After Lost, writer/producer Damon Lindelof aimed at the big screen, working on scripts for films such as Cowboys & Aliens, Star Trek Into Darkness, Prometheus, World War Z, and Tomorrowland. Now the show he’s been developing for a while, The Leftovers, has been ordered to series at HBO. Ten episodes have been ordered; Peter Berg directed the pilot.
The series follows the after-effects of the Rapture, or more specifically what happens to people who don’t make the cut and are stuck on Earth rather than ascending to the heavens. The crux is that the leftovers, as they could be called, don’t necessarily understand what happened. They only know a bunch of people, including many of their family members and loved ones, disappeared overnight. Read More »
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The public’s understanding of Brad Bird‘s Tomorrowland has been like its very own theme park ride. First we though it was literally about the Tomorrowland section of Disneyland. Then we heard it had something to do with a 1952 mystery box. Next a more authentic plot description was revealed, and now all of those possibilities are beginning to blend.
Bird is currently in Vancouver, BC shooting the December 2014 release and set photos from the production have begun to leak. Among them, Hugh Laurie as a mysterious doctor and, most intriguing, images of Walt Disney’s “It’s A Small World” ride and costumed characters from Alice in Wonderland and the Three Little Pigs. We explore how that all fits in below. Read More »
Tomorrowland, the brainchild of director Brad Bird and screenwriter Damon Lindelof, has been filming in Vancouver, BC for a few weeks now. The pair took a brief detour to the D23 Expo to tease audiences with a mysterious 1952 box and then went back to shooting the holiday 2014 release, leaving fans just as curious about the movie as we were months before hand.
Disney has now officially announced the start of production (they tend to wait a few weeks just to be safe) and while most of what’s in the release is well-known (the cast, the crew, etc.) there’s also the first official plot synopsis of the film. Though merely one sentence, it confirms long-rumored plot descriptions while also pushing focus away from the literal mystery box we saw at the D23 Expo. Read More »
This weekend at D23 Expo, director Brad Bird and writer Damon Lindelof finally gave the world a glimpse into the mystery box of their new film Tomorrowland. On stage, they literally unboxed the mystery, a 1952 box found inside the basement of the old animation building at Walt Disney Studio. The box and the contents serve as the inspiration for the new film. We wrote about the presentation here, but thats not the end of it. As the presentation came to a close, Bird and Lindelof announced that we’d all be able to get an up close look at the contents of the box at a newly constructed/unveiled booth on the show floor.
We spent two hours waiting to tour the booth with plans to give you guys a virtual look with a photo gallery — but Disney security was out in full force and not allowing ANYONE to take ANY photos. So after the jump, we do have something, information we learned about the contents of the box from the booth, including select transcripts of the audio tour from the booth. We have also included some images from the presentation released by Disney ad closeups of the box’s contents from Bird and Lindelof’s earlier tweeted photos.
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Posted on Wednesday, August 7th, 2013 by Angie Han
Brad Bird‘s Tomorrowland has been the subject of all sorts of rumor and speculation since it was first announced a while back under the title 1952. Heck, for a time, there was even a wild theory going around that it was secretly Star Wars Episode VII. But now the film’s about to take a more concrete shape as production gets under way this week.
And as those cameras prepare to roll, Bird’s rounded up another name for the starry cast. Judy Greer is in negotiations for the mysterious sci-fi pic, which also features George Clooney, Hugh Laurie, Raffey Cassidy, and Britt Robinson. Hit the jump for the latest updates on the project.
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Posted on Tuesday, August 6th, 2013 by Angie Han
Much ink has been spilled lately about the movie industry’s “bigger is better” problem. Studios regularly throw $200 million or more at the latest Marvel- or DC-based adventure, yet even icons like Steven Spielberg and George Lucas have trouble wrangling mid-range budgets for projects like Lincoln or Red Tails.
Nor does that attitude stop at the financial level. Those hefty price tags come with the expecation of correspondingly massive stories, which is why it seems like every other summer blockbuster hinges on the fate of a major city or even the world itself. And though writer Damon Lindelof acknowledges that he is himself a “purveyor” of these big, explosive moments, even he cops to feeling “slightly turned off by this destruction porn.”
In an illuminating interview, Lindelof offers an inside look at Hollywood’s self-destructive gigantism — how the approach inflates even intimate dramas into superhuman epics, and why it’s so difficult for writers and filmmakers to buck these trends. Hit the jump for more.
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Zack Snyder‘s Man of Steel has been in theaters for just about a week, which means almost anyone excited to see it has caught it in theaters. As a result, discussions about the film’s content and potential follow-ups have been non-stop all week. Next, we’ll find out what some famous geeks thought of the movie.
Below, you can watch (and read) the reactions to Man of Steel by almost Superman screenwriter and Clerks director Kevin Smith, Lost co-creator and comic book writer Damon Lindelof, and star of multiple Spider-Man movies, Oscar-nominee James Franco. Read More »
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Brad Pitt and Marc Forster‘s long-discussed global zombie adaptation, World War Z, is finally hitting theaters this weekend. After a production marred in controversy, Paramount paid for massive rewrites and reshoots to (hopefully) save the movie. The story goes that, during editing, no one was happy with how the film ended. Executives decided that, instead of presumptuously building the film towards a sequel, it would be more beneficial to rein it back and complete a single story.
Screenwriters Drew Goddard (The Cabin in the Woods) and Damon Lindelof (Lost) were recruited to help and, according to early reviews, the pair at the very least saved the movie from disaster. In fact, some people believe they helped make it a really good movie. You can decide for yourself June 21.
Below, read exactly what Lindelof and Goddard did to improve the film, spoiler free. Read More »