When a Finding Nemo sequel was announced, many people, including myself, were skeptical of the motivations behind the announcement. Yesterday you learned how director Andrew Stanton came to find that a Finding Nemo sequel was necessary. And now we reveal why he felt Dory’s story was not over.
On a trip to the Monterey Bay Aquarium, I got to preview 30 minutes of Finding Dory. And I must admit, the 13-minute opening of the film (which I will not spoil) floored me. It was unexpected, dark, emotional and so very compelling. And what interests me is the idea that Finding Dory is actually a movie about disabled character on a journey to embrace what she may feel is her big flaw.
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Finding Nemo director Andrew Stanton has been outspoken about sequels. Like fellow Pixar brain trust member Brad Bird, he has made his feelings known that we need more original stories and that money shouldn’t be a reason to make a follow-up. So when Stanton announced that he was directing a Finding Nemo sequel titled Finding Dory, some were surprised. Cynical film journalists were quick to write it off as a filmmaker running back to his successful franchise after the box office disappointment of his live-action debut, John Carter. But the truth is that the idea for Finding Dory came to Stanton before John Carter even hit theaters. It was something that kept him up at night.
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How can a forgetful fish, who doesn’t remember anything about her past, find her family? We’ll find out this summer when Disney and Pixar Animation bring their sequel Finding Dory to theaters.
So far we’ve only seen a little bit of the new adventure as Dory (Ellen Degeneres) starts to have flashes of her past, driving her to finally seek out her long-lost parents, who will be voiced by Diane Keaton and Eugene Levy. But a new trailer might be on the way soon, because we just got a batch of new Finding Dory posters that are very fitting considering the film’s title. Plus, these posters just showcase how beautiful Pixar’s animation has gotten over the year, and I can’t wait to see how the underwater environments for Finding Dory have improved in the 13 years since Finding Nemo was released. Read More »
While Pixar Animation is nearly 30 years old, it’s only been 20 years since the company ventured into feature length, computer animated filmmaking with Toy Story. The film was an instant classic in 1996 and it spawned two successful, acclaimed sequels with a fourth installment on the way in 2017, and it was just the beginning of what the animation house had to offer.
In celebration of Pixar’s milestone anniversary this year, editor Kees van Dijkhuizen has paid tribute to Pixar with a supercut of the films they’ve made over the years, from their early shorts to this year’s feature films. You might find yourself getting some tears in your eyes since it’s accompanied by Michael Giacchino‘s score from Up. Read More »
In just over a month we’ll get to see a new friendship blossom between a talking dinosaur named Arlo and a feral little boy named Spot in The Good Dinosaur,the second Pixar Animation film of 2015. If the recent trailer is any indicator, we’ve got another wonderful family film on our hands that will really pull at your heartstrings.
But this isn’t the first time Pixar has played with our emotions. Ever since Toy Story hit the big screen 20 years ago, they’ve brought characters who developed meaningful bonds and unforgettable friendships, and they want to remind you of that leading up to the release of The Good Dinosaur just before Thanksgiving. Read More »
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Just recently a wonderful fanmade montage took a look at the range of emotions that have been on display in the 20 year history of Pixar Animation‘s feature films. It’s truly impressive how Pixar’s films have the power to make adults and kids run through the gamut of the emotional spectrum, and a new video finally explains how they do it.
The secret to Pixar’s emotional appeal is something called the SadLab, a group of people working to to discover new ways of making audiences cry as much as possible. The Pixar SadLab has been doing a pretty bang-up job so far. Read More »
This summer, Pixar Animation made tears come out of our face all over again with their touching story Inside Out. As one clever chart pointed out, all the Pixar movies have been about giving non-human things feelings, right up through Inside Out where even the feelings had feelings.
And in honor of this summer’s emotional adventure inside the mind, Pixar fan Lindsay McCutcheon put together a wonderful montage of some of the most emotionally powerful moments from the history of the animation house’s feature films. Watch the fantastic Pixar emotions montage after the jump! Read More »
Andrew Stanton‘s Finding Nemo sequel Finding Dory was heavily teased on the D23 Expo show floor, and at Friday’s big animation presentation Stanton revealed some of the thinking behind the film, and offered some new footage to the crowd. Basically, his core questions were about Dory and her family. Could she find her way home if she was lost again? Who makes up her family?
In addition to talking up some of those ideas, the presentation revealed a new character: an octopus, voiced by Ed O’Neill. See an image of that newcomer and learn more below.
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Posted on Tuesday, June 23rd, 2015 by Angie Han
Inside Out stands out among the Pixar stable for a number of reasons, and one of those is its emphasis on female characters. The two main characters, Joy and Sadness, are both female. So is Riley, the 12-year-old kid in whose mind the whole film takes place. That’s quite a welcome change of pace from Pixar, which didn’t get its first female lead until 2012’s Brave — its 13th film.
But that’s not to say Pixar didn’t have great female characters before that. Though they’re typically relegated to supporting roles, sharp women and interesting girls have always been part of the Pixar canon. To celebrate the studio’s new girl-driven film, here’s a look back at some of their most memorable ladies. Read More »