Posted on Thursday, April 11th, 2013 by David Chen
In Part 2 of our FilmAid broadcast, Scott Beggs from FilmSchoolRejects joins us to chat with writer/director David Wain about his thoughts on LARPing, his most powerful filmgoing experiences, and the making of Children’s Hospital.
If you want to support the cause we’re promoting, please head over to filmaid.org/slashfilm and donate! You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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Posted on Monday, December 17th, 2012 by Angie Han
Wondering what sequelized delights await us in 2013 and beyond? After the jump:
- Jackie Chan joins Expendables 3, wants to do Rush Hour 4
- Dennis Haysbert talks about replacing Michael Clarke Duncan in Sin City 2
- Mark Wahlberg calls Transformers 4 the most important role of his career
- Michael Bay says that the “leaked” Transformers 4 script is a fake
- David Wain is definitely still working on Wet Hot American Summer 2
- Adam Green is excited to explore Victor Crowley’s story in Hatchet III
- J.J. Abrams has thoughts on the 3D conversion for Star Trek Into Darkness
- George Miller‘s Mad Max: Fury Road has finished shooting
- New images and plot details emerge for The Hangover Part 3
- A still from Red 2 shows off some godawful outfits
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Posted on Thursday, May 10th, 2012 by Angie Han
Until that Wet Hot American Summer sequel gets going — if indeed it ever does get going — we can comfort ourselves with the mini-reunion that will be They Came Together. The romcom parody, which is set up at Lionsgate’s microbudget division, re-teams WHAS director David Wain and writer Michael Showalter with stars Paul Rudd and Amy Poehler. Hell, pull in a few more of the guys from The State and we can just turn this project into a secret WHAS sequel. More details after the jump.
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Posted on Tuesday, March 6th, 2012 by Angie Han
Proving that just because you can doesn’t mean you should, the new green-band trailer for That’s My Boy drops much of the cursing, nudity, and bodily fluids that comprised last week’s red-band trailer, and is, frankly, all the better for it. The jokes are still pretty hit or miss, but the fact that it has jokes at all — rather than just a lengthy string of “fucks” — makes this cut a vast improvement over the last one.
Adam Sandler stars as Donny, the ne’er-do-well father of Todd (Andy Samberg). When Donny realizes he’s deeply in debt, he reunites with his son, now a successful hedge-fund manager, and butts heads with his future daughter-in-law (Leighton Meester). Watch the trailer after the jump.
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Posted on Thursday, March 1st, 2012 by Angie Han
The first red-band trailer has dropped for Adam Sandler and Andy Samberg‘s That’s My Boy, formerly titled I Hate You Dad. Sandler plays an aging party boy and horrible father who falls into deep debt. He decides to move in with his more tightly wound son (Samberg), who’s on the verge of getting married, to a character played by Leighton Meester.
The script comes from Happy Endings creator David Caspe, with a rewrite by Ken Marino and David Wain, which is promising; the fact that it was directed by Mr. Popper’s Penguins writers Sean Anders and John Morris and produced by Sandler’s Happy Madison is somewhat less so. Watch the (NSFW) video after the jump.
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Posted on Friday, February 24th, 2012 by Angie Han
Happy Friday! Today’s Sequel Bits involves three comedies of varying degrees of hilarity, plus a spooky-sounding book. After the jump:
- David Wain can’t guarantee a sequel to Wet Hot American Summer 2, but he’s working on it
- Ed Helms doesn’t really know when The Hangover Part III will get going
- Shawn Levy could “very possibly” be directing Night at the Museum 3
- Stephen King reads the first chapter of Dr. Sleep, a sequel to The Shining
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Wanderlust, from director David Wain (The State, Wet Hot American Summer) and co-writer Ken Marino, outlines and explores a premise that will probably resonate with many people: a young couple, navigating the grind of city life but trapped by their own fears and inadequacies, is forced to leave the city and take refuge with family by dual economic misfortunes.
Well, that part of the premise might resonate. The next bit is perhaps less familiar: the couple’s final destination ends up being Elysium, a commune-like community where their frigid inability to relax is cracked and thawed by an ultra-crunchy lifestyle. (Admittedly, the attentions of a couple of sexually aggressive residents doesn’t hurt.)
For the most part, Wanderlust isn’t a deep character study or a particularly perceptive dissection of human nature. (For something closer to that, see Lukas Moodysson’s Together, which was likely an inspiration for Wain.) This is more like seeing the funhouse mirror caricatures of Wet Hot American Summer grown to adulthood. This film doesn’t quite celebrate the same sense of absurdity, and doing so — living up to one of the film’s own arguments, you could say — might make it more of a keeper. Yet Wanderlust is possessed of a strong enough free spirit that you might want to join its (almost) free-love drum circle just the same. Read More »
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I like David Wain‘s work a lot. The State was just wonderful; Wet Hot American Summer is an oddball classic; and even something more routine, like The Ten and Role Models, can be a decent bit of entertainment. Wain’s new movie, while we wait for the rumors about a WHAS sequel/prequel to come true, is Wanderlust. The movie features Paul Rudd and Jennifer Aniston as a couple that escapes NYC and ends up in a sort of hippie commune en route to Atlanta.
We’ve seen an all-audiences trailer, but with the movie set to hit theaters in just over a week, Universal has released a red-band trailer. As you might expect, it is speckled with bad language and a lot of not at all subtle sexual humor. Check it out below, and predict where Wanderlust might rank on Wain’s career-best list. Read More »