It’s been an amazing year for films, possibly the best one since I started writing/talking about film seriously back in 2007. Devindra and I had a spirited discussion of our top 10 films of the year, but for those who prefer a shorter, 9-minute long version of that podcast episode, you can find a video version of my top 10 films of 2013 after the jump.
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Over the past few weeks, and for the next few months, discussions will center on the best films of 2013. I did a list, the /Filmcast did a list and innumerable others will do the same leading up to the moment the Academy of Motion Picture Arts and Sciences crowns their best film of the year with the Best Picture Oscar.
But what do even bigger audiences think? Many film fans don’t have a blog, paper or podcast to spout off on. Many of those people turn to the Internet Movie Database to vote on the films they loved best in any given year. Now, the IMDB has published their top 50 films of 2013 according to over 10,000 users. Check it out below. Read More »
Thanksgiving was over a month ago, but now seems as good a time as any to thank the cinema gods for the fantastic films we got in 2013. With the usual caveats that this is more of a personal “favorites” list than an objective “best of” list, and that there are plenty of great films that weren’t included for the simple and shameful reason that I never got around to seeing them, here are the movies that made me laugh, howl, jump, and/or weep over the last twelve months.
In this episode (#255) of the /Filmcast, Dave and Devindra run down their top 10 films of 2013, discuss the movies they’re looking forward to in 2014, and argue about how terrible The Lone Ranger was, relatively speaking. Be sure to check out this piece by Scott Mendelson on his worst films of 2013.
I think one sign of a film score’s success is how well it stands apart from its film. While the relationship should always be symbiotic, I’m always on the lookout for film scores I can add to my listening rotation. This year, there were a bunch of tracks that moved me deeply and/or received a ton of play either on my computer or through my headphones. The art of film music remains alive, well, and encouragingly diverse.
After the jump, check out my top 5 film scores of 2013, as well as a few great Honorable Mentions that barely missed the cut. Feel free to share your favorites in the comments below.
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Posted on Tuesday, December 24th, 2013 by Russ Fischer
The story of Alfonso Cuarón‘s efforts to create Gravity are already big for everyone interested in filmmaking — we know the movie utilized an intense blend of CG imagery and footage captured on stark stages, but there’s a lot more we don’t know about the making of the film. A five-minute clip of behind the scenes info isn’t going to tell us everything, but this new “script to screen” featurette on Gravity is a good start as it explores the intersection between the script from Alfonso and Jonas Cuarón, the elder Cuarón’s direction, and the work of cinematographer Emmanuel Lubezki. Read More »
Looking back on 2013, it’s hard to spot one overriding trend other than “great.” Like any other year, the superhero movies, sequels, adaptations and remakes were present, but most of them were disposable and forgettable. The greatness in 2013, not surprisingly, was from the original and unexpected movies. Films born out of the mind of talented, creative people which were executed to delightful and sometimes heartbreaking perfection. Those unique wonders of cinema make up the majority of my top films of the year, but don’t fret. There are some adaptations and sequels on there too. It’s a list that hopefully represents 2013 as one of the best in recent memory.
Over the course of the year, I saw almost 150 films that had theatrical releases. Below you can read about my ten favorites. Read More »
Posted on Monday, December 23rd, 2013 by David Chen
Alfonso Cuarón’s Gravity is one of my favorite films of the year, a non-stop thrill ride with innovative camera work, sound design, and animation. The movie’s apparent verisimilitude impressed me so much that I spent some time reading about how accurate it was from people like Neil DeGrasse Tyson, Andy Howell, and Michael Massimino. Turns out, the film takes significant liberties with some of the facts and physics (shocker!).
While the film is probably one of the most accurate depictions of space ever put to film, this accuracy makes the places where it ISN’T accurate all the more bothersome. The thing is, each one of Cuarón’s decisions makes complete sense. Every single scientific inaccuracy I’m about to list can be interpreted to be in service of the story, which totally delivers when it comes to tension and character development.
Nonetheless, now that I’ve started noticing these issues, I can’t ever stop noticing them. So, here are five scientific inaccuracies in Gravity that will now bother me forever. Spoilers for Gravity follow.
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