Everybody loves Liam Neeson. It’s impossible not to. He’s a badass, he’s handsome, he’s got the cool accent, he seems like a smart guy and he’s starred in some of the best movies of the past quarter century. Even when he shows up for a quick and dirty paycheck like in Battleship it’s hard to begrudge the guy. (Given the recent tragedy in his personal life, my inner Jewish grandmother says “it’s good he should keep busy. And why not make a few dollars at the same time?”)

I won’t suggest that you skip Battleship this weekend. With friends and some smuggled-in tall boys of Coors Light you’ll have a fine time. But don’t expect that much Liam Neeson. In fact, it may leave you wanting more, so here are eight films of his you probably haven’t seen.

Note – Darkman isn’t on here. I’m giving you enough credit and assuming that you’ve seen that one already. Read More »

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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