Optimum Releasing have released the movie trailer for 28 Weeks Later and The American screenwriter Rowan Joffe‘s directorial debut, an adaptation of Graham Greene‘s 1938 novel Brighton Rock. The book was first adapted to the screen in 1947 in a movie starring Richard Attenborough. This time around Joffe has updated the setting to the 1960’s. The story follows “the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.” The film premiered at the Toronto International Film Festival in September to mixed response. Sam Riley (Control) stars as Pinkie, and the film co-stars Helen Mirren (The Queen), John Hurt, Andy Serkis, and Andrea Riseborough.
Watch the trailer now embedded after the jump. Please leave your thoughts in the comments below. Be warned the trailer is on autoplay and we are unable to prevent this, so when you click through it will begin playing automatically. Adjust your speakers accordingly.
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Holy AfterEffects! Word out of festivals in the past month wasn’t terribly positive with respect to Julie Taymor’s adaptation of William Shakespeare’s The Tempest. And now that the first trailer is here it is easy to make a guess or to as to why. The cast is phenomenal: Helen Mirren leads as Prospera, with Russell Brand, Alfred Molina, Djimon Hounsou, David Strathairn, Chris Cooper, Alan Cumming, Ben Whishaw, Reeve Carney, Felicity Jones and Tom Conti. But the footage looks…well, see for yourself. Read More »
The hook here, I suppose, is that after a string of photos taken by photographers outside the production, we’ve now got the first ‘official’ look at Russell Brand and Helen Mirren in the remake of Arthur. Brand plays the Dudley Moore role — a rich, spoiled drunk — and Mirren takes over for John Gielgud as the butler-turned-nanny charged with looking after Arthur.
But beyond the photos are some new details that paint the production as a rather freewheeling one which, to my mind, makes it a slightly more interesting, and definitely more risky, proposition. Read More »
One of the films that was in danger of being orphaned when Disney shuttered Miramax was Julie Taymor‘s adaptation of the William Shakespeare play The Tempest. But the film, which stars Helen Mirren, David Strathairn, Djimon Hounsou and more, will be released by Disney offshoot Touchstone Pictures this fall, and will appear at both the Venice and New York Film Festivals.
Now there’s a great poster for the film, which only heightens my interest in seeing Taymor go back to Shakespeare with this cast in tow. Read More »
I know there’s resistance to Red based on the fact that the film looks quite a bit different from the Warren Ellis comics upon which it is based. I haven’t read the comic, so can only approach the film based on what I see — and I really enjoy the stuff we’ve been shown so far. There’s one trailer already, and a second premiered today in conjunction with the film’s appearance at the San Diego Comic Con. Read More »
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Miramax Films has released the movie trailer for John Madden‘s The Debt, a remake of the 2007 Israeli film.
In 1965, three young Israeli Mossad agents on a secret mission capture and kill a notorious Nazi war criminal. Now, thirty years later, a man claiming to be the Nazi has surfaced in the Ukraine and one of the former agents must go back undercover to seek out the truth.
The movie stars Helen Mirren, Sam Worthington, Marton Csokas, Jessica Chastain, and Ciaran Hinds. Watch the trailer now embedded after the jump. Please leave your thoughts in the comments below.
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On June 23rd 2010, I had an appointment to chat with Jon Turteltaub, director of the National Treasure films and Disney’s upcoming Sorcerer’s Apprentice.
I woke up early that morning, and headed down to the Apple Store at The Grove to pick up the new iPhone 4, which I had reserved. The plan was to crib for the interview while I was waiting a few hours in line to get the new phone. I had waited in line for the previous three iPhone launches at one of Apple’s flagship stores in the downtown San Francisco, I expected this to be quick and painless (or at least quicker and less painful than it ended up being). The few hours I had expected to wait in line quickly turned into multiples of that. And by the time my scheduled interview time approached, I found myself near the front of the line. I waited all day, and regretfully, I had to choose between calling it a total loss of my 10 hours and rush to the interview, or cancel the chat and get the iPhone. Don’t get me wrong, if I had known at the beginning of the day that I’d have to choose, I would have never gotten in line (actually, if I had known I was going to wait 11 hours in line, I would have never gotten in line…). I called Disney to see what I should do, and they told me I could probably reschedule the interview to another day and time, which was a big relief.
Thanks to the wonderful Disney publicists, I was able to get time with Jon on the phone the next week. By the time I talked with Jon, he had already done a week full of press, international, domestic and television. I decided the best approach was to ask him some questions, for the most part, out of the norm. The bad situation turned into to be the best possible result — I got to talk to Jon for over 30 minutes. For those of you who don’t know, a normal 1:1 interview lasts 10-15 minutes, resulting in a very fast pace as the interviewer is usually trying to cram all their questions in. The interview you are about to read after the jump has a much different pace (which is probably why Turteltaub allowed me to go over the scheduled fifteen minute time limit.
We talk about how Jon launched his career with Three Ninjas, Being pigeonholed as a kid movie director, How Phenomenon was originally supposed to star Harrison Ford and Holly Hunter, Becoming the “surprisingly good” director, Being a populist movie director who gets not-so-good reviews from critics/film snobs, the disappointments of National Treasure 2, the possibility of a Sorcerer’s Apprentice sequel, How he became involved in the Sorcerer’s Apprentice, Going to High School with Nicolas Cage and beating him out for the lead role in the school play, what it is like being a part of a “Jerry Bruckheimer production”, weaving science with magic, the choice to not film the movie in 3D, the choice not to post convert it to 3D, Balthazar’s Warehouse of Magical Artifacts, The Easter Eggs hidden in the movie, Where did the artifacts disappear to and the possibilities for a sequel, shooting the movie on location in New York City and shutting down traffic in Times Square for five nights, the troubles of trying to shoot a movie with “any kind of depth or any social relevance” (referring to the Greenpeace biopic he’s developing), Avatar, and more.
Read the full interview, after the jump.
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Eventually, AMC will release something for The Walking Dead that I think doesn’t look great, but it hasn’t happened yet. There’s a good piece of art to promote the show’s debut at Comic Con, which you can see in part above, from IGN.
See the whole image after the break, along with the first character poster from Red. Read More »
I would never have guessed that the director of Flightplan and The Time Traveler’s Wife might turn out the most entertaining-looking under the radar comic book adaptation of this summer. But I grinned all the way through the trailer for Robert Schwentke‘s Red, which adapts Warren Ellis‘ graphic novel about a group of retired CIA agents. Check it out after the break. Read More »