Mercury, the planned film biopic of the late Queen singer Freddie Mercury, has hit another snag. Despite having the full backing of the three surviving members of the band, the film has taken a lot of time to get to the screen. Or perhaps the long road has been precisely because of the involvement of Queen, as it seems the band wants a version of the movie that is different from what others want.
So while Dexter Fletcher was hired last year to direct, with Ben Whishaw attached to play Mercury, the film is now in need of a new director as Fletcher has parted ways with the production. Read More »
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Sadly, the Freddie Mercury biopic gets a little less promising with each development step. The long-standing assumption was that Sacha Baron Cohen would play the late Queen frontman based on a script by Peter Morgan, with the surviving members of the band (Brian May, Roger Taylor, and John Deacon) acting as producers. The band is still on board, but Cohen is gone, reportedly because he wanted to make a wild, R-rated tell-all film, while the band wants something a little more sanitized.
Enter Ben Whishaw (Skyfall, Cloud Atlas), who will likely be a fine performer to take on the role. And now a director has finally been found: actor turned director Dexter Fletcher (who played roles in Misfits, Stardust, and Kick-Ass) has been signed to make the film as his third directorial effort. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we watch a liar in a action, get musical with The Proclaimers, jump off a ledge in a wingsuit, help a starving college kid, and get genuinely touched by the Wainwrights.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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