The work of Joel and Ethan Coen owes much to many who went before them, but they have few equals. There is no body of work quite like theirs in the post-1980 film landscape. Even in the decades prior, only a handful of directors — Billy Wilder and Preston Sturges prominent among them — can rival the wellspring combination of humor, humanism, and pure verve that the Coens seem able to tap into almost at will. When all is said and done, the Coens will likely stand as two of the very best filmmakers, period. And we get to be around as they release new films every couple years. What a joy that is.
The Coens’ new film, Inside Llewyn Davis, premiered at Cannes this past weekend. Immediately it became the toast of the festival (so far), with effusive reviews praising its tone, humor, and performances. We’ve rounded up a few below, just to give you a hint of what’s being said, some of which helps put footage from the trailer into more context. Read More »
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There’s a new film from Joel and Ethan Coen this year, and that is a wonderful thing. The first footage we saw from the movie, Inside Llewyn Davis, announced a preview screening and introduced us to the folk singer played by Oscar Issac, and to characters played by Carey Mulligan, John Goodman and a few others. (Along with a cute cat.)
A new red-band trailer changes just a few things from that first look — a bit of Carey Mulligan’s dialogue is cut, as is one telling shot of John Goodman, and there are a few extra shots at the end to help ID the cast. (As with the prior trailer, this is “red-band” only for a bit of cursing.) Not that the changes really matter, as the effect is much the same. If you didn’t see the screening invite trailer when we posted it in January, here’s your chance to follow along.
Look at it this way: the takeaway here is that this trailer has just a bit of new footage, and for Coen fans that’s probably enough. There’s also a new poster to go along with the film’s Cannes debut. Both are below. Read More »
It’s great that folks in Cannes will get a chance to see Inside Llewyn Davis, the new film from Joel and Ethan Coen, later this month. But for the rest of us… how does December sound? Not so great, right? I’ll take a release date inside this calendar year for a new Coen Brothers movie over no date at all, but that December date won’t even put the film in theaters nationwide. It’s an award-qualifying run, which will lead to an expansion starting December 20. More info is below. Read More »
Good news for Coen Brothers fans: the pair’s new film, Inside Lleywn Davis, has a home. CBS Films bought the movie for US theatrical distribution. We don’t have a release date yet, though we can likely expect to see it this year. A trailer for the film was released in January, but that won’t be the final look at the indie that Joel and Ethan Coen shot last year. (The movie was the first one they did in many years without any studio or distributor backing.)
The film stars Oscar Isaac as the title character, a folk singer navigating life in New York in the ’60s. The supporting cast includes Carey Mulligan, John Goodman, Garrett Hedlund, F. Murray Abraham, and Justin Timberlake. Read More »
Posted on Monday, January 28th, 2013 by Angie Han
Superheroes aren’t the only ones showing off their goods today. A batch of new photos have dropped for a trio of highly anticipated releases that don’t involve flowing capes or secret powers (at least, that we know of): Ti West‘s The Sacrament, Joel and Ethan Coen‘s Inside Llewyn Davis, and Terrence Malick‘s To the Wonder. Check them out after the jump.
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Posted on Thursday, January 24th, 2013 by Angie Han
For their follow-up to 2010’s True Grit, Joel and Ethan Coen are heading to a whole other time and place. Based on the memoir The Mayor of MacDougal Street by musician Dave Van Ronk, Inside Llewyn Davis follows the a rising singer-songwriter (Oscar Isaac) through the folk music scene in ’60s New York. The film’s been at the top of my most-anticipated list pretty much since the moment I heard about it, and today we finally have a look at some footage. Watch the first trailer after the jump, but be warned that it contains a bit of salty language.
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Posted on Monday, December 31st, 2012 by Angie Han
The thing about these most-anticipated lists is that they can’t help but be woefully underinformed. While a few of the earlier 2013 releases have already revealed trailers or received film festival attention, others haven’t unveiled so much as an official still. So I’m going mostly by instinct, and as a result I will doubtlessly cringe at some of my misguided predictions when I look back on this list a year from now.
But that’s all part of the fun, of course. What’s exciting about a new year of movies isn’t any one specific title, but the hundreds of new opportunities it offers to be moved, thrilled, delighted, or surprised. That said, there are a few movies I’m especially eager to get to, and you can read my picks for 2013 after the jump.
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Posted on Monday, September 17th, 2012 by Angie Han
Inside Llewyn Davis gets a spot on our most-anticipated list simply because it’s a new Coen Brothers project, but so far it’s been tough to get a good sense of what the film will actually be like. We’ve seen a few stills and have a basic idea of the premise, but no clips, teasers, or trailer have been revealed as of yet.
Over the weekend, however, actor Oscar Isaac offered another tantalizing taste of the goods to come during an event for his other new movie 10 Year. Isaac, who plays the titular ’60s folk singer in the Coens’ movie, picked up a guitar to perform “Dink’s Song” from the Inside Llewyn Davis soundtrack. Watch it after the jump.
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This is pretty thin stuff, but it is a tidbit of new info — or corroborated info — about the new Coen Brothers film, Inside Lleywn Davis. We know that the inspiration for the movie is New York’s East Village folk scene that defined part of the musical landscape of the early ’60s, and that Oscar Isaac plays the title character, who is loosely based on real folk musician Dave Van Ronk. And Isaac confirms the execution of a plan that we’d heard for the film early on, with respect to how music would end up in the feature. Read More »