These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »
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Conan the Barbarian isn’t the only guy getting the Unforgiven treatment. The 1991 Clint Eastwood western has become a genre landmark, essentially nailing shut the concept of the anti-hero created when the spaghetti western subgenre flowered with A Fistful of Dollars in 1964.
Now Ken Watanabe is playing the Eastwood role in a Japanese-produced remake of Unforgiven, which is set in Japan in 1880. Lee Sang-il directs, with part of the film oriented around Japan’s transition out of very secluded tradition to a more modern society able to come to terms with outside influence. That conflict has been played out in Japanese cinema many times before, especially as many samurai films were essentially rebranded westerns. So this remake seems like nearly an inevitability.
See some shots from the film below, along with a few other news items:
- Simon West will direct a remake of the Burt Reynolds film Heat,
- the new Mortal Kombat film has a rough budget,
- Josh Brolin, Elizabeth Olsen and a bizarre stranger caught in Oldboy set pics,
- and an Oldboy cast member talks about Brolin’s physical transformations for the film.
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Brian De Palma has been actively looking for new film projects, and it looks like he will shoot the film Passion in the next few months. But he’s also setting up something to do later this year: if things work out, a deal in the works at the Berlin Film Festival will see the director behind the camera for a remake of the 1986 Burt Reynolds thriller Heat. (Released in the US in ’87, so you’ll often see it listed as an ’87 movie.)
Jason Statham will be in the Reynolds role. More detail follows, including the reason I’m fairly interested in this remake. Read More »
With Oscar nominations less than two weeks away, one of the films that’s slowly been gaining momentum is Ben Affleck‘s fall hit The Town. The Boston-set heist movie was a hit with audiences and critics alike and, due to the fact that it’s been on DVD for a few weeks, it’s getting more buzz as a possible Best Picture nominee and for its supporting performances, most notably that of last year’s Best Actor nominee Jeremy Renner.
Being as it’s that time of year to not only give out awards, but also do top ten lists, Affleck – who not only starred in, but directed the film – put together his top eleven heist films of all time for The Daily Beast. It’s a very cool list that not only has a bunch of more modern films, but a few more obscure ones as well. Read More »
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The Dark Knight will screen for select press later this week (we’ll be there), but a scooper over at AICN has already gotten a sneak peak. Tim Bisley compares the movie to The Godfather Part 2 and hints that Heath Ledger’s performance might be worthy of the best supporting Oscar. Here are a couple spoiler free highlights that I found interesting:
“The film feels more like a crime drama in a grand city scape than a typical comic book movie. It feels like Heat except Batman is Al Pacino and The Joker is Robert De Niro and just like in that film we have a great scene between Heath Ledger and Christian Bale across a table. There is also an element of a Greek Tragedy.. There is a vast sense of morality at play within the film.”
“The Joker is almost more of a terrorist than criminal. He is not motivated by money. He wants to see people suffer.”
“The run time is two and a half hours. It doesn’t feel that long as there is so much going on within the film.”
You can read the full review on AICN.