Posted on Tuesday, February 12th, 2013 by Russ Fischer
David Lynch got his filmmaking start with short films, and of late the short form seems to be what he’s most interested in whenever he goes back to the moving image. One of his latest works is a short called Idem Paris. Like his early film shorts, it represents an intersection between the worlds of film and art, albeit in a different form.
Anyone looking for a narrative experience here is going to be disappointed, as the film is essentially a documentary, free of any narration, that watches lithographic printmakers at work in a facility in Paris.
But those who appreciate Lynch’s affinity for tone may welcome this short. The high-contrast black and white images, the focus on specific machinery, and the clanking and hissing array of sounds within all call back to Lynch’s early shorts, and his feature debut Eraserhead. Read More »