If you’ve been reading /Film for a while, then you know that I love good movie-inspired art. And the superbowl of movie art is Crazy4Cult, an art show put on every year by Gallery 1988 in Los Angeles. This year’s show will open on July 9th, and we have seen the first batch of artwork premiere online. For years I’ve been writing about the show, and posting and buying the art online. I’m super excited because this year I’ll be able to attend the event since I now live in Los Angeles.

Last week I posted the first compilation of the artwork from the show, including new pieces from Eric Tan, Dave Perillo, Tom Whalen and more. Click here to see Part 1!

Today I’ve returned to bring you a collection of art pieces which have since come online. Believe me, if you like movie art, hit the jump!

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If you’ve been reading /Film for a while, then you know that I love good movie-inspired art. And the superbowl of movie art is Crazy4Cult, an art show put on every year by Gallery 1988 in Los Angeles. This year’s show will open on July 9th, and we have seen the first batch of artwork premiere online. For years I’ve been writing about the show, and posting and buying the art online. I’m super excited because this year I’ll be able to attend the event since I now live in Los Angeles.  After the jump you will see a compilation of the artwork I have found thus far. New pieces from Eric Tan, Dave Perillo, Tom Whalen and more. We should have another preview closer to the show. Believe me, if you like movie art, hit the jump!

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Fight Club Soap

I’m considering buying a bar of Fight Club soap, just so that when friends/guests use the bathroom in /Film headquarters, they will see the pink bar sitting in the soap dish next to the sink. But if you’re going to go with geek soap, why not go all the way and buy a bar of soap cast in the Han Solo in Carbonite mold from Star Wars: The Empire Strikes Back?

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FILM-TORONTO/

Sitting opposite Ed Norton in an empty conference room in a skyrise, one can’t avoid thinking about the hyper-charged situations he’s glared down on film. Clad in a black shirt and noticeably relaxed, he takes a moment before responding to a question, pressing a small washer-like object into the table and letting it spring back. It allows a brief window to search for the chiseled Nazi skinhead who forced a thug to tooth a curb in American History X. And for the office drone who scaled barbwire fences late at night to steal the excess fat of women and absorbed grueling punches in Fight Club. And for the smack dealer in 25th Hour who walked man’s best friend by a World Trade Center-less horizon, as unprepared for a future in the clink as the U.S. was for its uncertain present.

Norton is obsessively drawn to characters whose scariest adversary is in the mirror. It doesn’t matter if the playing field is a study in madness or a testy, possibly concluded, stint in the Marvel Universe as Bruce Banner. His latest film, a thoughtful thriller entitled Leaves of Grass, puts a literal spin on his interest in duality. He plays formerly estranged, highly intelligent twins—one a respected and reserved philosophy professor, the other a shaggy distributor of hydroponic marijuana.

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jacksbrokenheart
Gallery 1988 have made a few more Crazy4Cult prints available for purchase. In addition to Dan May’s Edward Scissorhands-Inspired Art Print “Portrait of a Gentle Man” that we posted about last week, the Los Angeles based gallery have made a few more prints available. Details and photos after the jump.
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trailer1

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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slashfilmcast550

preciousThis week, Dave Chen, Devindra Hardawar and Adam Quigley celebrate Fight Club’s 10th anniversary by diving into the film’s newly released Blu-Ray, praise Park Chan-Wook’s Thirst, express ambivalence about the upcoming Uncharted film, and dissect the Twilight phenomenon as best they can. Special guest Jen Yamato joins us these evening.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review The Fantastic Mr. Fox.

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ren_klyce

This week, the Fight Club starts again with the release on Blu-ray of a tenth anniversary edition of David Fincher‘s fan favourite. Every frame of the film was scrutinised by the director, or so it says here, in order to ensure the transfer was reflective, finally, of the ideal realisation of the film. That sentence alone has probably shifted a skip full of copies. What’s likely to shift a heap more are the innovative interactive special features.

After the break you can view my interview with Ren Klyce, the film’s sound designer. As well as collaborating with Fincher since Se7en, he most recently earned the credits of supervising sound editor and sound re-recording mixer on Spike Jonze’ Where the Wild Things Are. He’s just the man to be out there plugging this new Fight Club disc too, as the best of the new special features revolves around his work in the sound department.

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