HBC canceled Heroes in 2010, but if you read comic books, you know that superheroes are never dead. They always return somehow, usually as part of a event series which is marketed to make a few extra bucks. And this is no different.
NBC and Tim Kring have announced a new 13 episode miniseries called Heroes Reborn coming in 2015. Sound slike NBC is following Fox’s plan of limited event series. It might also help that the Marvel Cinematic Universe blew up since the show’s departure. Marvel fans have been mostly disappointed with Agents of SHIELD, and I’m sure NBC ‘s show hopes to be able to deliver superhero action that ABC has yet to.
They wouldn’t reveal many details, stating only that “we won’t rule out the possibility of some of the show’s original cast members popping back in.” NBC will also be launching a digital series (read: webseries) prior to the premiere that will “introduce the characters and new storylines.” Read the full press release after the jump, along with a short teaser trailer.
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Who is writing the music for Marvel’s Agents of S.H.I.E.L.D.? Want to see new footage from The Wolverine and R.I.P.D.? What channel will be airing new information on Guardians of the Galaxy? Will Saoirse Ronan be in The Avengers 2? Was an Honest Trailer made for X-Men Origins: Wolverine? What does Edgar Wright think of Man of Steel? Does Ryan Reynolds want to appear in X-Force? Is the TV show Heroes returning? Read about all this and more in today’s Superhero Bits. Read More »
Earlier this month we published the list of the most pirated movies of 2010. Today we bring you the listing of the most pirated television series of 2010. The number one show seems pretty obvious to me… Any guesses? See the full list after the jump.
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If you’ve been reading /Film for a while, then you know my obsession with minimalistic movie poster design. We’ve featured many of these simple 2-4 color streamlined posters on the site in the past, but never anything having to do with television. Graphic artist Albert Exergian has created a bunch of minimalistic posters for some of television’s most popular shows. And while these aren’t as conceptually clever as what I’m used to, I can still appreciate many of these. I’ve included a sample after the jump. You can buy prints of many of these posters for £50.00 on Blanka.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
Please don’t take the commentary on the movies and TV shows too seriously, as they’re meant not to be reviews but rather previews that include the general thoughts and ramblings of a twice-committed DVD addict. The categories represent solely the author’s intentions towards the films at hand, and are in no way meant to be a reflection on what he thinks other people should rent or buy. So if he ends up putting a movie you like in the “Skip it” section without having seen it, please keep in mind that the time you could spend leaving a spiteful but ultimately futile comment could instead be used for more pleasant things in life. Like buying DVDs.
STATE OF PLAY
A love note to newspapers and old-school reporting, State of Play overcomes its more conventional aspects–most of which relate to the overall murder mystery/conspiracy plotline–with a fascinating (if not altogether realistic) look at investigative journalism and one man’s attempts to discover the truth. If that too sounds at all familiar to dozens of other thrillers following the lone-protagonist-trying-to-unravel-a-conspiracy story arc, that’s understandable, as even those aspects of the film tread familiar waters. In this particular respect though, the similarities are mostly superficial. Rarely before has the process of finding out information been handled so thoughtfully as in State of Play, and with such great pacing and intelligence. This movie is popcorn entertainment at its finest. On the surface, it’s a thoroughly engaging thriller that’s both well-written and directed, but look past the glossy veneer, and it also addresses a number of thought-provoking issues such as how people consume news and the current state of journalism. It’s well worth a watch.
Notable Extras: DVD & Blu-ray – Making-of featurette and deleted scenes.
|BEST DVD PRICE
|Amazon – $15.99
|BEST BLU-RAY PRICE
|Amazon – $25.99
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As Comic Con approaches, we’ll be learning more and more about what we can expect at this year’s geek fest.
First up, I’ve learned that Derrick Comedy’s Mystery Team will not only have a booth on the convention floor, but will be holding a panel and a special sneak preview screening at the con. No word on the exact dates. Writers/stars Dominic Dierkes, Donald Glover, and DC Pierson, producer Meggie McFadden, and director/editor Dan Eckman will be on hand at the panel debuting an all-new Mystery Team short film. On the convention floor:
Come bust kid criminals with Oakdale’s best eighteen-year-old kid detectives the Mystery Team in their storefront slash crime lab. Meet the filmmakers, take pictures with actual setpieces, and submit a mystery of your own for solving.
