Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we try to get our best friend pregnant, think about what it means to own a Mustang, get in the ring with little luchadores, jump off a cliff with nothing but a squirrel suit hugging our nether regions, and get real with some little girls.
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The Lazarus Effect starts out looking like a riff on Flatliners, that early ‘90s film that put dressed a bunch of budding superstars in lab coats and watched as they brought dead people back to life. Here, it’s a crew including Mark Duplass, Olivia Wilde, Donald Glover, Evan Peters and Sarah Bolger who are med students that take a big leap across the line between life and death. When Wilde’s character dies, she’s brought back to life through an experimental procedure. But what she has afterward isn’t exactly life, and things start to go very wrong for her, and everyone around her. Check out The Lazarus Effect trailer below. Read More »
Posted on Wednesday, January 7th, 2015 by Angie Han
Resurrecting the dead rarely turns out to be a good idea in the movies, but that doesn’t stop movie characters from continuing to try. And then instantly regretting their actions the moment they succeed. That’s the basic premise of The Lazarus Effect, the latest picture to come out of Jason Blum’s horror hit factory.
Mark Duplass and Olivia Wilde play med students who find a way to bring the dead back to life. After she does in an accident, he winds up using the method on her. It works, but there’s something very wrong about the version of her that comes back. Evan Peters and Donald Glover also star. Watch The Lazarus Effect trailer after the jump. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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