Posted on Monday, May 14th, 2012 by Angie Han
Today’s Sequel Bits features all kinds, from Depression-era gangsters to noirish femme fatales to drunken school bus drivers. After the jump:
- Nick Swardson and Cheri Oteri board Grown-Ups 2
- Sin City: A Dame to Kill For gets its first teaser poster
- A new G.I. Joe: Retaliation image shows Cobra Commander
- Seth Grahame-Smith is a little intimidated by Beetlejuice 2
- Edward Kitsis and Adam Horowitz talk Tron: Uprising
- Paramount is letting a Godfather (book) prequel go forward
- Jon Favreau likes where Shane Black‘s Iron Man 3 is headed
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Robert Rodriguez and Frank Miller have been talking about doing a Sin City sequel for seven years now. It seems like every interview they have given since the release of the 2005 graphic novel adaptation, they’ve teased that the project is almost ready to go. They’ve been doing this so long now that most film journalists have stopped reporting on the quotes. Well, it now appears that production is gearing up for the film as Dimension Films has sent out an official press release to announce such.
The sequel will be titled Frank Miller’s Sin City: A Dame To Kill For, and will be again directed by both Robert Rodriguez and Frank Miller. Story details are being kept under wraps, but Miller promises that they are “going to shake things up and deliver a ferocious film experience that is going to go even further than the first.“ They’re also claiming that casting will begin next week, “with many of the original cast expected to return.” Shooting will begin this Summer. And with Rodriguez at the helm, we’d have to assume the second helping will be shot and distributed in 3D. Read the full press release after the jump.
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Titan Books has provided /Film with an exclusive excerpt from David Hughes‘ upcoming book Tales From Development Hell: The Greatest Movies Never Made? I’ve had a preview copy of the new updated edition and have been enjoying it thoroughly. There is some truly great and frustrating stories within — including the big screen adaptation of Neil Gaiman‘s Sandman, Ridley Scott‘s Crisis in the Hot Zone which collapsed days before filming, James Cameron‘s Fantastic Voyage, the long road to bring The Lord of the Rings to the big screen (one incarnation featured the Beatles), the many scripts and long development of Indiana Jones 4, and many others.
Probably the best chapter in the book focuses on the history of Batman adaptations, including Darren Aronofsky and Frank Miller‘s adaptation of Batman: Year One starring Clint Eastwood. After the jump you will find an excerpt of this chapter.
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Briefly: The cast is shaping up for Noam Murro‘s prequel to the unexpected blockbuster hit 300. The film, 300: The Battle of Artemisia, is scripted by Zack Snyder and Kurt Johnstad based on Frank Miller‘s graphic novel Xerxes, and we’ve had a couple major cast announcements in the past few weeks: Sullivan Stapleton is playing Greek warlord Themosticles; Rodrigo Santoro is returning to play the Persian leader Xerxes; and Eva Green will be the title character Artemisia.
Now Jamie Blackley, recently seen (by some) in William Monahan’s London Boulevard and soon to be on screens in Snow White and the Huntsman, has been cast in a role that is described as one of the co-leads of the film. He’ll be Calisto, “a teen whose desire to become the heroic man/soldier his father was leads the 16-year-old to become a leader of a small band of soldiers.” [Deadline]
Does Christian Bale feel pressure with The Dark Knight Rises being released? What are comic legends Alan Moore and Frank Miller debating about? When can we expect a solid update on David Slade‘s Daredevil movie? Will Avenger fans recognize the villains in the film? Want to see how Steve Buscemi made fun of Batman on this week’s Saturday Night Live? How did Hans Zimmer come up with his participatory score for The Dark Knight Rises? Read about all of this and more in today’s Superhero Bits. Read More »
Cool Posts From Around the Web:
Can we assume that Robert Downey Jr. has become a fan of Iron Man 3 screenwriter Drew Pearce? Months before Sherlock Holmes: A Game of Shadows opens, Pearce has been hired to write the provisional Sherlock Holmes 3 for Warner Bros. (Just as the studio hired A Game of Shadows screenwriters Kieran and Michele Mulroney to get to work on the script before Sherlock Holmes opened.) And since Pearce is writing the third Iron Man film, something Downey is likely quite involved in given his admitted disappointment with the second movie, it isn’t difficult to assume that Downey had a hand in suggesting him to pen Sherlock 3. No plot has been revealed for the potential third film at this time. [Deadline]
After the break, one Paramount exec says Paranormal Activity 4 is almost a certainty, and Frank Miller talks Sin City 2. Read More »
Posted on Monday, August 29th, 2011 by Angie Han
The long-rumored sequel to Sin City sounds like it’s finally coming together, six years after the first film’s opening. The last time we checked on the film, titled Sin City 2: A Dame to Kill For, director Robert Rodriguez said that he and his team were “just waiting for the script” to start shooting. Now they’ve brought in additional help to complete that final piece. William Monahan, the Oscar-winning writer of The Departed, has been hired to work on the script. Read more after the jump.
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Robert Rodriguez keeps stoking the fire for Sin City 2: A Dame to Kill For. Over the last few years we’ve heard the project discussed as possiblity that has mostly been vague. Of late, however, it seems like a more realistic possibility.
His last update on the project was that if it was going to happen, it would happen this year. Now he said the script is done, the money is in place and…well, what’s the holdup now? Read More »
Here’s another confirmation to follow the Tom Cruise/One Shot news. The 300 sequel formerly called Xerxes is now 300: Battle of Artemisia, and one of the men previously tipped as possible director, Noam Murro, has been chosen to helm the film. And while Zack Snyder has moved on to Superman, this sequel will be shot in the same visually exaggerated style that looked unique when Snyder applied it to 300 and has since become an action/fantasy cliche. Read More »