Briefly: Hopefully we’ll be all done with the casting updates for The Three Stooges by later this week. Our last update was that Will Sasso was looking like a lock for one role, with Moe and Curly as the 50/50 split for his choice. Curly was the obvious way to cast him, and that’s where Peter and Bobby Farrelly have gone.
So that’s one down, and with Will Sasso set as Curly, the Farrellys are free to cast the other Stooges. Word is they’re looking at Hank Azaria and James Marsden. Read More »
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Universal Pictures’ Illumination Entertainment (the guys behind the computer animated feature Despicable Me, have released a third movie trailer for the upcoming Russell Brand Easter Bunny comedy Hop. Watch it now embedded after the jump. Please leave your thoughts in the comments below.
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Belgium has an international profile in some circles — it is a resource for joke writers and beer connoisseurs — but in the film world it is more notable as a location or reference (In Bruges, The Brothers Bloom) than as the base for a thriving Flemmish-language film industry. But there are the occasional breakout pictures, and the thriller Loft was one. The 2008 film was a local hit, and is now spawning an English-language remake that will likely star Patrick Wilson and James Marsden. Read More »
In Hop, from Alvin and the Chipmunks director Tim Hill, Russell Brand voices a CGI version of the Easter bunny and James Marsden plays the human who gets stuck taking care of him. Well, it isn’t the Easter bunny exactly, but a young bunny who has been tapped to be the next global deliverer of eggs and candy. Close enough.
We’ve seen one teaser, which basically consisted of a CGI bunny playing drums, but now there is a full trailer. If you think you can be convinced that this idea is a good one, by all means press on to the point beyond the break. Read More »
Despite the headline proclaiming that Russell Brand voices the Easter Bunny in Hop — and, indeed, he does — there’s nothing to that effect in this teaser. All you’ll see of the film is some drumming bunny animation. And what of the story with James Marsden playing a guy who takes in the Easter Bunny after he accidentally injures the not quite mythical beast? None of that here, folks. But it does inform audiences that the film is from the folks behind Despicable Me. Check out the teaser after the break. Read More »
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Want to see Russell Brand play the Easter Bunny? You won’t be able to see him do so, exactly, but you’ll hear his voice bringing the venerable Hallmark card company mainstay to life in I Hop. Described as “the world’s worst houseguest,” Brand’s bunny is accidentally injured by an unemployed slacker played by James Marsden, who then allows the holiday creature to crash at his house. As one might expect, wacky hijinks ensue.
The film is planned as a live-action / CGI blend, which seemingly describes a great many movies these days, but in this case is meant to imply that Brand’s Easter Bunny will be CGI while the rest of the film is live action. Tim Hill (Alvin and the Chipmunks) is directing. The script is by Cinco Paul, Ken Daurio and Brian Lynch. The trade report says that both characters eventually “learn what it takes to finally grow up,” but hopefully they’ll do the growing up during the credits, and leave most of the movie to the funny stuff. [THR]
After the break, Naomi Watts moves into a house with Daniel Craig. Read More »
Screen Gems has released the first trailer for Chris Rock-produced re-imagining of Frank Oz‘s 2007 British comedy Death at a Funeral. Although Oz’s original was well-received by many critics, it didn’t get very much traction with theatergoers, drawing only a niche audience. The new film has a primarily African-American cast and focuses on a funeral that “devolves into a debacle of misplaced cadavers, indecent exposure and family secrets.” Basically, they have decided to remake an English-language film, dumbing down the jokes, in an effort to attract a more black audience (and to clarify: this comment is a statement on Hollywood chooses to treat ticket-buying African-Americans, and not a statement on the intelligence of that audience). It seems completely unnecessary. If you think that sounds horrible, watch the trailer — it’s much worse.
The remake was directed by Neil LaBute (In The Company of Men, The Wicker Man, Lakeview Terrace), was written by Dean Craig (Caffeine), and stars Chris Rock, Martin Lawrence, Tracy Morgan, Danny Glover, Regina Hall, James Marsden, Zoe Saldana, and Columbus Short. Watch the trailer now embedded after the jump. Leave your thoughts in the comments below.
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During the Warner Bros. panel this morning in Hall H, Richard Kelly took the stage, alongside stars Cameron Diaz and James Marsden, to show off four minutes from his upcoming film The Box. This footage gave a much better indication than the first trailer of the scope of the film, and also was the public debut of the music by Win Butler and the Arcade Fire. The vibe had a lot of classic Twilight Zone feel, and the music conjures up tones of suspense from the ’60s and ’70s. Then add the sort of effects you’d expect to see from Kelly. (Think shimmering water and energy fields.) Some comments and description of the footage is after the break. Beware, though, that a variety of mild and severe spoilers follow. Read More »
Variety have named Kate Bosworth and Alexander Skarsgard, alongside the previously cast James Marsden, as the three key players in the Straw Dogs remake. Marsden will be playing a screenwriter relocating to Mississippi from LA, Bosworth his wife who travelled to La La Land with aspirations to become an actress, and Skarsgard her high school boyfriend who sees her return home to Mississippi as a way to reignite his lost reputation in the town.
When I heard that Straw Dogs is being remade, I wanted to hear that it would be handled by a director as unflinching and uncompromising as Sam Peckinpah, helmsman of the original (Chan Wook Park would have been ideal, for example). That it is Rod Lurie in charge, sometime film critic now best known for (occasionally polemical) political dramas like The Contender or TV’s Commander In Chief, leaves me both weary and a little curious. Whatever else he may or may not be, Lurie certainly isn’t a guy to pursue an easy gig with a simple knock-off cash in.
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