i'll have what she's having review

When I first saw When Harry Met Sally the summer after middle school, I thought it was revolutionary. No romantic comedy I’d seen before was so frank, so funny, so real. Admittedly, my rom-com education had been lacking up until then, primarily filled by early Kate Hudson and Jennifer Lopez schmaltz. It’s no exaggeration to say that Nora Ephron changed how I viewed romantic comedy.

Erin Carlson’s I’ll Have What She’s Having: How Nora Ephron’s Three Iconic Films Saved the Romantic Comedy makes just that conclusion as well — on a much broader scale. Carlson’s book, which explores Ephron’s unlikely rise from acerbic essayist to the queen of romantic comedy, turns a loving eye towards her three most famous movies and the people behind all their moving parts. It’s a nostalgic, frothy read punctured by moments of insight from Carlson and melancholy from Ephron’s own life, as well as the underlying struggle of female creatives in the male-dominated Hollywood.

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