This spring we heard that the long-shelved Eddie Murphy dramedy A Thousand Words would finally see release in January 2012. Shot in 2008 under the direction of Brian Robbins (Norbit, Meet Dave), the film has Eddie Murphy playing a guy with only 1000 words left to speak before he dies.
When the release window was announced in April I asked, “will that stick?” Turns out it won’t, but there’s a pretty good reason. Eddie Murphy will now host the Oscars in February, and Paramount has realized that could be a better free publicity bump than A Thousand Words could ever hope for. So the studio has moved the film to March 2012. Read More »
Briefly: The big Oscar news over the weekend was that telecast producer Brett Ratner wants his Tower Heist co-star Eddie Murphy to host the 84th Academy Awards ceremony when it takes place on Sunday February 26, 2012. There may be some small deal points to work out, but this is now looking like a done deal, as Murphy has agreed to host.
It could be a good deal, at that. I’ve been hoping that the dormant Eddie Murphy of old — the funny one — might be revived. While the trailer for Tower Heist didn’t convince me that we’re in for a prime Murphy performance, that film seems like a watchable one compared to his other live-action comedies of the past decade. (That’s not saying much, I realize, when considering the watchability of Norbit or Meet Dave.) Murphy is a natural on the stage, and anything that pushes him toward his stand-up roots is a positive force as far as I’m concerned.
Deadline also says that Billy Crystal, one of the most popular hosts of past Oscar ceremonies, “will almost certainly be incorporated into the show in some marquee way.”
Posted on Sunday, September 4th, 2011 by David Chen
I’ll admit to feeling some degree of surprise when I first heard that director Brett Ratner would be co-producing the upcoming 84th Academy Awards, but at the same time, Ratner’s career has always been one of surprising success. For instance, using only a modicum of skill, Ratner was able to turn out three Rush Hour films, which went on to gross almost $1 billion worldwide. And the huge returns of Ratner’s X-Men: The Last Stand only ensured that this guy would not be going away anytime soon.
So maybe Ratner’s Oscar gig will be similarly successful to mass-market audiences. Turns out the director has an ace up his sleeve for the upcoming ceremony: he wants Tower Heist star Eddie Murphy to host it. Read More »
In the ’70s, the animated fighting kung-fu dog Hong Kong Phooey was a minor television favorite, in part thanks to the work Scatman Crothers did voicing the character. Now the mutt is set for a hybrid live-action/animated big-screen revival, in which the late Scatman will be replaced by Eddie Murphy. Read More »
Watch the trailer for Tower Heist, below, and see how long it takes to guess who made it. (Assuming you don’t already know.)
The film follows a group of people who work in a wealthy New York City high rise building. When the building’s penthouse resident (Alan Alda, playing a Bernie Madoff-like scumbag) defrauds everyone in the building, the motley crew (led by Ben Stiller and including Casey Affleck, Matthew Broderick, Téa Leoni, Michael Peña, and Gabourey Sidibe) recruits a criminal (Eddie Murphy) to help them steal their money back. Read More »
After making Norbit and Meet Dave, Eddie Murphy reunited in 2008 with the directorial mastermind behind those two films, Brian Robbins, to make a film called A Thousand Words. The film is about a guy, played by Eddie Murphy, who discovers he only has 1,000 words left to speak before he dies. Reportedly savaged in test screenings (the film has a 3.6 IMDB rating based on 32 votes) the film has been bounced around on Paramount’s schedule for a couple years. Now it has been given a January 13, 2012 release date by Paramount. Will that stick? Read More »
Briefly: We just saw a behind the scenes photo from Brett Ratner’s Tower Heist in Page 2 this morning, but here’s a real still, scanned from Entertainment Weekly. You probably don’t need the rundown on the lineup here, but from l-r that’s Ben Stiller, Matthew Broderick, Michael Pena, Casey Affleck and, yep, Eddie Murphy. They’re the crew that works in a high-rise building where the penthouse is occupied by an unscrupulous businessman under house arrest. (He’s played by Alan Alda.) The Wall St. crook has taken the crew’s pension, and they aim to steal it back.
