The graphic novel Torso, which follows Elliot Ness after the capture of Capone as he moves on to a serial killer investigation in Cleveland, has been the object of multiple adaptation attempts by various producers. We haven’t talked much about the Brian Michael Bendis and Marc Andreyko graphic novel since David Fincher walked away from a possible adaptation in ’09. Rights to the story lapsed at that point, blocking Fincher’s potential version.
Now Torso is coming back to life, and with one of the more exciting talents to make headlines in 2013. David Lowery, the Ain’t Them Bodies Saints writer/director and Upstream Color editor who recently made deals to write Pete’s Dragon and to write and direct The Old Man and the Gun, will adapt and direct. Read More »
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Damn, how David Lowery‘s career has rocketed forward this year. After a few years in which he crafted a string of shorts and the feature St. Nick, Lowery had three films at Sundance this past January. They were Pit Stop (which he co-wrote), Upstream Color (which he edited), and the great modern-ish western Ain’t Them Bodies Saints, which he wrote and directed. Saints is, as far as I’m concerned, among the best films of 2013 so far; it will be released by IFC later this year.
Lowery was recently set to write a remake of Pete’s Dragon for Disney, and now he’ll direct Robert Redford in a film called The Old Man and the Gun. The story is centered on Forrest Tucker, a lifelong bankrobber who spent much of his life in jail, whose story came to light after he was arrested for a Florida bank robbery at the age of 78.
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The multi-hyphenate David Lowery is going to be someone that many more people are talking about within the next few years. He’s got three films doing the festival circuit this year: the indie drama Pit Stop, which he co-wrote; the exceptional ’60s-set western Ain’t Them Bodies Saints, which he wrote and directed; and Shane Carruth’s Upstream Color, which Lowery edited. I haven’t seen Pit Stop at this point, but his other two 2013 efforts are two of the best films of the year so far.
Given that resume for this year alone, I wouldn’t have been surprised by anything Lowery did next. Except for this: he’ll write a reboot of Disney’s ’70s live-action/animation hybrid Pete’s Dragon, in which a young orphaned boy flees his abusive adoptive family, with the help of his dragon friend Elliott. Read More »