As Garrett Hedlund continues his negotiations over the lead role of Kaneda in Warner Bros.’ Akira remake, the studio and director Jaume Collet-Serra are wasting no time filling in the other roles as well. Buried in one report about Hedlund starring in the film was a tidbit about Keira Knightley being approached for the project. Though her possible role has not been revealed, I’m guessing she’s up for the part of Kaneda’s love interest Kei, member of an underground rebel group.

Knightley’s involvement is far from a done deal at this point, as she’s yet to enter talks. Helena Bonham Carter and Gary Oldman, who were also given offers last month, apparently aren’t any farther along in the process either. Still, the fact that they’ve been approached at all suggests the filmmakers are hoping for a certain caliber of talent for the movie. (Not to mention a certain level of British-ness.) Knightley and Bonham Carter have both been nominated for Oscars in the past, and while Oldman has somehow escaped that honor, it’s not for lack of deserving. [The Hollywood Reporter via The Playlist]

After the jump, another potential project for Gary Oldman, while Jane Campion gets Holly Hunter, Elisabeth Moss, Peter Mullan, and David Wenham to sign on for her latest.

Read More »

.

Please Recommend /Film on Facebook

oscar_headerGriping about the arbitration of those Oscar folk at the Academy of Motion Picture Arts and Sciences seems to be a rather popular sport, and one in full season right now. For some reason, the most frequent complaints seem to revolve around the terms of admission to the music categories.

You may recall the hubbub when Johnny Greenwood’s music for There Will Be Blood was denied eligibility, or when the song Falling Slowly from Once was challenged. The song was ultimately allowed to compete after AMPAS deemed it had been initially conceived for the film despite appearing elsewhere before the film was completed. This year’s victims would appear to be Karen O, T Bone Burnett and Brian Eno. What do all of these people have in common? They’re from the world of pop music, not specifically film composition. Surely somebody will cry “Prejudice!”?

Of course, it’s not that simple because the scores for the latest Harry Potter, The Blind Side, Bruno and Funny People have also been scratched off the list this year – though I suppose the involvement of sometime pop musician Jason Scwhartzman in the Funny People score wouldn’t go unnoticed.

Read More »