Last week, I had an epic conversation with Joe Carnahan. Which is pretty much how all conversations go when you’re talking to Joe Carnahan. The director of The Grey, Smokin’ Aces and The A-Team is one of the most honest and outspoken directors in Hollywood, never shy about telling people what’s what. That’s why he sometimes burns bridges, leaves projects he’s not passionate about, and signs up for films that may never get made. He knows what he likes, and thinks he knows what the audience likes, and won’t compromise on either point.
My interview with Carnahan was so big, in fact, we have to break it into three parts. Each part will work on its own, but also have references back to the others. In this, part one of three, most of the conversation centered on what happened, and is happening, with his latest film Stretch. Carnahan talks about what’s needed to finish the film, how made some uncommercial choices with it and more. He also exclusively admits he’s close to begging to go back to do Death Wish, and talks about his respect for Marvel Studios, working in television, and general disappointment with the Hollywood machine. Read More »
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Posted on Monday, March 25th, 2013 by Angie Han
Paramount and MGM’s long-gestating Death Wish remake suffered another setback last month when The Grey director Joe Carnahan dropped out, one year after he initially boarded. But like it has so many times before, the project has managed to bounce back. A new report indicates that Miss Bala Gerardo Naranjo is now in talks to take over at the helm. Hit the jump to keep reading.
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Posted on Friday, February 22nd, 2013 by Angie Han
Joe Carnahan has been adding projects to his slate left and right since 2011’s The Grey, but he’s now dropped one of them from his schedule. The filmmaker has abruptly exited Death Wish, Paramount / MGM’s remake of the 1974 thriller starring Charles Bronson.
That doesn’t mean his slate is getting any less crowded, though. Carnahan is now reportedly circling Narco Sub, the drug smuggling thriller that Tony Scott was set to helm before he passed away. Hit the jump to keep reading.
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One bit of Death Wish trivia known to those who’ve read a lot about the film’s early development is that Sidney Lumet was originally looking at adapting the Brian Garfield novel that Michael Winner eventually turned into the film starring Charles Bronson. Lumet was looking at casting Jack Lemmon in the role of accountant Paul Benjamin, whose wife is killed and daughter incapacitated by a violent attack. (In the Winner film, the character’s name and occupation were changed.) That would have been a very different film than the eventual Bronson version, and likely one that did not celebrate vigilante violence in the manner of Winner’s movie.
Now, to follow The Grey, director Joe Carnahan is writing and planning to direct a new version of Death Wish. He’s creating a role for Frank Grillo, after Grillo was so good in one of the most important roles in The Grey. Carnahan has explained a bit about his new Death Wish — that it will be set in LA, and showcase lesser-seen sides of the city — and now Grillo has revealed that the film will feature two brothers, and possibly echo the approach that Lumet might have taken if he had directed the original film decades ago. Read More »
Yesterday it was announced that Joe Carnahan would write and direct a remake of the 1974 revenge classic Death Wish. Today, Carnahan has confirmed the report, and clarified his vision on the new film.
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I’m not sure what to make of this. Only hours after Joe Carnahan reasserted himself with the release of The Grey (my positive review is here), the director was announced as the writer and director of a remake of Death Wish.
Originally released in 1974, Michael Winner‘s Death Wish is a pretty slight film that nevertheless hit a nerve as fears of urban crime started to escalate. Charles Bronson plays Paul Kersey, an architect whose wife is killed during a home invasion that leads to rape; his daughter is caught up in the same event and is institutionalized as a result. Re-introduced to firearms during a business trip, Kersey takes to the streets of New York as a vigilante. Walking around alone at night, he deliberately invites criminal acts, then shoots the perpetrators.
