Director Alfonso Cuarón is finally back, and he’s showing us truly amazing things.
Gravity is a technical marvel, an optical treat of the highest order. However, it can also lay claim to being one hell of a narrative, combining genius-level visuals with a taut script; the end result coming together as something really special. On the face of it, it’s the story of two NASA astronauts on a mission to repair the Hubble Space Telescope, and the obstacles they’ll have to overcome to survive in space. Really, Gravity is the age-old set-up in which humankind attempts to operate in an environment designed to kill. Indeed, though a far different film than Children of Men, both thematically and in terms of scope, Cuarón has created another film with weight, resonance, and a strong sense of style.
George Clooney and Sandra Bullock easily carry this briskly paced film, Bullock in particular (as Mission Specialist Ryan Stone). She turns in a remarkable performance, more textured and compelling than anything we’ve seen from her prior, including The Blind Side. Making the hostile setting of space the focal point of a film certainly comes with a huge element of risk, but I’m pleased to say everyone involved pulled it off. They’ve made a 90-minute cinematic gift for us.
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With a month to go until Alfonso Cuaron‘s latest film, Gravity, finally (and I do mean FINALLY) hits theaters, I personally have come to a breaking point. I’m done with looking at stills, trailers, or anything from the film until I finally see the movie. My anticipation for Cuaron’s space drama is so incredibly high, I don’t want anything to change that.
But don’t let my feeling influence you. If you’re still rabidly devouring all things Gravity, and I salute you for it, here’s a new taste that’s probably very sweet. A twenty minute sampling of the film’s score, written by Steven Price (Attack the Block, The World’s End), is now online. Listen below. Read More »
Here’s a new full trailer for Gravity, the Alfonso Cuarón movie that has wowed audiences, and earned a rave from James Cameron. It uses some of the same footage we’ve seen in the past, but does a little extra work to put it into context. The idea seems to be to tell audiences that might not know anything about the film just what the situation is, and (for those without imaginations) why it is so dire.
Check it out below. Read More »
James Cameron is a filmmaker with high standards. His last two films were both the highest grossing film of all time and each took multiple years to get just right. In the interim, he’s been working to advance performance capture technology, high frame rate technology, 3D technology and probably more. So he knows what’s up. Cameron also helped director Alfonso Cuaron overcome some technical obstacles on his new film, Gravity. He’s an intelligent guy.
Gravity hits theaters October 4, and praise for it has been over the moon. No praise, however, has been higher than Cameron’s. The director of Avatar, Titanic, Aliens and Terminator recently saw the film and called it the “best space film ever done.” Read More »
Posted on Wednesday, August 28th, 2013 by Angie Han
It’s hard to believe that it’s been seven long years since Alfonso Cuarón released his last movie, the dystopian sci-fi Children of Men. But at least he’s made his new film worth the wait, if early Venice Film Festival reviews are anything to go by.
Gravity stars Sandra Bullock and George Clooney as two astronauts — she a newbie, he a veteran. While on a mission, a bit of floating debris knocks into their shuttle, sending them floating into outer space and struggling to survive.
Reactions from an early test screening last year were mostly quite positive, and now that the film’s complete the praise is even more glowing. Hit the jump to see what the critics are saying.
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When we ran a video of the full Gravity panel from Comic Con, I lamented that for the time being, most people would have to digest the conversation without having the context provided by the long clip shown off in Hall H.
Things have changed. Warner Bros. has released what amounts to a new trailer, comprised of nearly two minutes of that footage, sans cuts. It is intense, scary, and demonstrates what looks like insanel accomplishment on a technical level. As astronauts played by George Clooney and Sandra Bullock work during a spacewalk, debris from a destroyed satellite comes hurtling toward them, and their routine mission turns deadly. Check it out below.
Updated: Warner Bros. has released a second single-shot “trailer” for Gravity, added below. We’ve also added a third clip/trailer, which features more conventional editing but is no less impressive. Read More »
One of the most prestigious film festivals in North America, the Toronto Film Festival, has begun to announce its line up for 2013. The event takes place September 5-15 and as usual, the line-up includes pretty much every highly-anticipated awards contender scheduled for release through the end of the year.
Just a few examples are the Jackie Brown prequel Life of Crime, Matthew McConaughey in Dallas Buyers Club, the star-studded August: Osage County, Idris Elba in Mandela: Long Walk To Freedom, Steve McQueen’s 12 Years A Slave, the West Memphis Three film Devil’s Knot (above), Jason Reitman’s latest Labor Day, Jason Bateman’s debut Bad Words, Ron Howard’s Rush, the Wikileaks film The Fifth Estate, Mike Myers’ documentary Supermench, Matthew Weiner’s You Are Here, Hugh Jackman in Prisoners, Keanu Reeves’ Man of Tai Chi and Alfonso Cuaron’s space drama, Gravity.
And they haven’t even finished announcing everything. Below, read everything in this first wave. Read More »
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Sadly, you’ll have to wait to see the glorious footage from Gravity that was screened this past weekend at Comic Con. The long sequence shown in Hall H was spectacular — in fact, I’ve never seen anything quite like it. That footage showed the two astronauts played by Sandra Bullock and George Clooney as they work on the Hubble Telescope, and are warned that conditions around them are about to change for the worse.
We’ve heard a lot about Alfonso Cuaron‘s plan to use long apparently unbroken takes in the movie (which are, in fact partially, stitched together from multiple shots) and the footage we saw was primarily comprised of one long shot in which the camera was completely free to rotate around the characters and other objects in the scene. It was stunning, but just as impressive was the panel conversation about how the effect was achieved. Now you can see most of that conversation, below. Read More »