Posted on Monday, July 11th, 2011 by Angie Han
The ubiquitous Michael Fassbender will be joining fellow Irishmen Gabriel Byrne, Colin Farrell, Cillian Murphy and Domhnall Gleeson in Brendan Gleeson‘s directorial debut, a big-screen adaptation of Flann O’Brien‘s classic novel At Swim-Two-Birds. The project has been a long time in the works — Gleeson initially acquired the book rights seven years ago — but it seems to finally be picking up steam thanks to some new financers. Shooting is scheduled to begin next spring.
First published in 1939, At Swim-Two-Birds is considered one of the greatest examples of metafiction ever written. The plot revolves around a university student and writer whose characters rebel and eventually conspire to kill him. Although I’ve never read the novel, that all-star cast seems like reason enough to get excited for the film. [ThePlaylist]
After the jump, Isabelle Huppert joins a mystery project and Roswell FM gets two more stars.
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After taking a break to make the kick-ass action flick Hanna, Joe Wright is back to his classically literary tricks. The director of Pride and Prejudice and Atonement will return to costumed drama for his next film, a star-studded adaptation of Leo Tolstoy‘s classic novel Anna Karenina. Already cast are Keira Knightley as the title character, Jude Law as her older husband and Aaron Johnson as her younger love. Wright is rounding out his ensemble with a solid list of names such as Saoirse Ronan, Kelly Macdonald, Olivia Williams, Matthew Macfadyen, Domhnall Gleeson and Andrea Riseborough. Read who each will be playing after the break. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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