David Cronenberg‘s new film Cosmopolis played to pretty good reactions at Cannes; there were those who didn’t find it compelling, but that’s actually reassuring, as a Cronenberg movie seems like it shouldn’t be for everyone. Now we know when the US will get a chance to see the film. eOne picked up Cosmopolis prior to Cannes, and is rolling it out in other countries now, with a Canadian opening tomorrow and UK bow a week later.
eOne plans to distribute Cosmopolis in the US starting on August 17, which is a bit earlier than we would have expected it to land. Still, we’ll take all the Cronenberg we can get, and as soon as possible, please. To that effect, hit the break for info on how Cronenberg’s son Brandon Cronenberg will have his film Antiviral distributed by IFC Midnight. Read More »
Please Recommend /Film on Facebook
Last week word filtered out of Cannes that Robert Pattinson could work again with director David Cronenberg. That led to some comments that he might be the new Viggo Mortensen. The filmmaker cast Mortensen in three consecutive films: A History of Violence, Eastern Promises, and (as a late-game replacement) A Dangerous Method. But the younger Pattinson got the nod for Cosmopolis, as he’s far more age-appropriate for the lead role than Viggo.
Now, in the wake of the Cosmopolis premiere at Cannes, which went down quite well given the film’s potentially divisive nature, it seems like both Mortensen and Pattinson could end up in Maps to the Stars, a dark comedy/drama Cronenberg started trying to make several years ago. Read More »
A bunch of huge movies have been showing at Cannes this year and the latest is David Cronenberg‘s Cosmopolis starring everyone’s favorite sparkling vampire, Robert Pattinson. Based on a novella by Don Delillo, the film centers on a 28-year-old billionaire’s 24 hour trip across Manhattan to get a haircut as his entire fortune crumbles with each passing second. This is Cronenberg, though, so of course it’s not a movie about bad traffic. Wild happenings are a foot here including characters played by Juliette Binoche, Paul Giamatti, Mathieu Almaric, and Jay Baruchel.
But is it any good? After the jump, we’ve grabbed some quotes and tweets from the Cannes press corps that attempts to answer if Cronenberg is back in prime form or not. Read them after the jump. Read More »
David Cronenberg‘s new movie Cosmopolis premieres tomorrow at Cannes, and barring some terrible reviews or other similar misfortune, it looks like it won’t be the director’s only film with star Robert Pattinson.
The actor now says that, in addition to the slate of other films he has lined up (more on those below) he’s going to do another Cronenberg film. And while he doesn’t drop a name, he does say it will be “very strange.” Read More »
Now that Twilight is almost over, Robert Pattinson is on the verge of being able to move on to the next phase of his career — presumably one in which he won’t be tied to a franchise he evidently despises. David Cronenberg‘s new film Cosmopolis could end up being the anti-Twilight, and Pattinson is embracing chances to promote it.
Contacted to do a promo photo shoot for Premiere France, Pattinson was asked about doing some still image nods to earlier Cronenberg films. He embraced the idea, and evidently pushed the images to go even weirder than originally planned. Check out the results, and name the films being referenced, below. Read More »
Cool Posts From Around the Web:
One of the pleasures of any new David Cronenberg film is the new work from Howard Shore that traditionally accompanies it. Cronenberg and Shore have worked together on almost every one of the director’s features since The Brood in 1979. (Michael Kamen did the score for The Dead Zone in 1983.) And while not every Cronenberg/Shore collaboration has been gold, they have produced some excellent work together. The scores for The Fly and Videodrome are memorable and effective; Shore used Ornette Colman to great effect for Naked Lunch. A few years later he produced one of my favorite scores, period: the brittle, uneasy guitar-based music for Crash.
For Cosmopolis, the fourteenth feature collaboration between Cronenberg and Shore, the composer enlisted Canadian band Metric to perform the music for the film, and to co-write three tracks. (Metric also contributed to the Scott Pilgrim vs the World soundtrack.) Samples of the entire score are now available, and we’ve got info on the score below. Read More »
Two big-shot feature filmmakers are headed to the small screen, albeit in two very different capacities. Michael Bay will executive produce Starz’ pirate adventure Black Sails, while David Cronenberg is set to guest star on Syfy’s time-travel thriller Rewind. Also after the jump:
- Go behind the scenes of Breaking Bad‘s fifth season
- The first set photo from Season 7 of AMC’s Dexter drops
- The CW’s Arrow is virtually “a lock” for pick-up
- January Jones says to expect more “Fat Betty” on Mad Men
- The BBC orders a brand-new zombie drama
Read More »
David Cronenberg makes strange movies. I don’t mean that he makes movies about things that are strange, though he does that, too. What I mean is that his films depict a reality that is very specifically different from our own, no matter how closely his imagined spaces may resemble the real. In fact, when his creations are more superficially real than not, the strangeness and sense of disconnect is intensified. We see things that should be familiar, or predictable, but aren’t. One of Cronenberg’s chief gifts is that he makes us see the potential in situations that seem to have little energy hidden within them.
Which brings us to this first clip from Cosmopolis, the film in which Cronenberg adapts the novel of the same name by Don DeLillo, with Robert Pattinson as a young billionaire who is struggling, in several ways, with his own existence. The first trailers for the film suggested the wild and weird, but this clip is very much of the strange. Pattinson and Sarah Gadon, playing his wife, have a conversation in a cafe. It plays out a bit stilted and odd, but free of the context of the film I can’t tell if what we’re seeing is really part of the life that troubles Pattinson’s character. I do know I want to see a lot more.
Check out the clip below. Read More »
I’ve written a bit in the past about the effort by David Cronenberg and Dino De Laurentiis to produce Total Recall, a movie based on Philip K. Dick‘s story We Can Remember it for You Wholesale. The short recap is that prior to making The Fly, Cronenberg cranked out a dozen drafts of a Total Recall script and realized at the end of that process that he and Dino were never going to be on the same page. So he moved on, eventually made The Fly, and years later Paul Verhoeven directed the Total Recall that starred Arnold Schwarzenegger.
As is often the case for a development project from major players that is many drafts into the process, concept art was created for Cronenberg’s Total Recall. We’ve just never seen any of it, until now. Read More »