The time-travel love story is nearly a constant in film, and it can be played a few ways: there are sweet, earnest, slightly creepy, and super-creepy, just for starters. About Time, in which the rather charming Domhnall Gleeson learns of his ability to travel through time, stars off seeming like it might be the super-creepy kind, as Gleeson’s character uses his ability to score.
But then, thanks to his presence and a gentle turn from Rachel McAdams, it seems to swerve into much sweeter, funny territory. That might be due to the fact that Richard Curtis (Love, Actually) wrote and directed. The additional cast (Bill Nighy, Tom Hollander and Margot Robbie) doesn’t hurt. Sure, there’s a bit of heavy message delivery from Nighy, but that might just be the trailer.
We’ve actually got two trailers, one from the UK and one for the US. Check out both below. Read More »
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Frank is a movie I’m pretty psyched for this year — the UK comedy casts Michael Fassbender in what seems to be a quirkily comedic role (you know, like his gig in Prometheus) alongside Maggie Gyllenhaal and Domhnall Gleeson. The picture sets Gleeson as Jon “a young wannabe musician who discovers he’s bitten off more than he can chew when he joins a band of eccentric pop musicians led by the mysterious and enigmatic Frank (Fassbender) and his terrifying sidekick Clara (Gyllenhaal).”
The photo above is a bit of the first still from the film, and you can see the full shot below. Read More »
Briefly: This is a pretty small story, but it could lead to something fun: Michael Fassbender and Domhnall Gleeson (son of Brendan, and Bill Weasley in the last two Harry Potter films) have been signed to star in a UK comedy called Frank.
The Film4 production is written by Jon Ronson (who wrote the book The Men Who Stare at Goats) and Peter Straughan (who scripted the film The Men Who Stare at Goats, and co-scripted Tinker Tailor Soldier Spy) and will be directed by Lenny Abrahamson. That’s a pretty good talent lineup, and the idea of seeing Fassbender play in an a comedy is so appealing.
Oh, and the film might be kind of a musical, as Variety says “Gleeson will play an aspiring musician who finds himself in over his head when he joins an eccentric rock band led by Fassbender.”
Joe Wright moved from the stately but intense period piece Atonement to the violent modern fairy tale Hanna without missing a step, and now he has danced back to period form with an adaptation of Leo Tolstoy‘s classic romance Anna Karenina. ‘Danced’ is exactly the word to use, as Wright shot most of the film on a single soundstage, and there is a very theatrical look to the sumptuous footage. If you hear a distant vibration, that’s Baz Luhrmann quaking with envy, and awards-season fear.
Tom Stoppard (Brazil, Shakespeare in Love, Rosencrantz & Guildenstern Are Dead) scripted, and the film stars Keira Knightley, Jude Law, Aaron Johnson, and Kelly Macdonald, with Matthew Macfadyen, Domhnall Gleeson, Alicia Vikander, Emily Watson, Olivia Williams and Ruth Wilson.
Check out the footage below.
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Briefly: Since (500) Days of Summer, Zooey Deschanel has been only two features: Our Idiot Brother and Your Highness, both released last year. Now she’ll go back to the big screen with director Richard Curtis (Love Actually, Pirate Radio) and co-star Domhnall Gleeson (Harry Potter and the Deathly Hallows, the upcoming Dredd). The film is a time-travel dramedy called About Time, written by Curtis.
Gleeson would be Tim, a young guy from a time-traveling family. When he is introduced to his calendar-leaping birthright, he tries to make positive changes in situations around him. Dechanel will be Mary, with whom Tim gets involved.
Variety says the film would shoot during Deschanel’s hiatus from New Girl, because there just aren’t enough time-travel romantic comedies, the trailer release from earlier today notwithstanding. (I’m serious; it seems like such an obvious subgenre that it should explode with new developments every couple years.)
Posted on Monday, July 11th, 2011 by Angie Han
The ubiquitous Michael Fassbender will be joining fellow Irishmen Gabriel Byrne, Colin Farrell, Cillian Murphy and Domhnall Gleeson in Brendan Gleeson‘s directorial debut, a big-screen adaptation of Flann O’Brien‘s classic novel At Swim-Two-Birds. The project has been a long time in the works — Gleeson initially acquired the book rights seven years ago — but it seems to finally be picking up steam thanks to some new financers. Shooting is scheduled to begin next spring.
First published in 1939, At Swim-Two-Birds is considered one of the greatest examples of metafiction ever written. The plot revolves around a university student and writer whose characters rebel and eventually conspire to kill him. Although I’ve never read the novel, that all-star cast seems like reason enough to get excited for the film. [ThePlaylist]
After the jump, Isabelle Huppert joins a mystery project and Roswell FM gets two more stars.
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After taking a break to make the kick-ass action flick Hanna, Joe Wright is back to his classically literary tricks. The director of Pride and Prejudice and Atonement will return to costumed drama for his next film, a star-studded adaptation of Leo Tolstoy‘s classic novel Anna Karenina. Already cast are Keira Knightley as the title character, Jude Law as her older husband and Aaron Johnson as her younger love. Wright is rounding out his ensemble with a solid list of names such as Saoirse Ronan, Kelly Macdonald, Olivia Williams, Matthew Macfadyen, Domhnall Gleeson and Andrea Riseborough. Read who each will be playing after the break. Read More »
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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