This past weekend, The Amazing Spider-Man 2 crossed $200 million in domestic gross. Add in another $500 million across the world, and $700 million seems like a huge success. But fan reactions to the sequel were tepid and it certainly feels like excitement is waining. That’s not good for Sony Pictures, who famously recruited an army of talented writers and directors to shepherd the character in an every expanding, connected world. Two more Amazing Spider-Man films were tentatively scheduled, along with Venom and Sinister Six films. It was an ambitious plan that was definitely less certain after the slightly disappointing reactions to part 2.
Now the plans for The Amazing Spider-Man are even more in flux. Roberto Orci, who was scheduled to co-write The Amazing Spider-Man 3 and Venom, revealed he’s left the franchise and isn’t quite sure what’s happening moving ahead. Read his quote about the future of The Amazing Spider Man franchise and more below. Read More »
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You know that little thing about Sony developing other characters related to Spider-Man? It’s far bigger than you thought. The studio just announced the Venom movie that has been rumored for years, and a Sinister Six film as well. That’s right — unlike some other studio approaches, when it comes to Spider-Man and Sony, the spin-off films are for the bad guys. That’s pretty wild.
To make these movies a creative “brain trust” has been formed, including Marc Webb, Alex Kurtzman, Roberto Orci, Jeff Pinkner, Ed Solomon, and Drew Goddard. Together they will collaboratively develop these films as a linked set of projects.
More details are below.
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One of the wildcard films of 2012 is Now You See Me, directed by Louis Leterrier (The Incredible Hulk, Clash of the Titans).
Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco play The Four Horsemen, a group of illusionists that perform big business heists even as they’re on stage doing their magic act. Hot on their heels is FBI agent Mark Ruffalo and an Interpol agent played by Melanie Laurent. The film also features Common, Morgan Freeman, and Michael Caine. That cast, combined with the premise, has locked my interest in the film.
The first video look at the project is now available in the form of a set visit report from Entertainment Tonight. Check that out below. Read More »
Posted on Monday, December 12th, 2011 by Angie Han
Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.
It should be noted that the headline is somewhat misleading — some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends. Finally, as Leonard reminds us each time, “The Black List is not a ‘best of’ list. It is, at best, a ‘most liked’ list.”
Regardless, we can always rely on the Black List to stir up conversation among both industry insiders and outside spectators alike, so without further ado, hit the jump for the complete 2011 list.
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As the American Film Market goes on, we see a lot of synopsis and sales art releases for upcoming films. A lot of times these aren’t all that illuminating, because the synopsis info just rehashes what we already know, and the sales art is created before anything is ever shot, so at best it can only get across the most basic idea of the film. (Comepare, for example, the sales art for Drive to the final posters.)
But Louis Leterrier has a movie shooting early next year called Now You See Me that might be worth highlighting once more. I’m interested in the film because it represents a break from the movies Leterrier has done in the past (The Transporter, The Incredible Hulk, Clash of the Titans) and in part because it has a pretty impressive cast led by Mark Ruffalo and Jesse Eisenberg. The sales art out of AFM positions the film, tonally, in Ocean’s Eleven territory, while the synopsis clarifies a few roles for some of the actors. Both are below. Read More »
Posted on Monday, April 25th, 2011 by Angie Han
A year ago, Keanu Reeves said in an interview that he was “trying” to get a third Bill & Ted film made, and we weren’t sure if he was joking. In retrospect, I’m not sure why we were doubtful — it seems like every other popular film from the ’80s and ’90s is getting a reboot, remake, or sequel, so why not Bill & Ted? Over the past year, he and former co-star Alex Winter have mentioned Bill & Ted 3 in various interviews, and now some real progress has been made on the project: According to Winter, the script has now been completed. Read more after the jump.
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How did a third Bill and Ted movie become the ’80s sequel that keeps coming up? Is there that much nostalgia for the middlebrow comedies of twenty years ago? Evidently so, as Keanu Reeves said during the Toronto Film Festival, “I’d love to play the role, I’d love to work with Alex [Winter] and [writers] Chris and Ed again, and we’ll see what they do.”
And now Alex Winter says that there is indeed an idea in play for a third film, and that a script is underway right now. Read More »
Cool Posts From Around the Web:
Tobey Maguire is producing and will star in an adaptation of Isaac Adamson‘s novel Tokyo Suckerpunch. Gary Ross, who worked with Maguire on Seabiscuit and Pleasantville, is set to direct. According to screenwriter Ed Solomon, who was speaking to Sci-Fi Wire, Maguire’s love interest is going to be played by Anne Hathaway. Tobey’s character is a graphic novelist who gets caught up in noir-tinted misadventure in Japan, while unexpectedly romancing his editor and learning some tough life lessons. More details in the full quote after the break.
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