Death Wish has been on the table as a remake or reboot over the past couple decades. What will Joe Carnahan do with it now? Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 26 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Eric Bana says his villainy role as Nero in J.J. Abrams‘s Star Trek is nothing more than a “cameo.” News to me. You? Here’s another quote from the Aussie actor about his role: “It’s just a great character, it’s J.J. Abrams. It’s a really well-written script, great part. Couldn’t say no. I don’t actually look at the size of parts ever.” [The Herald Sun]
In what marks our second weird-beard item of the day (my quota is filled, yipps!), /Film staple Sam Rockwell is growing out his face’s wilderness for a role in which he’ll play…[water bubbles]…a man who is stranded on the moon for three years. Wow, I’ve had people do the start-stop-start-stop to me in the parking lot of a Sonic Burger, but leaving a guy shoe-gazing for a thousand nights on the giant, white rock? Bust. The indie film is entitled Moon (obviously), and will be directed by Duncan Jones, aka Zowie Bowie, spawn of hollow-cheeked rocka David Bowie. I can fight off images of the moon from “Tonight, Tonight” but imagining the couch sesh and brain cloud that procreated this idea makes me want Pringles. [MTV]
Perma-glowing actress Kate Hudson (Fool’s Gold) will star as painter Margaret Keane [click name for art works] in the film Big Eyes for first time directing duo Larry Karaszweski and Scott Alexander. A big-eyed Oscar bid for Hudson, the biopic focuses on Keane’s significant popularity as an artist in the ’50s and ’60s, even while her works were quizzically produced under her husband’s name. After a messy divorce, the couple ended up in federal court, where she painted before a judge and won the case. After the court battle, she moved to Hawaii, became quite religious and her work experienced an eerily happy mood swing. Girls Girls Girls. [Variety]
The Weinstein Co. has acquired movie rights to the intriguing novel Wolf Boy written by Evan Kuhlman and published in 2006 by Crown. When a boy’s older brother, Francis Wolf, is killed in a car accident, he creates comic-style stories illustrated by his eccentric girlfriend entitled The Adventures of Wolf Boy, about a superhero who himself battles the grief of a dead, un-tased bro as well as spectacular villains while attempting to save the world. The film will mix live action and animation, and the book is being adapted by Chris Parker (Mulan II). No director is attached at this time. Sounds kind of Juno-y to me, if the opening credits attacked Diablo Cody’s retro-toy potty mouth and Michael Cera died like Mac Culkin in My Girl. [Variety]
The Web’s Sly Stallone aficionado, AB King, says that MGM has hip-ish actors like Ryan Gosling, Cillian Murphy, Ben Foster and not-so-hip Elijah Wood pegged for one young sidekick role in Stallone’s Charles Bronson remake The Mechanic. The Rambo auteur recently signed a two-pic deal at Nu Image/Millennium Films to direct and star in two action films, so The Mechanic is probably one of them, and after he recently ruled out Rambo V, might the other by Death Wish? Stallone is back in a major way, it’s insane.
But wait! Like a coin-op catfight between Steve Wiebe and Billy Mitchell…Rambo V might still have a shot! It seems Stallone is giving mixed signals from across the bar to his second most famous character. Kissy Kissy. Most recently, he said a third sequel will “depend on the success of this one, but right now I think I’m gearing one up. It will be quite different.” What!?! That would totally negate the response he gave here saying no more Rambo flicks ever, not even in…space. And yet at this rather recent link, he combines this “yes, no” weirdness, and I’d say it’s the best response to where Rambo V stands. When asked if he’ll return for another Rambo sequel he says straight-up, “No.” But when asked if he’d consider another Rambo sequel (what balls this interviewer has, eh?), Stallone says…
“I have a very, very bizarre idea. It’s probably so absurd, but it’s got to formulate a little bit. If I told you I was going to do one about a sixty one year old boxer, you’d go, ‘Yup!’ But if you find the right formula almost anything is feasible. It’s just coming in there and making the audience go, ‘Okay, that’s possible. That is feasible.’ It’s weird. I mean, Space Cowboys. Hello? But it worked.”
Hello? Did Stallone really just friggin’ imply that Rambo is going to space? I mean, there are lots of movies with old dudes kicking younger dudes’ asses. Why name drop Space Cowboys? Lastly, the creator of the Rambo character, David Morrell, has commented at length on his liking the new film, and it’s worth a read. (Oh yeah, and I gave it a 10/10.) [Dark Horizons]
I once lived in a party house with a huge pastel painting on the wall featuring famous men with famous mustaches. For some reason, Charles Bronson and Salvador Dali were the most prominent. Over cereal and beer each morning, I came to hold the former mustachioed legend in the highest regard and thus began to rent his movies. Watching Bronson calmly maneuver and detonate a soccer ball bomb using a remote control in Death Wish V: The Face of Death made me realize that sometimes you have to do supremely odd and disagreeable things as a man, and one must always look as if he’s done them a million times by expressing cool disinterest.
I’m not interested in seeing Sylvester Stallone remake Bronson’s most signature film, the first Death Wish, and I don’t grasp why the guy’s so excited to update it. Back on the scene promoting this month’s much anticipated Rambo, Stallone revealed plans for the main character in his potential remake of the 1974 vigilante classic, saying he’d make himâ€¦
“completely violent, an ex convict who walked the walk, was accepted back into society and did everything he could to be a [good person] like these thieves and junkies who now work on the side of the law. They’ve gone that way, but when something happens he reverts back to that guy.”
Stallone also further clarified his fascination with the film’s premise and core ethical dilemma â€¦
“I think Death Wish, if it were done today, would be volcanic. The idea of Jeff Goldblum being a mugger [in the original film] who breaks into an apartment is very simplistic. It gives you an idea how bad the elevation of violence has become. I would focus on defense attorneys, I would focus on [the people] allowing this crap to happen — not so much the guy on the street. It’s like, ‘Who permits it?’ What if it happened to you, that your daughter was grabbed and her eyes were put out? Would you want to sit there and defend that guy? There’s moral questions here that are being presented that have not been answered in 30 years.”
Whoa. Have there been a lot of eyeball kidnappers recently that I don’t know about? One thing is for sure, Stallone is not taming with age. The buzz leaking out of preview screenings has this latest Rambo stained with the sort of unapologetic, irony-free blood and violence we haven’t seen since the squib-popping ’80s. But I equate Rambo with Sly, Dirty Harry with Eastwood, and Death Wish with Bronson, and believe there shouldn’t be any overlap. If only in the name of that grueling soccer ball terrorism that was Bronson’s last paycheck, don’t do it.