Robocop Black

If Jose Padilha‘s RoboCop wasn’t called “RoboCop,” it would be much easier to embrace. While this remake evokes and/or borrows many designs and big ideas from Paul Verhoven’s 1987 original, the meat of the story is almost totally unique, giving it the feel of a completely different movie. Obviously, that was the point, but by simultaneously differentiating itself while also staying beholden to the original, the film is burdened with the weight of expectations and analysis of the original film.

That burden aside, Padilha has made a pretty solid movie. It has a lot to say and it delves into facets of the Alex Murphy character we’d never seen before. The story is global; the influence of media and government plays a huge role. There’s some really intense action, which takes a back seat to myriad points of social commentary and morality. Those points give the film a seemingly unique voice, but it doesn’t work as a cohesive piece. Padilha has brought together a strong cast with beautiful music and camerawork to make a movie much better than one would expect, but nowhere near what you’d hoped. Read More »

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With Jackie Earl Hailey having officially declawed Robert Englund and become Freddy Krueger for a new and possibly even-more-horrific decade, an extensive documentary on the franchise, A Nightmare on Elm Street, and the series’ tremendous contribution to horror is both relevant and overdue.

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