Now that Steven Spielberg is back at Universal, many industry insiders have been wondering if the legendary filmmaker will dig into his Amblin archives for some new remakes or sequels. Well, we know two things for sure: He will never remake Jaws or E.T. But what other movies in the Amblin library might he be considering?
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Last month I had the opportunity to visit Pixar Animation Studios and preview the company’s next film The Good Dinosaur. You can read what I learned about the making of The Good Dinosaur here. While at Pixar, I had that opportunity to sit down with a bunch of the creatives behind the film.
After the jump you will find my interview with director Peter Sohn, who I’ve talked to a few times over the years and seems like a great and talented guy. In the interview, Pete talks about some of his favorite movies he recommends to friends, the evolution of the project over the years, how he got involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star of this film, how directing the voice actors for the English version of Miyazaki’s Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own film. All this and more in our Peter Sohn Good Dinosaur interview, after the jump.
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Posted on Thursday, October 29th, 2015 by Jacob Hall
This past July, the Austin, Texas-based Old Murder House Theatre transported Steven Spielberg‘s Jaws to the stage. Their production, a beat-for-beat recreation of the original film with only a few deliberate changes, was a thing of chaotic beauty. On sets made of cardboard, held together with duct tape and a prayer, the cast and crew created a show that was one part parody, one part homage, and one part, uh, something else altogether.
Now, footage from this bizarre and brilliant show has arrived online, giving those who weren’t in attendance a chance to catch the highlights. A YouTube video can’t quite capture the experience of seeing this thing live, but it’s better than not seeing any of it at all.
You can watch the Jaws: Live! footage below, but only if you like good things.
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The promotions for Back to the Future are getting pretty heavy. Just this morning we found out Pepsi was making Pepsi Perfect a reality to coincide with the arrival of the future from Back to the Future Part II later this month, and now the official page for the film is teasing the arrival of a different sequel that fans of the time traveling franchise should be familiar with.
When Marty McFly walks around the town square of Hill Valley in 2015, one of the things he encounters is an outdoor marquee advertisement for Jaws 19, yet another sequel to Steven Spielberg‘s iconic summer blockbuster. And now a teaser trailer has arrived which not only promotes Jaws 19, but also details every single Jaws sequel leading up to it. Read More »
Though you may not know it by name, you’ve undoubtedly seen the dolly zoom (or push pull) shot used in countless movies. It’s the shot that looks like it’s zooming in on something while everything else in the background seems to be getting farther away.
Don’t worry if you can’t picture what this shot looks like on screen, because a new video essay from Vashi Visuals takes a look at 23 versions of the shot throughout the history of cinema. And thankfully, he begins with Alfred Hitchcock’s Vertigo, the film that made the dolly zoom shot famous. Read More »
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Just this week we learned that DreamWorks would not be renewing their deal with Disney when it expires in 2016. And in anticipation of the contract expiring, Steven Spielberg has been in talks with Universal to become the new home to the filmmaker’s production company.
Since this deal was revealed, there’s been a lot of chatter about Universal wanting to reboot Spielberg’s original blockbuster Jaws and the time traveling franchise that he produced, Back to the Future. But these assumptions are being blown out of proportion, and as of now, there’s no real indication that either the studio or Spielberg have any plans to touch those properties.
Find out what we won’t be seeing a Back to the Future or Jaws reboot anytime soon below! Read More »
Since 2009 Dreamworks has enjoyed a deal with Disney that sees Dreamworks films released and promoted through Disney’s machinery, but that could change soon. That Disney deal expires in 2016, and Steven Spielberg is reportedly in talks with Universal to house Dreamworks at that studio.
It’s a business deal that won’t come as a surprise to many, and which might not seem to mean much to people outside of the fact that the Ghost in the Shell film being assembled by Dreamworks could ultimately be released by Universal in the US, instead of Disney.
But there’s one sentence that sticks out in news of a possible Dreamworks Universal deal: “[Spielbeg] also is key on potential reboots of other Universal franchises such as Jaws and Back to the Future.” Those words inspire chills, and not good ones. Read More »
This year marked the 40th anniversary of Steven Spielberg‘s classic thriller Jaws, one of the greatest blockbusters of all-time (actually, the first blockbuster in cinema’s history). Seeing the film in theaters again this year was a special treat, reminding me just how incredible a movie with a simple premise can be. It’s a master class in filmmaking.
And if you’re a big fan of Jaws, then you’re probably always eager to show off your love for the flick. And now some new t-shirts from Fright Rags and Last Exit to Nowhere have made it infinitely easier to do that. Check out the new Jaws shirts after the jump! Read More »
Today, technology allows for some extremely astounding special effects. However, it wasn’t always so easy to produce fantastical elements, sci-fi creatures and plane crashes.
A new supercut has collected some of the worst special effects ever seen on the big screen, and they’re pretty embarrassing to look at. Some of them are bad simply because of when they were created and they just haven’t aged well over time. Meanwhile, others seem to be have been created with little to no budget whatsover.
See some of the worst special effects ever after the jump! Read More »