Seth MacFarlane has already built a television empire and he’s about to do the same thing at the multiplex. He’s currently shooting Ted, an R-rated comedy about a man whose Christmas present from the 1970s, a talking teddy bear, comes to life and achieves fame as a foul-mouthed womanizer. Mark Wahlberg is the lead, Mila Kunis is his girlfriend and MacFarlane himself will play the bear in full motion capture. Scheduled for release July 13, 2012, Ted also stars Joel McHale, Giovanni Ribisi, Patrick Warburton and more.
And while we already know the basic plot, a scooper over at Flixist has uncovered a few details that aren’t necessarily major, but give a great idea of where MacFarlane is going with this. These should be considered spoilers. And completely mental. Read More »
ThinkGeek is selling an awesome t-shirt featuring various weapons from 10 famous science fiction films of the last 74 years. Can you name all the movies?
Museum Acquires Rare Arms Collection: To your right you’ll see our display of 20th and early 21st century science-fiction armaments. You can compare the variety of size and lethality over the years. Everyone “oohs” over the pulse rifle. Don’t get too close, though. The gun cabinet glass is coated with self-arming nanites. We don’t want to have to mop up another tourgroup.And ahead on your left, you’ll see models of some early time travel vehicles, including H.G. Wells’s time machine…. This shirt contains images of 10 famous science fiction arms and the year of their screen debut on a black 100% cotton shirt.
But apparently ThinkGeek messed up and the art has the wrong date for Logan’s Run (it says 1967, it should be 1976) so they are selling the shirt at 50% off. Grab one for only $7.99 to $9.99 plus shipping depending on size. So if you don’t mind the small error on an otherwise really cool tee, grab one now. Hit the jump to see a bigger image of the artwork.
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As you probably know by now, Gallery 1988 will be holding their third annual pop culture art show Crazy4Cult 3D from July 16th (TONIGHT!!!) to August 8th in Los Angeles. Gallery1988 has given us permission to run an exclusive preview of some of the cool artwork which hasn’t been seen yet, that will be available at the show. After the jump we’ve included over 30 pieces of the awesome art you’ll see at the show. If you’re interested in buying any of the original art — make sure you’re there! If you want to order any of the prints, you can email Gallery 1988 at firstname.lastname@example.org or call them at 323 937 7088.
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Posted on Wednesday, July 15th, 2009 by David Chen
In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley praise the choice of Ryan Reynolds for The Green Lantern, finally get around to discussing some big changes to the Oscar nomination process, and analyze the social experiment that is Sacha Baron Cohen’s Brüno. Prolific online critic Eric D. Snider joins us for our review.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review Harry Potter and the Half-Blood Prince.
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With only two feature films and one TV show to his name, writer/director Jody Hill, is now synonymous with ignoring the boundaries and “genre rules” of modern comedy and creating anti-heroes that laughably burble with nihilistic rage, scary faux pas and hot-air egos. But there is also an internal depth to these macho doofuses played by Hill’s longtime pal and writing partner, Danny McBride, and comedy star Seth Rogen, to surpass the high art of a perfectly-timed and pronounced “fuck.”
Hill’s work on Observe & Report, The Foot Fist Way, and his cultural breakthrough, HBO‘s Eastbound & Down, contains more glass-darkly social commentary and life-lived expression than the work of any hotshot young novelist in recent memory. Rather than document the cold realities and indulgent pleasantries of another big city with bright lights, Hill is set on exploring the very place that so many creative-types vacate upon the arrival of their first Visa card or college acceptance letter: the American South. Moreover, as many middle-class and broke white American males face sobering, if inevitable, realizations and disillusions about the future, laughing at Hill’s moronic, unhinged versions as they champion outdated movie/sports star heroics atop small-town kingdoms is like homemade medicine. When it comes to countering the monotony of the average day-to-day? Eastbound is harder to beat still. The sight of Kenny Powers “dancing” in a middle school gym under the influence of eggrolls and ecstasy or ejecting a topless broad from his Jet Ski is priceless. Like cheetah-spotted gold or “a bulletproof tiger, dude.”
A native of North Carolina, Hill is the latest progeny of the North Carolina School of the Arts, alongside McBride and creative partner Ben Best, fellow EB&D director David Gordon Green (Pineapple Express), and EB&D cinematographer Tim Orr. In the first part of my interview, we discuss the show in-depth, including some of the surprising and vile admissions and special features on the Season One DVD. We also talk about what it’s like to be a young director coming from, and staying in, the South, why so many comedians today are from there, and why the region was overdue for a proper comedic depiction.
Hunter Stephenson: Hey Jody, how are you?
Jody Hill: Hey Hunter. Good, good, good. Hey man, I wanted to say that I was sorry I wasn’t there when you visited down in Wilmington [Eastbound & Down set, 2008]. I remember the piece you wrote, and it sounded like a really good time. [laughs] Sucks I couldn’t there, man; I was editing my film (Observe & Report), and Warner Bros. wouldn’t let me go. When you have to do a director’s cut, they want to lock you up for 10 weeks. [laughs] Everybody said they had a blast…and I was editing.
Yeah. I expected to interview you there. And I didn’t know about the change, that David Green was now directing the majority of the episodes while you were in L.A. But it all worked out, he killed it. My first question: Legend has it that when you, Danny [McBride], and Ben [Best] first conceived of Kenny Powers you were sitting in a kiddie pool in North Carolina drinking beers. [laughs] Is that accurate?
Jody Hill: [laughs] Yeah, this was before we made Foot Fist Way or anything. We were trying to come up with ideas for shows. I was between jobs; I had been working this really shit reality show job, doing motion-control for Behind the Music and shit like that. [laughs] It was pretty lame. And so, yeah, we were in Charlotte, in the backyard of Ben Best’s house. And yeah, we were literally sitting in a kiddie pool with a case of beer. And Kenny was one of the ideas that, uh, we came up with. [laughs]
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Breck Eisner is currently hard at work on his remake of George Romero’s The Crazies. Seems like a tough gig – the original film really is something very special and it will be pretty hard to compete with it. Eisner’s obviously happy to tackle remakes, however because both of his potential next projects have seen the silver screen before.
Firstly, there’s a new Creature From the Black Lagoon. One draft of that script was done by Gary Ross, which is pretty encouraging, and I’m definitely intrigued – particularly if it gets shot in 3D, as per the original. And then, and probably more likely to roll first I’m guessing, is a new Flash Gordon film. Talking to Arrow in the Head, Eisner has laid down his ideas on what the films need.
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