Next up, Donnie Darko/Southland Tales director Richard Kelly says he will be making an appearance at the con to promote his upcoming sci-fi thriller The Box, starring Cameron Diaz, James Marsden and Frank Langella. The panel will take place on Friday, July 24th as part of the Warner Bros presentation. Cameron, James and Richard will be in attendance to present a first look at the trailer and “other cool stuff.”
More after the jump.
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It looks like television mastermind Bryan Fuller is following through with his previously-rumored return to Heroes now that Pushing Daisies has been canceled. And judging from this awesome interview with Michael Ausiello, something tells me we can expect Heroes to get a lot better come the second half of season three. While he has to build off a plotline begun by certain former producers, it’s clear that Fuller has a good sense of Heroes’ current narrative failures and what it takes to remedy them.
On the problems that arose in seasons two and three:
It became too dense and fell into certain sci-fi trappings. For instance, in the “Villains” arc, when you talk about formulas and catalysts, it takes the face off the drama. And I think the goal for everybody is to put a face back on the drama. You have to save something with a face; otherwise you don’t understand what you’re caring about. I thought the “Villains” arc started out very interestingly, and then became sort of muddy and dense and I couldn’t get my hooks into the characters to understand their motivations.
I also started to feel confused about what people’s abilities were. One of the great things about the first season is that the metaphor for their abilities was very clear. Those metaphors seem to have gotten complicated in the past two seasons. I share that concern with everybody on the writing staff. It’s not like I’m coming in and saying, “This is what you need to do to fix it!” Everybody knows what needs to be fixed and everybody is sort of rowing in that direction.
As someone who loved Heroes up until the sucktastic season one finale, I’m glad to hear that somebody on its staff is finally admitting to the show’s problems, and that he has the full support of the other writers to change course. Something also tells me he couldn’t speak as freely about these issues if former producers Jeph Loeb and Jesse Alexander were still involved. I’m fairly certain that their departure, coupled with Fuller’s return, could bring Heroes back to greatness—or at least make it watchable again.
Fuller’s first episode is 3×19, which is the sixth episode of the Fugitives arc set to begin airing early next year. He goes on to mention in the interview that the main characters will finally return to normal, non-super-powered, lives (Peter Patrelli is a paramedic! Claire is college-bound!). Given that I don’t even recognize the characters anymore from their season one counterparts, this is change for the better. We can also expect the show’s narrative to become more focused, with fewer plotlines per-episode.
Fuller plans to stick around for season four, but I wouldn’t be surprised if he jumps ship to work on another series of his own that will ultimately die because it’s “too good for TV”. Until then, Heroes fans should strap in for a treat. I just hope they remember what good Heroes is like.
Discuss: Are you a Heroes apologist or hater? Do you think Fuller could help bring the show back from the brink of suck? What sort of God cancels Pushing Daisies anyway? Sigh.
Source: EW via Aint It Cool News
When Heroes writers/producers Jeph Loeb and Jesse Alexander were ousted from the show, it was clear that series creator Tim Kring was looking to change things up. I personally stopped watching Heroes because it became needlessly confusing and overstuffed—a far cry from what it was throughout most of its first season.
Now Kristin dos Santos is reporting that Kring may be aiming to repeat the golden days of that first season by bringing back Bryan Fuller, an acclaimed television writer who has made a habit of creating cult shows. Fuller created Dead Like Me (though he left due to disagreements with the show’s drection), Wonderfalls (unjustifiably cancelled by Fox), and most recently, the sweetly morbid Pushing Daisies. He was a producer throughout most of season one of Heroes, wrote two of the best episodes of the series (most notably, “Company Man”), and was also responsible for much of Claire’s plotline.
While still unconfirmed, Fuller’s return could be exactly what the show needs right now. It may be difficult to recall today, but season one of Heroes was a refreshingly tight narrative experience (until the finale at least). At the time Lost was muddled in its own convoluted plot machinations, and Heroes served as a sort of anti-Lost for genre television. It’s ironic that today the situation is almost exactly reversed now that Lost is back to kicking ass.
The only issue with Fuller’s return is that he’ll have to spend less time with his current baby, Pushing Daisies. He could balance his time between both shows—it’s certainly not unheard of—but his potential availability may also hint that Pushing Daisies may not return next season, which is something I’m not quite prepared to think about just yet.
Discuss: How do you feel about the state of Heroes? Do you think firing Loeb and Alexander was wise? Do you think Bryan Fuller could restore the show’s former greatness?
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