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It’s a crazy, mixed up world and we are thankful for movies, sans The Tooth Fairy, that offer proof. Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or this…

Variations on the utterance, “I wish there was something to do,” number in the hundreds to thousands daily in New York City. It’s a minor grumble that can be overheard even as many a boredom-stricken city dweller is in a bout of multi-tasking worthy of a wintery-layer-obsessed Inspector Gadget. These frequent sentiments both ignore and are at the source of the unbridled creativity occurring around them: somewhere in the city, people are launching unrelated search-and-destroys on boredom in new ways. In the case of a determined 20something actor and filmmaker named Zachary Oberzan, it was via a feature-length adaptation of First Blood…set entirely in a 220-square-foot Manhattan apartment and starring himself as roughly two dozen male and female characters. The resulting film—which cost $96, was made over seven months, and was edited by Oberzan in Final Cut Pro—is called Flooding with Love for the Kid.

In the role of iconic Vietnam vet John Rambo, Oberzan ostensibly fought the law and the law won. Which means Oberzan still won, because they are one in the same and so forth. In a superlative scene in Flooding, Oberzan is show on screen as six different armed men firing shotguns at Rambo in a display of deliberately amateur but charming effects. That the scene, like most of the film, is set deep in a Kentucky wilderness conveyed by makeshift twigs and grimy urban brick should be a lame or childish sight to the grown viewer. Instead, the scene is genuinely suspenseful, partially due to the claustrophobic restraints, and packs just enough Dogme-esque realism to earn a smile. Flooding is currently a subject of fun chatter in NYC, and has even been intensely praised by Rambo’s creator, First Blood author David Morrell.

Unlike Sylvester Stallone‘s 1982 classic actioner, Oberzan made use of Morrell’s original ending, in which Rambo and the relentless sheriff on the hunt for him both die. /Film chatted with Oberzan about the multiple meta meanings at the heart of Flooding‘s faithful conclusion and about many other aspects of his memorable, irony-free creation. A clip from the film and the interview after the jump…

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