This weekend at D23 Expo, director Brad Bird and writer Damon Lindelof finally gave the world a glimpse into the mystery box of their new film Tomorrowland. On stage, they literally unboxed the mystery, a 1952 box found inside the basement of the old animation building at Walt Disney Studio. The box and the contents serve as the inspiration for the new film. We wrote about the presentation here, but thats not the end of it. As the presentation came to a close, Bird and Lindelof announced that we’d all be able to get an up close look at the contents of the box at a newly constructed/unveiled booth on the show floor.
We spent two hours waiting to tour the booth with plans to give you guys a virtual look with a photo gallery — but Disney security was out in full force and not allowing ANYONE to take ANY photos. So after the jump, we do have something, information we learned about the contents of the box from the booth, including select transcripts of the audio tour from the booth. We have also included some images from the presentation released by Disney ad closeups of the box’s contents from Bird and Lindelof’s earlier tweeted photos.
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Posted on Wednesday, August 7th, 2013 by Angie Han
Brad Bird‘s Tomorrowland has been the subject of all sorts of rumor and speculation since it was first announced a while back under the title 1952. Heck, for a time, there was even a wild theory going around that it was secretly Star Wars Episode VII. But now the film’s about to take a more concrete shape as production gets under way this week.
And as those cameras prepare to roll, Bird’s rounded up another name for the starry cast. Judy Greer is in negotiations for the mysterious sci-fi pic, which also features George Clooney, Hugh Laurie, Raffey Cassidy, and Britt Robinson. Hit the jump for the latest updates on the project.
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Posted on Tuesday, August 6th, 2013 by Angie Han
Much ink has been spilled lately about the movie industry’s “bigger is better” problem. Studios regularly throw $200 million or more at the latest Marvel- or DC-based adventure, yet even icons like Steven Spielberg and George Lucas have trouble wrangling mid-range budgets for projects like Lincoln or Red Tails.
Nor does that attitude stop at the financial level. Those hefty price tags come with the expecation of correspondingly massive stories, which is why it seems like every other summer blockbuster hinges on the fate of a major city or even the world itself. And though writer Damon Lindelof acknowledges that he is himself a “purveyor” of these big, explosive moments, even he cops to feeling “slightly turned off by this destruction porn.”
In an illuminating interview, Lindelof offers an inside look at Hollywood’s self-destructive gigantism — how the approach inflates even intimate dramas into superhuman epics, and why it’s so difficult for writers and filmmakers to buck these trends. Hit the jump for more.
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Zack Snyder‘s Man of Steel has been in theaters for just about a week, which means almost anyone excited to see it has caught it in theaters. As a result, discussions about the film’s content and potential follow-ups have been non-stop all week. Next, we’ll find out what some famous geeks thought of the movie.
Below, you can watch (and read) the reactions to Man of Steel by almost Superman screenwriter and Clerks director Kevin Smith, Lost co-creator and comic book writer Damon Lindelof, and star of multiple Spider-Man movies, Oscar-nominee James Franco. Read More »
Brad Pitt and Marc Forster‘s long-discussed global zombie adaptation, World War Z, is finally hitting theaters this weekend. After a production marred in controversy, Paramount paid for massive rewrites and reshoots to (hopefully) save the movie. The story goes that, during editing, no one was happy with how the film ended. Executives decided that, instead of presumptuously building the film towards a sequel, it would be more beneficial to rein it back and complete a single story.
Screenwriters Drew Goddard (The Cabin in the Woods) and Damon Lindelof (Lost) were recruited to help and, according to early reviews, the pair at the very least saved the movie from disaster. In fact, some people believe they helped make it a really good movie. You can decide for yourself June 21.
Below, read exactly what Lindelof and Goddard did to improve the film, spoiler free. Read More »
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Damon Lindelof is returning to TV and he’s just cast his new Jack Shephard. Justin Theroux, star of Mulholland Dr., Your Highness and the co-writer of Tropic Thunder and Iron Man 2, has just been cast as the lead in the new HBO pilot The Leftovers. Based on a novel of the same name by Tom Perrotta, The Leftovers takes place in a world where most of humanity mysteriously disappears. The story follows the confused people who remain and their struggle to survive with constant questions and insecurities.
Theroux will play Kevin Garvey, the town’s leader who tries to keep things normal even with frightening questions to be answered. Lindelof is co-writing and co-executive producing the show with Perrotta, marking his first return to television after Lost. Read More »
Posted on Wednesday, May 29th, 2013 by Angie Han
It should come as a surprise to no one that Damon Lindelof adored George Lucas from a young age, but now he also has the photo to prove it. Also after the jump:
- Star Wars Episode VII might shoot in Ireland
- Daniel Radcliffe and John Noble want to join Star Wars
- Watch a book trailer for The Making of The Empire Strikes Back
- Star Wars prequel storyboards offer a peek at what could have been
- Hasbro announces Angry Birds Star Wars action figures
- Read an oral history of Star Wars at the Coronet Theatre
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Posted on Friday, May 24th, 2013 by Angie Han
It’s more or less impossible to reboot a massively popular franchise for the big screen without drawing the ire of a few fans, but one major criticsm plaguing Star Trek Into Darkness in recent days has nothing to do with J.J. Abrams‘ Klingon redesign or use of parallel timelines. Midway through the film, there’s a brief scene in which the character Carol Marcus (Alice Eve) strips down to her underwear for no apparent reason. Some fans called filmmakers out for being sexist, and so far writer Damon Lindelof has stepped up to offer his apologies.
The minor controversy was fresh in my mind when I went to go see Fast & Furious 6, which, as you’d expect, outdoes Star Trek Into Darkness‘ tiny sliver of cheesecake on every level. All of the female stars of Fast & Furious 6 are conventionally attractive to begin with, and none shy away from wearing form-fitting outfits or showing off a bit of cleavage. Additionally, scantily clad female extras are used in several sequences as little more than set decoration. And yet I walked away from Fast & Furious 6 thinking that director Justin Lin and his crew could teach the Star Trek team a thing or two about portraying female characters on screen.
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When the subjects are good, no amount of time is sufficient to do an interview. That goes double when you’re speaking with two producers of one of the summer’s closely scrutinized films: Star Trek Into Darkness. Preparing to speak to producer Bryan Burk and producer/co-writer Damon Lindelof, I prepared two dozen questions for a ten-minute interview. I asked three.
Thankfully, the answers were illuminating. Mainly, we talked about the process that the pair went through to decide on the film’s villain, along with director J.J. Abrams and co-writers Roberto Orci and Alex Kurtzman. The pros and cons of the choice; how Star Trek: The Next Generation influenced that decision; and how the reveal changed the selling of the movie all came up. Finally, I asked Burk would repeat that process for his next film, Star Wars Episode VII. Read More »