done her wrong. Harvey Weinstein said he didn’t want to cut the movie to ensure an R rating. And many people speculated that the film would be distributed by Lionsgate as unrated, since the studio is not a member studio of the MPAA. Well, the MPAA has made their judgement and Teeth has been rated R!

That’s right, a film which shows penis decapitation has been granted an R-Rating for the MPAA. The official MPAA database lists the film as Rated R For disturbing sequences involving sexuality and violence, language and some drug use. How did this happen? I saw the film at Sundance, and I can promise you, the version of the film I saw could not have been rated R. The MPAA notoriously hates violence mixed with sex/nudity, and that is what this film is. I wonder if Weinstein went back on his claim not to cut the film or if someone bribed the MPAA committee member (hey, we now know who they are thanks to This Film is Not Yet Rated).

Teeth will be released sometime later this year.

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