Posted on Wednesday, February 20th, 2013 by Angie Han
The pilot casting blitz isn’t over yet. Also after the jump:
- Kristen Wiig‘s Arrested Development role revealed
- Yeah, NBC is probably going to cancel Up All Night
- HBO decides not to go with James Gandolfini‘s pilot
- HBO’s cancelled drama Luck finds new life as a blog
- Survey says House of Cards is a success for Netflix
- Nerdist’s Celebrity Bowling could head to AMC
- Judd Apatow‘s Simpsons script is getting a rewrite
- Watch the full-length trailer for A&E’s Bates Motel
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Posted on Wednesday, February 6th, 2013 by Angie Han
I am going to assume that the Futurama crew, like the rest of the Internet, is cheering in celebration of Community‘s return. After the jump:
- Dean Norris says Breaking Bad‘s final run is “Hank-centric”
- Roy from The Office is Beverly Hills Cop‘s new Judge Reinhold
- George R.R. Martin could develop more shows for HBO
- See the real-life models for the staff of ISIS on Archer
- Marc Maron‘s IFC series, titled Maron, unveils a first teaser
- Syfy has a new trailer for its upcoming series Defiance
- Mother and son are creepy in Bates Motel‘s new teaser and poster
- Comedy Central offers a peek at the next season of Futurama
- Get ready for Community‘s long-awaited return with a new trailer
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Posted on Tuesday, January 29th, 2013 by Angie Han
The end is nigh for 30 Rock, but fear not — the TGS gang will live on as a Ben & Jerry’s ice cream flavor of some sort. Also after the jump:
- Girl Meets World casts the offspring of Cory and Topanga
- There might be a Malcom in the Middle reunion on Breaking Bad, kinda
- Girls and Enlightened episodes work around the Super Bowl with online debuts
- Shameless, House of Lies, Californication, Ripper Street and Banshee get renewed
- Glen Mazzara says to “ask AMC” why he was kicked off The Walking Dead
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On August 10th 2011, I traveled to Toronto and visited the set of Len Wiseman‘s Total Recall remake. The movie was shot at Pinewood Toronto Studios, the same studio where Scott Pilgrim vs. The World and Universal’s The Thing remake were filmed. I was on set two thirds of the way through filming. After the jump you can watch a video blog I recorded with Frosty from Collider discussing our impressions from being on set, alongside a comprehensive list of over 45 things I learned on set.
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Rapper T.I. has done a few movies (Takers, American Gangster, ATL) but has had his cinematic aspirations derailed by little things like county jail and federal prison stints. But he’s back at work, and in an interview conducted at SXSW, T.I. said that he’s got a couple of film projects on the horizon.
Specifically, the rapper said “there is a Marvel Comic franchise that [has] been inquiring about my availability for some time,” and “we also have a new Tom Cruise film with Doug Liman… I have that as well, on the horizon.” That would be We Mortals Are, once titled All You Need is Kill, the film in which Cruise plays a soldier in a future war who is killed, but has to relive his last hours, Groundhog Day-style, over and over again. I liked one draft of the script quite a bit; the film could be a wild, action-packed and slightly weird experience.
Check the video interview after the break, and get news of Christopher Meloni’s new indie, and the dark comedy that has recruited actors like Gillian Jacobs and Ned Beatty. Read More »
This article concludes /Film’s recaps and discussions for the third season of Breaking Bad. A spoiler warning applies after the jump for the recap and for the comments section. Meth heads welcome. For previous recaps, click here.
The season three finale, “Full Measures,” differed from those of previous seasons with a grisly cliffhanger that incidentally and tragically pushed one main character over the point of no return. Or did it? In recent days, the show’s creator, Vince Gilligan, has given three candid and revealing interviews wherein he’s cleared up a number of viewers’ apparent confusion over the very last scene. He’s done so in good humor, but I can’t recall a previous highly anticipated finale that needed the showmaker to later vouch his intent—and in Gilligan’s case he helmed the episode (his sole directorial effort of the season.) The initial confusion was due to the aim of a gun, which appeared to tilt to the right of the target before the trigger went off. And I’m guessing the immediate cut to black that followed only amplified some viewers’ doubts. “SMDH.” – David Chase.
