Vomiting blood, severed limbs, slicing tongues, everything we’ve seen from Fede Alvarez‘s remake of Evil Dead has been gory enough to make some people queasy. After watching the red band trailer, many questioned how a film with that apparent level of intense violence could get an R-rating. Turns out, they were right to ask. Alvarez took to Twitter to reveal he has submitted his first cut of the film to the MPAA, and that it got an NC-17 rating.

That rating forced him to go in and recut down to an R before the film’s April 12th release. Read More »

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An especially heart-pounding edition of Remake Bits features updates on Evil Dead, Godzilla, Robocop, and more. After the jump:

  • Frank Darabont talks about the Godzilla reboot
  • Jason Blum is remaking The Town That Dreaded Sundown
  • Listen to ten minutes of the Evil Dead score
  • New pics show the Robocop prototype

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In purely practical terms, it’s unlikely that Fede Alvarez‘s Evil Dead remake will live up to the marketing promise that it’s “the most terrifying film you will ever experience.” But even if it fails to meet that high bar, it’s clearly trying its hardest to push that envelope.

The first red-band trailer was packed end to end with disturbing, blood-drenched images, to the point that it made Sam Raimi‘s 1981 original look mild and mellow in comparison. The green-band trailer, for obvious reasons, is far tamer, but it’s still pretty spooky. And because it can’t show off the really shocking moments, it gives away much less about the film. Check it out after the jump.

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The next big festival after Sundance is SXSW, right here in Austin, TX. The fest runs from March 8-16, and has just announced the opening night film, as well as a few other selections. The Incredible Burt Wonderstone is the opener, and stars Steve Carrell as as “a Las Vegas magician who splits from his longtime stage partner (Steve Buscemi) amid competition from an edgy upstart (Jim Carrey).” Watch the trailer here.

The film, directed by Dan Scardino, opens wide shortly after, on March 15.

More film announcements, including the premiere of Evil Dead, are below. Read More »

The red-band trailer for Fede Alvarez‘s remake of Sam Raimi‘s Evil Dead is now online and it’s the kind of movie that should only have a red band trailer. Fans will be delighted to see the gore that made the 1981 original a classic look like a Disney film. This new version, which is produced by Raimi and Bruce Campbell, opens April 12. Check out the trailer below. Read More »

Given that Sam Raimi‘s original The Evil Dead was billed as “the ultimate experience in grueling terror,” the Fede Alvarez-directed remake has big shoes to fill. The first footage from the movie suggested that it goes pretty far out into splatter and gore, especially when compared to the bulk of mainstream horror films that play things fairly safe.

But can this new version of the story really deliver on the promise of the poster, which dares to go even further than the marketing promise of the original film? Probably not, but it’s fun to see them making such a bold decalaration. Read More »

Maybe you were good and decided not to watch the bootleg recording of footage from Fede Alvarez‘s remake of The Evil Deadthat came out of the New York Comic Con. If so, and you can’t wait until tomorrow to see the teaser trailer, here’s a bit of footage that will give you a basic idea about what to expect.

What we see is grim, greenish, and even a bit grimy, and there’s a replication of the classic Sam Raimi POV shot that was one of the series’ visual hallmarks. And you’ll even get a look at the book of the dead (seen in part above) to tease what’s coming next. Read More »

Just because we’ve already seen and loved the original Carrie, Robocop, and Evil Dead doesn’t mean we can’t be curious about the remakes. Today we have teaser posters and footage descriptions for Fede Alvarez‘s Evil Dead and Kimberly Peirce‘s Carrie, thanks to the Sony panel at New York Comic-Con, and a peek at Alex Murphy’s new ride from Jose Padilha‘s Robocop. Hit the jump to get an eyeful.

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