Before you get all nervous, The Last Airbender: The Legend of Korra is a not a sequel to M. Night Shyamalan’s multiple Razzie award winning (or is it losing) film The Last Airbender. It is, however, a sequel to the wildly popular and critically acclaimed animated television show Avatar: The Last Airbender on which that crappy film was based. Set 70 years in the future, The Legend of Korra follows a new Avatar named Korra whose attempts to master the final element, air, leads her to a brand new, steampunk influenced city. After the jump, check out two images from the show, a detailed description as well as the full cast list that includes Lost‘s Daniel Dae Kim, Aliens‘ Lance Henriksen and Spider-Man‘s J.K. Simmons. Read More »
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One of the films at Sundance was The Music Never Stopped, which boasts a rare leading performance from beloved character actor J.K. Simmons. The story is based on a case documented by Oliver Sacks in the story The Last Hippie (published in An Anthropologist on Mars) in which a man suffers a massive brain tumor that prevents him from remembering anything that took place after the ’60s. J.K. Simmons plays the father of the man (Lou Taylor Pucci) and the film chronicles their ongoing rehabilitation through music. Read More »
Hope everyone is having a pleasant Saturday afternoon. Writing this latest Uwe Boll item poolside recalls the floater scene in Caddyshack, so let’s make it short and easy. Next weekend, Boll’s Postal, based on the “shocking” videogame, was set to open against Spielberg’s Indiana Jones, but its domestic theatrical roll-out has been greatly reduced from 1,500 screens to five (or less, depending on where you look). Slashfilm received a press release (is that Boll’s personal email? LOL.) in which Boll cites a conspiracy launched by exhibitors (the government?) to counter his film’s “infuriating” imagery, like that above. Keep in mind that a Dubbya doppleganger was just seen lacing joints with coke in Harold and Kumar 2, so Boll’s conspiracy claims are typically unfounded and shitrageous…
“Theatrical distributors are boycotting Postal because of its political content,” says Boll. “We were prepared to open on 1500 screens all across America on May 23rd. Any multiplex in the U.S. should have space for us, but they’re afraid. We have even tried to buy a few screens in New York and Los Angeles, and they won’t let us even rent the theaters! I urge independent exhibitors to contact us and book Postal! Audiences have been expecting the film and I don’t think exhibitors should censor what gets played in U.S. theaters.”
Postal boasts a few respectable names like Jason Reitman’s go-to man, J.K. Simmons, TKITH‘s Dave Foley and far less respectable names like Verne Troyer and Uwe Boll. Peter saw the flick a while ago and said it wasn’t Boll’s worst offender, which is sort of like saying, “Grandma had a good day today.” It’s pretty bad when Boll’s films don’t even flop anymore, they just crawl onto Slashfilm pre-release and cease. So, pay your quick condolences and then continue exploring Liberty City.
Discuss: RIP Postal. The Boll petition has over 250,000 signatures.
Since Jason Reitman announced that his next movie will be a book adaptation, we’ve been trying to figure out which property he might be adapting. Reitman’s hint of “‘Thank You for Smoking,’ but instead of political it’s corporate” led many to believe that he might be working on a big screen adaptation of Max Barry’s Company. This was quickly debunked when Reitman appeared on the Howard Stern Show and gave out more details. Finally Latino Review has solved the mystery.
Jason Reitman will be making a big screen adaptation of Walter Kirn‘s Up in the Air, which tells the story of Ryan Bingham, a guy with a simple goal: to accumulate one million miles in his frequent flyer account.
“Bingham’s job as a Career Transition Counselorâ€“he fires peopleâ€“has kept him airborne for years. Although he has come to despise his line of work, he has come to love the culture of what he calls “Airworld,” finding contentment within pressurized cabins, anonymous hotel rooms, and a wardrobe of wrinkle-free slacks. With a letter of resignation sitting on his boss’s desk, and the hope of a job with a mysterious consulting firm, Ryan Bingham is agonizingly close to his ultimate goal, his Holy Grail: one million frequent flier miles. But before he achieves this long-desired freedom, conditions begin to deteriorate. With perception, wit, and wisdom, Up in the Air combines brilliant social observation with an acute sense of the psychic costs of our rootless existence, and confirms Walter Kirn as one of the most savvy chroniclers of American life.”
The book was named one of Amazon.com’s Best of 2001. Time Out New York called Up in the Air “a hilarious, often ingenious ode to America.” The Washington Post called it “A dead-on, wry portrait of the life of the road warrior.” Another one of Walter Kirn’s novels, Thumbsucker, was adapted as a feature film back in 2005.
Jason has said that he plans to direct Up in the Air for around $112 to $15 million, later this year before he moves on to Pierre Pierre. Jason has already revealed that he wrote one of the roles for Reitman regular J.K. Simmons (who played Ellen Page’s father in Juno and Aaron Eckhart’s boss in Thank You For Smoking).
Jason Reitman has been very tight lipped about his next film project. What we know so far is that he was working on a screenplay when he came across Diablo Cody’s Juno script (prompting him to cease work on said mystery script). MTV was able to squeeze a few more details out of Retiman
“Yeah, I’m writing something,” he grinned, cryptically. “I’m going to direct it at the end of the year. And no, I haven’t told anyone what it is yet.” “It’s a comedy and a drama [book adaptation]. Think ‘Thank You for Smoking,’ but instead of political it’s corporate.”
He also revealed that he is writing one of the roles for Reitman regular J.K. Simmons (who played Ellen Page’s father in Juno and Aaron Eckhart’s boss in Thank You For Smoking).
So I want to send this question out to the /Film Readers: Does anyone have any ideas which book Reitman could be adapting? Tell us in the comments below!
We’ve been following Jason Reitman’s career for some time now. Ever since we peeped his incredible short film In God We Trust on Atom Films several years ago. Jason is of course the son of Ghostbusters and Animal House director Ivan Reitman. But he’s not standing it Ivan’s shadows. He’s been making a name for himself. His last indie flick, Thank You For Smoking was both critically acclaimed and publicly accepted. Until now all we’ve known about his next film Juno, was that it involved a young woman dealing with an unplanned pregnancy. Our good friends at Fox Searchlight have sent us the official plot synopsis:
JUNO (Ellen Page) is a whip-smart teen confronting an unplanned pregnancy by her classmate Bleeker (Michael Cera). With the help of her hot best friend Leah (Olivia Thirlby), Juno finds her unborn child a “perfect” set of parents: an affluent suburban couple, Mark and Vanessa (Jason Bateman and Jennifer Garner), longing to adopt. Luckily, Juno has the total support of her parents (J.K. Simmons and Allison Janney) as she faces some tough decisions, flirts with adulthood and ultimately figures out where she belongs.
Sounds interesting, and it sure has a great cast. Searchlight has also announced that they will give the film a platform release (ala Little Miss Sunshine) starting on Friday, December 14th, 2007 (just in time for award season).
And if you haven’t yet watched Jason’s first film, the short we mentioned earlier – In God We Trust, check it out after the jump.
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