Gilligan, who is refreshingly and perhaps too open about Breaking Bad‘s creative process, also stated that the writing team didn’t map the season’s arc at start, unlike they’ve done in the past. This revelation confirmed observations about the season’s touch-and-go feel cited in the previous recap with guest Sven Barth. After the jump, I address personal questions about the finale, where the show and characters are possibly headed, and analyze Gilligan’s post-ep comments. Thanks to the /Film commenters who left insightful and spirited opinions over the past dozen BB posts. Let us know what you thought of the finale and of the questions posed below.
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/Film will be recapping and discussing each episode of the third season of Breaking Bad. A spoiler warning applies after the jump for the recaps and for the comments section. For previous recaps, click here. Note: I skipped over episodes “Fly” and “Abiquiu” due to traveling (one leg of which sent me to Puerto Rico for the return of Kenny Powers).
This week, we discuss the shocking semi-finale “Half Measures” and the season’s flaws with the culture writer, white rapper, and L.A. personality known as Sven Barth. A discerning barbarian of boob tube and skateboard culture, Barth’s creative endeavors span the single “Baby I’m Black” and the cooking series The Shredding Chef on Fuel TV.
Hunter Stephenson: Okay Sven. I think we both agree Breaking Bad is superior to most TV series currently going. But I want to ask you: is the third season where the show went from being a great series to a good if uneven one? When the Cousins exited—empty characters hyped as a death rattle but comparable to a violent psych-out—I was hopeful the season would upswing. Instead, we got Rian Johnson‘s episode “Fly,” which was the best ep of the season but it also inadvertently juxtaposed how little time and writing was spent in other eps, before and after, on rewarding character development. The writers focused so intently this season on viewers’ anticipation of bad shit happening and murderous voodoo tension that Walt and Jesse often registered more like pawns of doom than people. “Fly” explored and deepened their individual personalities and psyches, and reexamined their flesh and blood bond. Nevermind that it was executed, due to sheer genius or budget restraints, in a one-room setting. Am I being too critical, or do you agree?
Sven Barth: I’ll start by saying Breaking Bad is, without a doubt, one of the best cable shows of the past few years. But to me, this season continues to have several problems not present in one and two. I was still excited to watch each episode but Jesse in particular became closer and closer to a mall-type caricature as the season marched on. And yeah, “Fly” was excellent. It hearkened back to the season two episode, “4 Days Out” about the RV battery. “Fly” exemplified why I got addicted to this show from day one, back when I was tuning in because I was invested in the characters foremost, sudden thrills second. Walt’s and Jesse’s day-to-day was more tangible, convincing. Now that they’re certified bad guys, that’s missing.
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/Film will be recapping and discussing each episode of the third season of Breaking Bad. A spoiler warning applies after the jump for the recaps and for the comments section. Meth heads welcome. For previous recaps, click here.
The calamitous, nail biter episodes that were “Sunset” and “One Minute” were followed by two quieter if unsettling installments. The first, “I See You,” focused on the mortality and health of several characters, and the latest, “Kafkaesque,” naturally dove into the resulting problem of money and insurance—the serpentine topics at the series’ core. The salad days of stashing illegal monies behind air vents and under the kitchen sink are long gone for our beloved meth-slinging duo. Their conversations and the scope of their operation have expanded into the tens of millions, if not more, and in this ep we see how differently they continue to (forever) handle greed, contentment, and “taxes, yo.”
Their cash problems lie not only in finding and purchasing physical space needed for money laundering, but mental space as well. It’s the latter here that unleashes a whopper of a lie. Taking the lie into context, an unrelated scene where Walter informs Gus that he wants to “Lay the cards on the table,” bites with considerable irony. After the jump, we welcome your comments in anticipation of Sunday’s episode, “Fly.” Don’t miss it, it’s the best and easily the most creatively daring of the season (and some fans will say ever), directed by no less a talent than Rian Johnson (Brick).
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