Posted on Wednesday, October 15th, 2014 by Angie Han
Last year’s Top of the Lake was Jane Campion’s first TV project since An Angel at My Table in 1990. However, she’s not waiting quite so long to return to the small screen next time. She’s currently developing a second season of Top of the Lake with Gerard Lee, who co-wrote the original.
The first season centered on Robin (Elisabeth Moss), a New Zealand detective investigating the disappearance of a pregnant 12-year-old in a small town. It’s unclear whether Moss or any of her co-stars will return, as very few details have been revealed so far about Season 2. But the first season was excellent, and I for one am eager to go wherever Campion wants to take me next. [Screen Daily]
After the jump, get details on the Monster-in-Law and In Good Company TV series, plus Steve McQueen’s new star.
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Jane Campion‘s last film was the truly excellent Bright Star, and after a movie like that I’d normally leap at any opportunity to see the director’s next effort. But I missed Campion’s new mini-series Top of the Lake at Sundance, because doing the project justice required a seven-hour commitment, and I couldn’t make that work at the fest.
On television, however, Top of the Lake has room to stretch. This trailer for the procedural suggests that the relatively short time investment is one very much worth making. Top of the Lake stars Elisabeth Moss (Mad Men) as an investigator who leads the search for a missing girl in an unusual, challenging township. The impressive supporting cast also includes actors such as Peter Mullan, David Wenham, and Holly Hunter, who could be mistaken as playing Campion.
Check out the trailer below. Read More »
Posted on Friday, November 4th, 2011 by Angie Han
As Garrett Hedlund continues his negotiations over the lead role of Kaneda in Warner Bros.’ Akira remake, the studio and director Jaume Collet-Serra are wasting no time filling in the other roles as well. Buried in one report about Hedlund starring in the film was a tidbit about Keira Knightley being approached for the project. Though her possible role has not been revealed, I’m guessing she’s up for the part of Kaneda’s love interest Kei, member of an underground rebel group.
Knightley’s involvement is far from a done deal at this point, as she’s yet to enter talks. Helena Bonham Carter and Gary Oldman, who were also given offers last month, apparently aren’t any farther along in the process either. Still, the fact that they’ve been approached at all suggests the filmmakers are hoping for a certain caliber of talent for the movie. (Not to mention a certain level of British-ness.) Knightley and Bonham Carter have both been nominated for Oscars in the past, and while Oldman has somehow escaped that honor, it’s not for lack of deserving. [The Hollywood Reporter via The Playlist]
After the jump, another potential project for Gary Oldman, while Jane Campion gets Holly Hunter, Elisabeth Moss, Peter Mullan, and David Wenham to sign on for her latest.
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Griping about the arbitration of those Oscar folk at the Academy of Motion Picture Arts and Sciences seems to be a rather popular sport, and one in full season right now. For some reason, the most frequent complaints seem to revolve around the terms of admission to the music categories.
You may recall the hubbub when Johnny Greenwood’s music for There Will Be Blood was denied eligibility, or when the song Falling Slowly from Once was challenged. The song was ultimately allowed to compete after AMPAS deemed it had been initially conceived for the film despite appearing elsewhere before the film was completed. This year’s victims would appear to be Karen O, T Bone Burnett and Brian Eno. What do all of these people have in common? They’re from the world of pop music, not specifically film composition. Surely somebody will cry “Prejudice!”?
Of course, it’s not that simple because the scores for the latest Harry Potter, The Blind Side, Bruno and Funny People have also been scratched off the list this year – though I suppose the involvement of sometime pop musician Jason Scwhartzman in the Funny People score wouldn’t go unnoticed.
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