Not pictured are Téa Leoni, Gabourey Sidibe, and Judd Hirsch. It’s a hell of a cast, and my generally dismissive views of Brett Ratner notwithstanding, I’m hoping for something good here. Would be so good to see Eddie Murphy in a film that was worth a damn. Dreamgirls was a recent positive blip in an otherwise dismal late career. [via The Playlist]
I wasn’t planning to write about Gallery1988’s first annual “Is This Thing On” art show as it really has little connection to movies or television (or so I thought… the above piece featuring Judd Apatow mashed-up with the infamous Star Trek Tribbles episode is a fine example of this). The show, co-sponsored by FunnyOrDie, features over 100 artists, each creating pieces that are portraits of their favorite funny people, both beloved comics of yesteryear and emerging superstars.
The line up of comedians depicted include: Chris Farley, Will Ferrel, Richard Pryor, Don Rickles, Paul Reubens,Tim & Eric, Nick Kroll, Demetri Martin, Chris Rock, Whitney Cummings, Jon Lovitz, Sam Kinison, Bill Murray, Woody Allen, Colin Quinn, Bill Hicks, Howard Stern, Judd Apatow, Chris Hardwick, Marc Maron, Scott Auckerman, David Spade, Andy Dick, Lenny Bruce, Adam Sandler, Amy Sedaris, Lisa Lampanelli, David Cross, Andy Kaufman, Christopher Guest, Mr. Show, Rob Corddry and Children’s Hospital, Gilbert Gottfried, Jeffrey Ross, Bill Cosby, Bobcat Goldthwait, Tracy Morgan, Roseanne, Patton Oswalt, Dave Attell, David Wain and Wet Hot American Summer, Will Forte, John Candy, Lilly Tomlin, Phil Hartman, John Belushi, Mel Brooks and Young Frankenstein, Chevy Chase, Louis CK, Norm MacDonald, Flight of the Conchords, Jim Carrey, Reggie Watts, Steve Martin, Larry David, Rodney Dangerfield, Mitch Hedberg, Ellen DeGenerous, Margaret Cho, Steven Wright, Conan O’Brien, David Letterman, Richard Lewis, George Carlin, UCB Theater LA, Upright Citizen Brigade (TV show), Human Giant, Sasha Baron Cohen, Gallagher, Dana Carvey, Jon Stewart and The Daily Show, Danny McBride, Carrot Top, Greg Giraldo, Donald Glover, Zach Galifiankis, Charlene Yi, Andrew “Dice” Clay, Chris Elliot, Jon Lovitz, Artie Lange, Doug Benson, Redd Foxx, Ben Stiller, Ricky Gervais, Dave Chapelle, Chelsea Handler, Aziz Ansari, Eddie Murphy, SF Sketchfest, Cheech & Chong, Sarah Silverman, Stella, Jerry Seinfeld, Robin Williams, Brian Posehn, Charlie Murphy and Kids In The Hall.
The show is ongoing until January 29th 2011 in the Melrose Gallery 1988 location. Hirt the jump to see some of my favorite pieces of art from the exhibition.
From time to time, we like to point out articles in other publications and websites which might be of interest to the /Film readers. This weekend the Los Angeles Times published an article titled “Hollywood’s little secret: movie purgatory” which uses the recently released Case 39 (the supernatural horror film starring Renée Zellweger and Bradley Cooper which was shot in 2006) to talk about the growing Hollywood practice of shelved movies.
“Case 39″ was stuck in a little discussed corner of the industry: movie purgatory, where films with marketable stars — not just Cooper but Matt Damon, John Cusack, Eddie Murphy and Mel Gibson — can linger for months, even years, trapped by marketing disagreements, creative clashes, executive shuffles, money shortfalls or the judgment that they are such surefire flops that it makes no sense to throw good money after bad and distribute them.
In a larger sense, experts say, the trend speaks to the financial house of cards that is the feature film these days. Although they seem to arrive by the bundle at the multiplex every weekend, studio-produced movies now take more time and money to make and market than ever before — and then go before an ever-smaller and more fickle theater-going audience. In the old days of movie distribution — say, the early 2000s — many orphaned movies might have been granted a pass out of purgatory with a direct-to-DVD release. But the cratering of the home video market makes that less economically attractive. A direct-to-DVD release also risks offending the sensitivities of stars and other creative people the studios want to work with again in the future. These shelved movies often have their champions, who might note that at least one modern classic, “Diner,” and one recent Oscar winner, “Slumdog Millionaire,” were temporarily orphaned. But often these champions find themselves speaking into a void.
You can read the full article on LATimes.com.