Michael Bay‘s production company, Platinum Dunes, has been all about low-budget genre films in recent months. The first, Almanac, is set for release in February, and the company has just signed to do another one. This time, though, they’ve recruited a first-time director with a dream resume.
Marvel Studios storyboard artist and animatics supervisor Federico D’Alessandro is in talks to direct Lockdown at Franklin High, a micro-budget monster movie written by Joe Ballarini and Greg Bishop. It follows a brother and sister who get locked in their high school when a monster begins to terrorize the school. Read More »
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Federico D’Alessandro has one of the coolest jobs in the world. He’s the Head Storyboard Artist/Animatics Supervisor at Marvel Studios, meaning he gets to conceptualize all your favorite Marvel Movies from the earliest point in the process. (You might also remember him from this Halloween pitch reel.)
With Iron Man 3 now in theaters, D’Alessandro has shared with /Film a very early animatic from the film. It’s of the mansion attack, where the Mandarin’s goons totally destroy Tony Stark’s Malibu home. The scene is filled not only with action, but non-verbal character development and tons of cool uses of the Iron Man armor.
D’Alessandro completed the animatic for the scene long before filming began and, below, you can check it out and read his account of creating it alongside director Shane Black. Read More »
Federico D’Alessandro started as a storyboard artist on James Cameron‘s 3D docuemtnary Aliens of the Deep, and worked his way up the ladder working on horror movies like Stay Alive before getting his chance on big studio pictures like I Am Legend, and The Chronicles of Narnia sequels. For the last couple years, D’Alessandro has been working as the Head Storyboard Artist and Animatics Supervisor over at Marvel Studios, working on all the superhero movies: Thor, Captain America: The First Avenger, The Avengers, Thor 2 and Iron Man 3.
Recently we’ve been interested in seeing the pitch reels which filmmakers are crafting to try to convince studio executives to give them a chance. Most of the time these pitch reels come in the form of a sizzle reel/movie trailer, but other times the filmmakers focus on a sequence to show how they would handle the tone of a project.
When pitching for the directing job on Platinum Dunes’ Halloween remake, Federico D’Alessandro used his skills as an artist and animatics supervisor to create a very polished animatic, alongside some keyframes. Watch his amazing pitch video right now embedded after the jump.
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