Avatar is one of the best movies of all time. The King of Comedy is one of the best movies of all time. Paths of Glory is one of the best movies of all time. The Red Shoes is one of the best movies of all time. Dazed and Confused is one of the best movies of all time. Each of these surprising, or not-so-surprising statements comes from one of the following filmmakers: Quentin Tarantino, Martin Scorsese, Woody Allen, Francis Ford Coppola and Michael Mann. Each took place in Sight and Sound‘s filmmaker poll of the best films of all time, the results of which were revealed earlier this week.
Over 350 directors in total were polled and Yasujiro Ozu’s Tokyo Story ended up taking the top spot. That doesn’t mean it was everyone’s individual pick; just an average of the votes. In the latest issue of the magazine, which is on sale now, you can read every filmmaker’s full list of choices. Lists from five of the biggest names participants have been posted online. After the jump, read the all time best films ever according to Tarantino, Scorsese, Allen, Coppola and Mann.
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I like the fact that the band is still called Sonic Youth, even though they’re all in their 50s. Similarly, there’s the term New Hollywood, which represents a very specific time in which the studio bosses gave free reign to independent-minded, radical filmmakers looking to push the artistic boundaries of film. It is a cinema movement that came out guns blazing in 1967 with Bonnie and Clyde and suffered its first wound from Jaws in 1975, then sank into the mud under its own weight by 1977 with Sorcerer. (Yeah, that’s right, Roy Scheider represents the end of New Hollywood from both directions.)
But these movies still feel “new.”
These were films made by a generation influenced by European Art Cinema, reacting against big studio bloat and, in many cases, taking advantage of new technical advances. There are a hundred books you can read about this movement, and the safest bet it to check out Peter Biskin’s “Easy Riders, Raging Bulls” as a primer.
Like most people my age, New Hollywood is a sweet spot – and it was a real chore to limit myself to just eight underrepresented gems. My initial brainstorm had twenty-five titles that all fit the “obscure” and “great” parameters. Maybe I’ll revisit this column with a Volume II if there are calls for it in the comments. (The people have the power!)
Hats off to Twitter’s @MoviesByBowes for the suggestion. Read More »
Posted on Wednesday, May 9th, 2012 by Angie Han
After some thirty-odd years in development, On the Road is finally nearing the end of its long, long journey to the big screen. A week before the film’s scheduled debut at the Cannes Film Festival, IFC Films and Sundance Selects (subsets of AMC Networks) have closed a seven-figure deal for the U.S. distribution rights to the Walter Salles-directed adaptation, which features a strong roster of both rising and established stars.
Among them are leads Sam Riley and Garrett Hedlund, who play Sal Paradise and Dean Moriarty (understood to be the fictional alter egos of author Jack Kerouac and his pal Neal Cassady), as well as Kristen Stewart, who plays Dean’s wife Mary Lou. Kirsten Dunst, Amy Adams, Tom Sturridge, Danny Morgan, Alice Braga, Elisabeth Moss, and Viggo Mortensen round out the supporting cast. More details after the jump.
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This gets filed not under ‘new stuff’ but under ‘whoa, awesome stuff!’
Those who know their Godfather history have heard of the super-notated novel and script copies that Francis Ford Coppola employed to make the film. (The same sort of highly-notated scripts that a great many directors use, of course.) You may have seen images of the detailed pages in a documentary about the film here and there. But here’s a huge scan of one page from Mario Puzo‘s novel, complete with a great many notes by the director. If you’re looking for insight into how someone turns one piece of work into something as enduring as The Godfather, this isn’t a bad place to start. Read More »
Watching this trailer for Francis Ford Coppola‘s new film, Twixt, you might have a difficult time understanding why the film was given a rapturous reception not long ago at Comic Con. This teaser, complete with Tom Waits voiceover, introduces Val Kilmer as a failing writer and Bruce Dern as a weirdo small-town sheriff, as well as the dream-characters V (Elle Fanning) and Edgar Allan Poe (Ben Chaplin). Seen outside of the unpredictable and electric performance atmosphere of the film’s Comic Con panel, Twixt looks like little more than a b-thriller with a bit of unusual ambition. Is that enough? Read More »
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If you’ve been following our San Diego Comic-Con coverage, you know what one the best received panels of the whole event was Francis Ford Coppola presenting his new 3D horror film Twixt, starring Elle Fanning and Val Kilmer. It wasn’t exactly the film itself that really was exciting, though it looked fine, but rather the interactive, live element that Coppola hopes to bring to it. He’s planning on touring the film and, each night, presenting an altered version of the movie based on fan reaction. He’ll be live editing the film or, as he referred to it, performing the film.
You can read more about that process in Russ’s recap of the panel or watch he and I talk about it in this video blog. Now that the film has been accepted into the Toronto Film Festival, though, the marketing machine has begun and – of course – it’s interactive. Which of these four posters do you think should be the final one sheet? Find out how you can vote after the break. Read More »
If you’re more interested in the typical fall slate of festival entrees than summer’s glut of tentpole action fare, this is a great week. The Toronto International Film Festival announced the first wave of films that will play the fest in September. This is a batch of about 50 titles, which makes up only a small chunk of the programming. Usually TIFF features between two and three hundred films. But these are some of the highest-profile entries.
Below you’ll find rundowns on the new films from George Clooney, Bennett Miller, Jay & Mark Duplass, Todd Solondz, Francis Ford Coppola, Cameron Crowe, Sarah Polley, Fernando Meirelles, Lars von Trier, Marc Forster, Steve McQueen, Alexander Payne, and Lynne Ramsay. No announcement yet of the Midnight Madness programming choices, always some of my faves, but this is a great start. Read More »
Francis Ford Coppola‘s panel for his new film Twixt was one of the absolute highlights of Comic Con this year. (It was one of the highlights of my entire run of Comic Con experiences, truth be told.) Not necessarily because of the film, which may or may not actually be good, but because of the innovative manner in which it will be presented.
You can read the full recap here, but in short Twixt stars Val Kilmer as a hack horror writer, Elle Fanning as a murdered small-town girl, Bruce Dern as the local sheriff, and Ben Chaplin as Edgar Allan Poe. It will be the focus of a roadshow this fall in which the film will be dynamically edited during the screening in response to audience reaction. Some scenes may be made longer or shorter, and other changes could occur. It’s a great idea meant to bring some live unpredictability into the moviegoing space.
We’ve now got the first images of Val Kilmer in the movie, and you can see a gallery below. Along with the new pics, you’ll find a grainy video blog that Germain Lussier and I recorded in the murky back aisles of Hall H right after Mr. Coppola finished up the panel. Read More »
One word: inspiring. Today Francis Ford Coppola made his first appearance at the San Diego Comic Con since 1991, bringing with him the electronic musician Dan Deacon and actor Val Kilmer. Those two men were among his collaborators on a new film called Twixt, which is a sort of gothic horror story / murder mystery set in a small northern California town. But Twixt, the movie, was only part of the panel and, frankly, it was the least part of why today’s event is the best thing I’ve ever seen in Hall H at Comic Con.
The real hook with Twixt is what Mr. Coppola wants to do with it: he plans a 30-city tour later this year in which he and Dan Deacon, and possibly other talents, will create a dynamic assembly of the film as it plays to each audience. Essentially, they have a great deal of footage which adds up to a movie called Twixt, but depending upon where and when you see the presentation, you might see a totally different telling of the story than others. In other words: ‘Remixd’? Something like that.
There’s a lot of material to cover here, and I’ll begin with a description of the footage and then move into a recap of the panel, after the break. Read More »