Even before we found out “everything is awesome” in The LEGO Movie, LEGO movie stuff was pretty “awesome” on the internet. The LEGO video games made new fans, and reimagined posters using the construction toys are fairly common place. Huge trailers are regularly adapted into stop motion LEGO versions. Even so, those adaptations are usually for “blockbuster” cinema, big summer and superhero movies.
Now the gang over at Old Red Jalopy have remade the posters for all 9 Oscar nominees for Best Picture with LEGO. It makes sense for some, like Gravity, but 12 Years A Slave? Nebraska? The fricking Dallas Buyers Club in LEGO? Check them out below. Read More »
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Posted on Monday, February 17th, 2014 by Angie Han
The British Academy of Film and Television Arts unveiled the winners of their 2014 awards this weekend, just two weeks ahead of the Academy Awards. The biggest winner of the night was Gravity, which took home six awards, but Best Film remained out of Alfonso Cuarón‘s grasp. That prize went instead to 12 Years a Slave, which secured only one other win last night, for lead actor Chiwetel Ejiofor.
Elsewhere, American Hustle, widely considered this season’s other Best Picture frontrunner, nabbed three prizes including one for supporting actress Jennifer Lawrence. The corresponding male category offered perhaps the biggest surprise of the night — a win for Captain Phillips‘ Barkhad Abdi, who beat out the likes of Bradley Cooper and Michael Fassbender.
Hit the jump for the list of winners.
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Best director Oscar nominee Alfonso Cuaron did a Reddit AMA Thursday, promoting his film Gravity, which is still in theaters and hits Blu-ray February 25. As tends to be the case with these, topics were all over the map, and we’ve grabbed the most interesting bits.
Among them are an alternate ending to Gravity, how he felt about scientific criticism directed toward the film, his outlook on the future of cinema, his feelings on digital formats, if he’d do a superhero movie, why he only did one Harry Potter, Guillermo del Toro’s contributions to Gravity and much more. Read the quotes below. Read More »
Louis C.K. is deep into writing and shooting the next season of Louie, but he took a break earlier this week to share some thoughts on Sirius XM’s The Opie and Anthony Show. In addition to talking with Tim’s Vermeer producer Penn Gillette and talking about his first movie Tomorrow Night (which is now online), the comic lambasted two of 2013′s critical successes: Alfonso Cuaron’s Gravity and J.C. Chandor’s All Is Lost.
On the topic of Gravity, C.K. admitted it was the last movie he saw in IMAX 3D and joked about Sandra Bullock’s character being highly unbelievable. As for All Is Lost, C.K. is a ship captain himself so he was equally annoyed at how Robert Redford’s character handled that particular situation. And, as you’d imagine, all the observations are on point and hilarious. He also talks about the new season of Louie, which includes a hurricane and American Hustle. Listen below. Read More »
The Directors Guild of America handed out its awards tonight for directorial achievement in 2013. Alfonso Cuarón took the top prize, Outstanding Directorial Achievement in Feature Film, for his work on Gravity. That all but locks him in as the Best Director Oscar winner. Steven Soderbergh won as best director of a TV movie or mini-series for Behind the Candelabra, and Vince Gilligan won the award for direction in a dramatic series for the Breaking Bad episode ‘Felina,’ beating out fellow Breaking Bad nominee Bryan Cranston, and also David Fincher, who was nominated for the pilot of House of Cards.
Read the full list of winners below. Read More »
Posted on Monday, January 20th, 2014 by Angie Han
American Hustle took home the big prize at the SAG Awards on Saturday night, but as it turned out, its moment in the sun was fleeting. 12 Years a Slave and Gravity regained their awards season momentum at the Producers Guild of America Awards on Sunday night, as both won the top trophy in a tie — the first ever in PGA history.
The results are a blow to American Hustle‘s Oscar odds, since the PGA Awards are a fairly reliable predictor of the Best Picture trophy. Of the past 24 Darryl F. Zanuck Award winners, 17 have gone on to win Best Picture. The last time the two awards didn’t match up was 2006, when the PGA chose Little Miss Sunshine over The Departed.
Elsewhere, Frozen and We Steal Secrets: The Story of WikiLeaks won prizes for best animated picture and best documentary, respectively, while Behind the Candelabra and Breaking Bad continued to steamroll the competition in the long-form TV and TV drama categories. Hit the jump for the full list of results.
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Posted on Tuesday, January 14th, 2014 by Angie Han
Briefly: The Gravity Blu-ray is expected to land in the next several weeks, but anyone who saw the film in theaters knows that watching it at home just won’t be the same. Alfonso Cuarón takes full advantage of the bigness of cinema to deliver a terrifyingly immersive experience, and his film is best enjoyed at an actual theater — a 3D, IMAX one if at all possible.
Fortunately, fans will get the chance to do just that this weekend. Warner Bros. has the film set for re-release this weekend, at more than 900 theaters across the country. That’s a huge bump up from last weekend, when it was playing on just 155 screens.
The push won’t boost Gravity‘s chances at an Oscar nomination, as those will be announced the day before on Thursday. But it will give the film one last chance to rake in the dough. As of the start of this week, Gravity was the seventh biggest domestic release of 2013, having grossed $256 million in the U.S. and another $414 million abroad. [Variety]
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Posted on Tuesday, January 7th, 2014 by Angie Han
No year in cinema ever shapes up exactly the way we’d expect. In fact, it’d be boring if one did. Still, when faced with the promise of a whole new year of movies, I can’t help try and predict which ones I’ll love or hate. I put my best guesses in list form last year, and I did it again this year.
Now, in the spirit of journalistic integrity (or, less charitably, critical solipsism), it’s time for me to look back at my most anticipated films of 2013 and see just how reality measured up to expectation. Hit the jump to see how great or terrible I was at guessing what’d be my favorite films of 2013.
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