Best Documentary has evolved into one of the most anticipated categories at this Sunday’s Oscar ceremony because of one man: Banksy. The famous street artist and director of the nominated film Exit Through the Gift Shop prefers to keep his identity a secret so the instant the film was nominated, certain questions began to arise. Would Banksy show up to the Oscars? Would he plan some kind stunt? Would he show up in a monkey mask? Well, that last scenario was Banksy’s plan but now the street artist has flat out been denied by the Academy for fear of “copycat gatecrashers” both on the red carpet and on stage should he win. (Which just might happen, due to the film’s weekend win of the Eddie for Best Editing of a Documentary.)
In even more disheartening Banksy news, several of his latest works that popped up in the Los Angeles area have been removed or defaced. We’ve got the details and videos after the jump, plus we discuss why the Oscars actually need Bansky. Read More »
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Last week it was announced that Exit through the Gift Shop is one of five films nominated for the Best Documentary Oscar at the 83rd Annual Academy Awards. This week we’ve begun to hear reports that Banksy (the credited director of the street art documentary) is beginning his award campaign the only way he knows how to — street art. Or could this be the work of Mr. Brainwash? This looks a bit too sloppy to be a Banksy production, and MBW has been using Stormtroopers in his work recently. What do you think?
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As the year comes to an end, anybody and everybody are posting their best of the year lists. Most of these lists contain variations of the same 15 or 20 films. To break the mold, some are even posting lists of the best films of the year that you probably haven’t seen. I find that even these lists are filled with the same movies. And if you’re a film geek reading a site like /Film, chances are you know about most of the movies on these lists.
I wanted to do something different and compile a list of the best films of the year that you’ve never heard of. The selections should be movies that (for the most part) none of your family or friends have heard of, and you might even have to do some extra legwork to get your hands on.
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Posted on Tuesday, January 11th, 2011 by David Chen
This week, David and Adam discuss the merits of Errol Morris, praise some British TV shows you probably don’t have access to, and lament the passing of a great actor. Special guest Alison Willmore joins us from IFC.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, January 16th at Slashfilm’s live page at 10 PM EST / 7 PM PST, where we’ll be reviewing The Green Hornet.
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Jonathan Levine, the director of The Wackness, All The Boys Love Mandy Lane and the upcoming dramedy Live With It, has submitted his list of the top 10 movies of 2010. Levine’s list is the most unique I’ve seen from a filmmaker this year, including a few selections I haven’t seen on any filmmaker or critic top ten list this year. Read the list after the jump.
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Looking back, 2010 is not going to be remembered as a particularly good year for movies. In my mind, most of the 150 or so new films I saw from January to December are all muddled together in a big pile of mediocrity. When that happens though, it’s so much easier to pick out the truly great ones. To that end, picking my favorite movies of 2010 was easier than previous years. What was harder, though, was weeding through an insane amount of movies that didn’t end up getting released during 2010. Why recommend them if you can’t see them?
So, after the jump, you’ll find more than just a top ten of 2010. You’ll also find a five worst of 2010 and my top five of 2011 so far. Yes, that’s right. When everyone is strictly doing top tens for last year, we’ve got one for 2011 as well. Read More »
As the end of the year nears, Rotten Tomatoes have released the tallies for the best reviewed movies of 2010. I thought we’d compare the list with the other movie review compilation site Metacritic.
Both sites have their advantages. Rotten Tomatoes includes a larger sample of reviews, while Metacritic features a smaller more-selected grouping of film critics. Rotten Tomatoes calculates critic scores using a positive or negative score for each review. One movie could be 100% fresh with all the critics giving the movie a 7/10 grade. Metacritic attempts to gauge the score of each critic’s review (not just a positive or negative, but a number 0 to 100) averaged together, giving you a better indication of what the response is to any given film, and not just a percentage of positive reviews.
For example, How To Train Youyr Dragon is ranked #2 for the year on Rotten Tomatoes with a 98% fresh rating based on 146 reviews. But on Metacritic, Dragon has a 74% average with 33 reviews. Honestly, I like how Metacritic calculates the numbers, but their refusal to incorporate a larger sample of film critics puts them behind Rotten Tomatoes in my mind.
Hit the jump to find out what films ranked in the best reviewed films of the year.
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Watching Exit Through the Gift Shop elicits an almost Kübler-Ross reaction from its audience. After the film’s release, Banksy did very little – if any – press about it. In a new interview, though, he states the film is 100% truthful, talks about documentary filmmakers as being “punk” and hints at another movie in his future. Read all about it after the jump.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
EXIT THROUGH THE GIFT SHOP
Describing the engrossing, frequently hilarious Banksy-directed Exit Through the Gift Shop as one of the best story-driven documentaries I’ve ever seen would almost certainly be misleading, as its veracity has been a point of contention since its Sundance premiere. To delve into the topic further would require detailing plot details that I’d be remiss to give away, so I’ll just say this: The strength of the film is that whether or not it’s authentic doesn’t matter. The ultimate take-away from the picture comes from a place of complete truth, and that truth only resonates in the way that it does because the story was told in this form. Not only does the picture provide fascinating insight into the world of graffiti art, but it tackles the nebulous subject of the nature of art and people’s perception of it in a way that appalled and fascinated me. Give it a chance, and I’m sure it will do the same to you.
Available on Blu-ray? No.
Notable Extras: B Movie film about the ‘Art’ of Banksy, a Life Remote Control (Lawyer’s Edit) movie that started it all, deleted scenes, and limited edition inserts designed by Banksy.
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