Last fall, I shared a video of myself playing a looping cello version of “Time” from Hans Zimmer’s score for Inception. The response was amazing and I felt so encouraged that I actually went into a studio and recorded an entire EP of looping cello music (on sale today!).
To promote the EP, I wanted to create music videos for several tracks of the EP that were visually striking. So I teamed up with my partner-in-crime, dancer Danaë Montreuil again, and we went to Versatile Arts in Seattle to film a music video over the course of several hours using a lyra, or aerial hoop. The constantly-spinning lyra serves as a visual callback to the final moments of Inception, when Dom Cobb spins his totem and walks away before learning his fate.
I think Danaë was able to create something wonderful out of this project. Hit the jump to check out the video and learn more about how it was made.
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The fan community has finally come down from the high of seeing what Aquaman looks like in Batman v Superman: Dawn of Justice. It was an exciting moment, both because of the character himself and because we hadn’t heard many updates on the film in a while.
Jumping off that, a few minor Batman v Superman updates are now out there. First up, the film’s costume designer, Michael Wilkinson, talked a bit about the responsibility of designing a look for Aquaman. Second, composer Hans Zimmer offered up a few thoughts on the score, which he will soon begin working on. He says that, ideally, all of the heroes in this film will have their own themes and reiterates that Junkie XL will be doing the Batman half of the music.
Below, read more on these Batman v Superman updates. Read More »
Posted on Thursday, November 6th, 2014 by David Chen
In honor of the release of Christopher Nolan’s Interstellar this week, I’ve been working on a musical project for the past few months: Attempting to perform the final music track from Inception (“Time” by Hans Zimmer) using a single, looping cello. I’ve been re-discovering my love for the cello recently, and by incorporating an electric pickup and a looping pedal, I have tried to create large-scale sounds using repeating chords on a single instrument.
Hit the jump to see a music video of “Time” performed using a single cello.
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Posted on Tuesday, November 4th, 2014 by Angie Han
Around this time last year, Hans Zimmer was telling press he saw “so many good reasons” not to do the score for Batman v Superman: Dawn of Justice. Even after he eventually came around, he admitted that he was struggling to give the new Batman his own sound, distinct from the one he’d created for Christopher Nolan’s Dark Knight movies. But now it looks like he’s come up with a solution for the Batman v Superman score.
The composer revealed in a recent interview that he’s bringing in some additional reinforcements in the form of Junkie XL, who he says will “take care of Batman.” Hit the jump for more on Hans Zimmer’s Batman v Superman plan.
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Does Felicity Jones want to play full Black Cat in the Spider-Man movies? Why are the X-Men back in 1992? Will Cable be in the Deadpool movie? Who is helping Hans Zimmer with the Batman v Superman score? What did Chadwick Boseman have to say now a few days removed from the big Black Panther news? Which Batman character did Ben McKenzie dress as for Halloween? Is Loki going to be in Avengers: Infinity War? How does Jon Favreau feel about the new Marvel movies? Read about all this and more in today’s Superhero Bits. Read More »
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Hans Zimmer provided the emotional sound of Christopher Nolan’s Batman films, and he he helped build the soul of Zack Snyder’s new Superman, too, for Man of Steel. But Zimmer has been reluctant to commit to the Batman vs. Superman film that acts as sequel to Man of Steel, because it will bridge his own Superman, and a new version of Batman. It’s a strange spot to be in for a composer. Yet it seems that whatever reservations the composer had are now slipping away, as he says in a recent interview that he’s going to work on ideas for Batman vs. Superman. Read More »
These days, IMAX doesn’t just mean a giant screen. It means giant sound too. I’ve had multiple occasions to talk to executives for the innovative company and time and time again they stress what makes IMAX special isn’t just the possibility of a larger than life screen. It’s a a sound mix that’s unique, loud and second to none.
IMAX has released a new video that explains a bit of what makes IMAX sound so special, and even got composer Hans Zimmer to talk about it. Check out the video below. Read More »
Hans Zimmer has inherited The Amazing Spider-Man 2 scoring duties from James Horner, and he’s going about the job in an unusual way. Zimmer isn’t just writing a score himself; he’s formed a supergroup of sorts to great the score.
Sony announced today that Zimmer and director Marc Webb are working with Pharrell Williams, Johnny Marr (The Smiths), Michael Einzinger (Incubus), and Dave Stewart (Eurythmics) on music for The Amazing Spider-Man 2. Read More »
Hans Zimmer crafted strange and memorable scores for all three of Christopher Nolan’s Batman movies, and when the director did producing duties on Man of Steel, the composer was brought on to the new Superman movie as well. The result was great; Zimmer’s score for Man of Steel was instrumental in crafting an identity for the film.
So it’s natural for fans to expect, or at least hope, that Zimmer would return to work with Zack Snyder for Batman Vs Superman, or whatever the Man of Steel sequel will be called. And it would be a strange project, as the film will feature a new Batman, with Ben Affleck playing the role. So if Zimmer did the film would he go back to the Batman themes he created for Nolan’s movie, or treat this as an all-new deal?
Turns out that might not be a question he has to answer. Zimmer says that Snyder hasn’t talked to him about the film, and the composer doesn’t sound much like he wants to do the film, anyway. Read More »