The play August: Osage County was kind of a big deal — the blackly comic family drama won the Pulitzer in ’08. The film version is also garnering a lot of attention, thanks in no small part to the cast. Put Meryl Streep, Julia Roberts, Ewan McGregor, Benedict Cumberbatch, Abigail Breslin, Sam Shepard, and Chris Cooper in a film together and people are bound to pay attention.
Tonight you can watch a live Q&A with some of the cast (Julia Roberts, Julianne Nicholson, Juliette Lewis, Margo Martindale, Chris Cooper, Dermot Mulroney) and producer George Clooney. Whether you’re interested in the film or not, the live patter between Clooney and Roberts is always entertaining, and the rest of the cast should be able to think on their feet as well to keep the talk lively.
The livestream Q&A begins at 11pm EST / 8pm PST. Watch via the embed (which may not show up before the start time) below. Read More »
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Hot off the news Disney has moved Star Wars Episode VII from an expected Summer 2015 release date to the winter, the company has slotted another family sci-fi fantasy adventure in the expected Star Wars slot. Tomorrowland, directed by Brad Bird, co-written by Damon Lindelof and starring George Clooney, has been moved from December 2014 to May 22, 2015.
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One of the highlights of each new Oscar season is the set of roundtable discussions created by THR. In each of these, the trade gathers a set of people involved in various films likely to be highlighted in the awards season, and just allows them to talk about making movies. They can be pretty great, especially since one byproduct of awards season is a tendency to talk about superficialities rather than substance, and these talks can really dig into the meat of making movies.
Here’s the new 50-minute screenwriting roundtable, featuring George Clooney and Grant Heslov (Monuments Men), Julie Delpy (Before Midnight), Nicole Holofcener (Enough Said), John Ridley (12 Years A Slave), Danny Strong (Lee Daniels’ The Butler) and Jonas Cuaron (Gravity). Read More »
Briefly: We knew more or less the window in which George Clooney‘s new film The Monuments Men would be released after being delayed from a December opening this year. In an interview given just after the detail, Clooney said “We had a meeting with all the effects guys for our CGI stuff, and, we’re just not going to get there in time. Then we looked at the date we had, December 18. I don’t know how many movies are opening, but it’s got to be the toughest December in recent memory for box office. We said, where’s another good place to land? And we looked at February and the Shutter Island slot.”
Now February 7 has been announced as the official new date for the film. That’s the date on which RoboCop was going to open, and Sony has pushed that a few days, to February 12. That leaves The Lego Movie as Clooney’s chief competition. And while we’re at it, David O. Russell’s American Hustle will now open wide on December 18 after a limited opening on December 13 this year. That puts it out a week earlier than the planned Christmas Day date.
Update: Jack Ryan: Shadow Recruit has officially been pushed back to January 17, 2014.
Posted on Wednesday, October 23rd, 2013 by Angie Han
Each year, the studios stuff the last two months with awards season hopefuls, and each year, a few decide to back down before we get actually there. Martin Scorsese’s The Wolf of Wall Streets seems likely to cling to 2013 — barely — but Bennett Miller’s Foxcatcher and Olivier Dahan’s Grace of Monaco have already shifted to 2014, and now George Clooney‘s Monuments Men is following suit. Find out why after the jump.
Update: Clooney has spoken up about the delay in greater details. Read his quotes below.
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There’s a hell of a lot of great stuff in this second trailer for The Monuments Men. Start with George Clooney and Matt Damon building an “Ocean’s Eleven in WWII” squad to preserve and recover art stolen by the Nazis, and add guys like Bill Murray, John Goodman and Bob Balaban as members of the squad. But I think Cate Blanchett gets the win here, with her super droll question: “how can I help you steal our stolen art?”
Check out the full trailer for the December release below. Read More »
For years we’ve heard that Alfonso Cuarón, director of Children of Men, wanted to make a space-set film like no other. Gravity has been the subject of rumor almost from the start, about how it would feature a very long unbroken “shot” as its opening sequence, about how a mixture of practical photography and CG would be combined to create an immersive and realistic vision of being stranded in space.
Unlike most rumors, most of the ones about Gravity were true. The film follows two astronauts, played by George Clooney and Sandra Bullock, and tracks Bullock’s character as a fairly routine spacewalk turns to disaster. It was shot with unusual methods and features an atypical soundtrack to create the sensation of being in space. And the general reaction to the 3D in the film has been very enthusiastic, especially when seen in IMAX. Our contributor Laremy Legel loved the film in Toronto, and now you have the chance to see it for yourself. So let us know; what did you think about Gravity? Read More »
There are few theatrical experiences as intense as seeing Gravity on a giant screen in 3D. Alfonso Cuaron‘s latest film, opening October 4, is one of the most visually and sonically impressive films in recent memory as the two elements work in beautiful tandem to enthrall the audience. It’s a must-see in 3D because the third dimension is used very specifically to enhance the tension and sense of fear. You feel as if you’re right there, floating in space with two astronauts (Sandra Bullock and George Clooney) who are about to have a very bad day.
Below, watch a featurette which explains how Cuaron and company used 3D as a main character. Read More »
Director Alfonso Cuarón is finally back, and he’s showing us truly amazing things.
Gravity is a technical marvel, an optical treat of the highest order. However, it can also lay claim to being one hell of a narrative, combining genius-level visuals with a taut script; the end result coming together as something really special. On the face of it, it’s the story of two NASA astronauts on a mission to repair the Hubble Space Telescope, and the obstacles they’ll have to overcome to survive in space. Really, Gravity is the age-old set-up in which humankind attempts to operate in an environment designed to kill. Indeed, though a far different film than Children of Men, both thematically and in terms of scope, Cuarón has created another film with weight, resonance, and a strong sense of style.
George Clooney and Sandra Bullock easily carry this briskly paced film, Bullock in particular (as Mission Specialist Ryan Stone). She turns in a remarkable performance, more textured and compelling than anything we’ve seen from her prior, including The Blind Side. Making the hostile setting of space the focal point of a film certainly comes with a huge element of risk, but I’m pleased to say everyone involved pulled it off. They’ve made a 90-minute cinematic gift for us.
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