Here’s a batch of casting news to tide you over until the next Page 2. Viola Davis, always a great actress and whose appearance in Doubt nearly owns the entire film, has taken two roles. One is in It’s Kind of a Funny Story, where she’ll work with…Zach Galifianakis? The film is about a depressed teen who checks himself into an adult psych ward. Davis will be his psychiatrist. If Galifianakis was playing the teen I’d be amazed, but that’s not likely to be the case.
The other film for Davis is Trust, which is not a remake of the great Hal Hartley film with the late Adrienne Shelley and Martin Donovan. Instead, this is David Schwimmer‘s next directorial effort, in which a teen girl is ‘victimized by an adult who gained her trust posing as a teenager on a chat room.” Clive Owen and Catherine Keener are already in the cast; Davis will play a counselor. Watch out for that typecasting, Viola! [Variety] Read More »
It’s Kind of a Funny Story is the title of an upcoming Zach Galifianakis dramedy from the writer/director team behind Half Nelson and their rising gem Sugar. And in a way, the line also describes wild-man Nicolas Cage‘s reasoning for recently bailing on the The Green Hornet. These tidbits of casting news after the jump…
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Like Half Nelson and Sugar before it, It’s Kind of a Funny Story is to be directed by Ryan Fleck and produced by Anna Boden from a screenplay that they wrote together. We knew the picture was in the works some time ago but The Hollywood Reporter is today announcing that Focus Features will “finance, produce and distribute” it. Of course, with the label ‘indie’ not in any way being related to independence, the film will ultimately be considered an ‘indie’ film. People sure do like that idea.
The Hollywood report lets us know that the film was previously being developed at Paramount, who appear to have placed it in turnaround, and is adapted from Ned Vizzini‘s novel of the same name that was published by Miramax Books. Interestingly, the novel is described as being for “young adults,” suggesting a possible shift of target for Fleck and Boden from the very adult-oriented material of their first two films. And yes, I know one of the two key protagonists in Half Nelson was a kid. It doesn’t change a thing. That film was aimed clearly aimed at an adult audience.
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