Before composer James Horner tragically passed away last summer, he was working on a gift for filmmaker Antoine Fuqua. Last year, Fuqua and Horner collaborated on the boxing drama, Southpaw, and the two had discussed reuniting for the upcoming remake of The Magnificent Seven. Without seeing any footage — or really discussing the potential score with Fuqua, either — Horner went ahead and starting composing music for the film, much to Fuqua’s surprise. The composer’s generosity didn’t stop there, either, as he paid to put the score together himself and, according to Fuqua, he was the one that convinced him he had to make The Magnificent Seven.
Below, learn more about James Horner’s The Magnificent Seven score and how he encouraged The Equalizer director to move forward with the remake.
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In addition to fantastic artwork, Mondo has also been churning out some incredible, exclusive vinyl albums for some of your favorite film scores and soundtracks. And kicking off 2016 with a bang is a vinyl re-release of the late James Horner’s score for Star Trek: The Wrath of Khan. Making this vinyl even sweeter is some stellar cover art created by Matt Taylor, but the real draw is that this vinyl has the extended score on two LPs. Read More »
Last month brought the tragic and surprising news that Oscar-winning composer James Horner had died in a plane crash at 61 years old. It was certainly a crushing blow to the world of cinema that had been so touched by his incredible scores for films such as Titanic, Braveheart, A Beautiful Mind, Aliens, Field of Dreams and more.
At the time, it looked like his last two contributions to the big screen as a composer were going to be Antoine Fuqua’s boxing drama Southpaw (in theaters this week) and the Chilean miner drama The 33, starring Antonio Banderas. However, we may hear even more new music from James Horner in the remake of The Magnificent Seven, because Horner secretly composed music for the film before he died.
Find out more about how James Horner composed The Magnificent Seven score already after the jump! Read More »
The film world is still reeling from news of a plane crash that appears to have taken the life of Oscar-winning composer James Horner. I say “appears” because Horner’s own attorney remains unable to confirm the composer’s death, more than twenty-four hours after the crash. A statement was released, however, saying “Although we are all awaiting official confirmation that our dear friend and client James Horner was in fact the pilot, we are shocked and deeply saddened to learn that his single-engine aircraft was involved in a fatal crash yesterday morning in northern Ventura County.” A confirmation seems like a formality at this point, given everything we do know.
Other filmmakers are speaking out about Horner’s passing and his influence. James Cameron‘s film Aliens led to Horner’s first Oscar nomination and also caused a rift between the two men that wasn’t healed for a decade. The two reunited to work on Titanic, which led to two Oscar wins for Horner, and they paired again another decade later for Avatar.
Now Cameron has released an extensive remembrance of James Horner, some of which you can read below. Read More »
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James Horner, the Oscar-winning composer whose scores are an integral part of films such as Star Trek II: The Wrath of Khan, Aliens, Braveheart and Titanic, is dead after his personal plane crashed.
A small plane registered to Horner went down this morning outside Santa Barbara CA, killing the pilot and destroying the plane. Horner’s attorney confirmed to THR that the plane belonged to the composer, and multiple sources later confirmed his death. He was 61. Read More »
It goes without saying that James Cameron has a lot more story to tell in the universe first seen in Avatar. As it stands now, three sequel films are in development, and if all goes according to plan they will be released each year starting in 2017. However, according to one of Cameron’s frequent collaborators, there may be more.
James Horner, the Oscar-winning composer of Titanic who also did Avatar and Aliens, said that Cameron currently has a script for a fourth sequel – let’s call it Avatar 5 – that he’s trying to condense back into the previously planned three sequels. Read more about the Avatar sequels below. Read More »
“Creative differences” is that oft-cited reason that people bail on movie projects, but that can also be a big problem when making any film, especially one with a hefty financial burden. Look at the Spider-Man series of films from Sony. Sam Raimi’s third film was evidence of heavy arguments and influence from producers who wanted one thing and a writer/director team that wanted others. Creative differences helped push Raimi away from the series. Now, with Marc Webb’s pair of films, “creative differences” is a plague on Spider-Man. Webb apparently wants certain things — character, plot — and producers want action and toy sales.
James Horner did the music for Marc Webb’s first Spidey film, The Amazing Spider-Man, but he wouldn’t do the sequel because The Amazing Spider-Man 2 “ended up being so terrible, I didn’t want to do it. It was just dreadful.” Anyone who saw the film, however, knew it ended up being terrible. That isn’t news. What’s interesting in Horner’s comments is the fact that the producers weren’t interested in Webb’s input at all. Read More »
Oscar-winning composer James Horner has been hired by director Gavin Hood to write the music for Ender’s Game. The film, scheduled for release November 1, stars Asa Butterfield as a kid-genius recruited to space so he can train as a military leader. Harrison Ford co-stars along with Hailee Steinfeld, Ben Kingsley, Viola Davis, Aramis Knight, Moises Arias and others. Read More »
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After the jump you can find a few videos I was hoping to run today on the site, including:
- A featurette taking us into composer James Horner‘s recording of the score for The Karate Kid.
- Four minutes of The A-Team
- The Minions from Despicable Me invade LA’s The Grove, an interested marketing experiment with a studio-sponsored flash mob
Watch all three clips, after the jump.
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