When Sony announced plans for two Spider-Man spin-off films, Venom and Sinister Six, the studio named Drew Goddard (The Cabin in the Woods co-writer and director) as screenwriter for the latter film. At the time, Goddard was tipped as a possible director for the movie, and that has now been confirmed. Read More »
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You know that little thing about Sony developing other characters related to Spider-Man? It’s far bigger than you thought. The studio just announced the Venom movie that has been rumored for years, and a Sinister Six film as well. That’s right — unlike some other studio approaches, when it comes to Spider-Man and Sony, the spin-off films are for the bad guys. That’s pretty wild.
To make these movies a creative “brain trust” has been formed, including Marc Webb, Alex Kurtzman, Roberto Orci, Jeff Pinkner, Ed Solomon, and Drew Goddard. Together they will collaboratively develop these films as a linked set of projects.
More details are below.
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Marvel’s deal with Netflix to bring a quartet of heroes to television was a somewhat divisive move. The TV idea, with four shows building to one limited series starring super-team The Defenders, is ambitious and interesting, but a new TV show is not how some fans wanted to see Daredevil and Luke Cage.
Seems like many of the displeased fans have been mollified by Marvel’s additional plans for each show. Hiring one creator/showrunner to oversee each character’s series is a good move, which will hopefully give each series a unique personality. For Daredevil, the choice is Drew Goddard, who scripted Cloverfield and co-wrote and directed The Cabin in the Woods. The original report of Goddard’s involvement came just under a month ago, and Marvel has now confirmed and offered a bit of extra detail. Read More »
The first name attached to Marvel’s Netflix shows has been revealed. It’s Drew Goddard, director and co-writer of The Cabin in the Woods. He’s in negotiations to write the series based on the blind superhero Daredevil. Read More »
Brad Pitt and Marc Forster‘s long-discussed global zombie adaptation, World War Z, is finally hitting theaters this weekend. After a production marred in controversy, Paramount paid for massive rewrites and reshoots to (hopefully) save the movie. The story goes that, during editing, no one was happy with how the film ended. Executives decided that, instead of presumptuously building the film towards a sequel, it would be more beneficial to rein it back and complete a single story.
Screenwriters Drew Goddard (The Cabin in the Woods) and Damon Lindelof (Lost) were recruited to help and, according to early reviews, the pair at the very least saved the movie from disaster. In fact, some people believe they helped make it a really good movie. You can decide for yourself June 21.
Below, read exactly what Lindelof and Goddard did to improve the film, spoiler free. Read More »
Drew Goddard, who wrote Cloverfield and directed The Cabin in the Woods, has almost locked down a new directorial project. He is now in talks to make The Martian, based on an e-book by Andy Weir. The film revolves around an astronaut stranded on Mars, who must find a way to survive and return home.
Goddard will write the film as well, which is set up at Fox, with Simon Kinberg producing. A few more details are below. Read More »
Seems like we won’t be getting that new Steven Spielberg sci-fi film as soon as originally planned. Robopocalypse, based on the best-selling book by Daniel H. Wilson, had already been delayed several months from a 2013 release date to 2014 and now DreamWorks has “indefinitely postponed” the film. Read more after the jump. Read More »
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Posted on Friday, December 28th, 2012 by Angie Han
The Alamo Drafthouse brand is beloved among moviegoers for their plush theaters, but it’s revered for their impeccable taste in movies. Whether programming a film festival or picking up indies for distribution, they’ve demonstrated an eye for films that aren’t just good, but unique.
With 2012 on its way out, the company has just released its list of their ten favorite movies from the year. Some of the titles were as successful at the box office as they were with critics, while others are more off the beaten track, but all are well worth checking out. Read their picks after the jump.
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