Posted on Friday, March 21st, 2014 by Angie Han
Following well-received debuts at Toronto and Venice last fall, Kelly Reichardt‘s Night Moves is now gearing up for a theatrical release. The thriller stars Jesse Eisenberg and Dakota Fanning as a couple of young environmentalists who go a little extreme for their cause — like, blowing up a dam extreme — and then have to deal with the consequences. Peter Sarsgaard also stars, as explosives expert who’s also involved in the plot.
The first Night Moves trailer has just hit the web, and you can watch it after the jump.
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Kimberly Peirce (Boys Don’t Cry) is putting together a new film based on Stephen King‘s debut novel Carrie. Brian De Palma’s movie starring Sissy Spacek and John Travolta remains one of De Palma’s most entertaining films, packed as it is with over-the-top characterization and De Palma’s trademark love of split-screen imagery. So my first reaction to hearing about another new Carrie (this isn’t the first remake of the story) is ‘why?’ But having a female director is one way to make this seem like a worthwhile endeavor.
Now we’ve got the first indications of potential casting, as info has emerged about two possible choices to play the adolescent telekinetic Carrie White: 15-year-old Chloë Moretz (Kick-Ass, Dark Shadows) and 24-year-old Haley Bennett (Terrence Malick’s film formerly called Lawless).
Update: Deadline says that Moretz has been offered the role, and that after testing last weekend, she more or less got the job immediately.
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Posted on Tuesday, March 6th, 2012 by Angie Han
Jeremy Irvine was a total unknown when Steven Spielberg plucked him from hundreds of aspiring young actors to lead the World War II drama War Horse, but he’s wasted no time booking subsequent roles to boost his profile. In his first post-War Horse project, Ol Parker‘s Now is Good, he romances a cancer-stricken Dakota Fanning as she attempts to seize what’s left of her days.
Oh, and did I mention she has a British accent? That’s the other reason to check out this trailer, which you can find after the jump.
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Posted on Monday, January 23rd, 2012 by Angie Han
I suppose it’s not really correct to call Anton Yelchin and Dakota Fanning up-and-comers, seeing as each of them has been in the industry for over a decade. But as they transition into increasingly grown-up roles, it still feels like we’re seeing the emergence of pair of promising young actors. Elizabeth Olsen, on the other hand, is about as fresh-faced as they come. Last year’s Sundance hits Silent House and Martha Marcy May Marlene were her first real roles, aside from a tiny part in her sisters’ How the West Was Fun way back in 1994.
The three are now in final talks to star in Very Good Girls, from another not-quite newcomer, Naomi Foner. Though Foner’s been working as a writer and producer since the ’70s, the upcoming project will mark her directorial debut. More details after the jump.
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Almost three years back, Emma Thompson and her husband Greg Wise starting to drop info about a script they’d written called Effie, which would follow Victorian art critic, social thinker and poet John Ruskin, who had a strange and ultimately disastrous marriage to a woman named Euphemia ‘Effie’ Gray. Ruskin couldn’t consummate the marriage, and Effie finally fell for Ruskin’s protege John Everett Millais.
A few different actresses have been attached or rumored for the role of Effie Gray, most notably Carey Mulligan and Saoirse Ronan. Now the film is finally coming together with Richard Laxton (An Englishman in New York) directing and Dakota Fanning playing Effie. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 40 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 30 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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The full trailer for The Twilight Saga: Eclipse debuted on today Oprah, and if her stamp of approval isn’t enough to get you excited about the third film in the Twilight series, I don’t know what is.
OK, enough sarcasm, but I will say this: perhaps the trailer has deliberately gone extra heavy on a promise of action, but this looks like the Twilight movie with the most running so far. Is that worth anything? Check it out after the break and find out. Read More »
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Any straight guy who sees The Runaways will have difficulty standing up to go text outside, what with a 15-year-old Dakota Fanning seducing Japan in a bustier, snorting coke, and tonguing KStew. I mean, what does it all mean? And it’s only moderately less awkward discussing the burgeoning sexuality and punk hedonism of young girls with another guy. So, rather than compute my feelings about the rock biopic into a traditional review, I decided to ask a female’s opinion. /Film could not be more psyched to discourse on The Runaways with NYC-based author Marisa Meltzer, whose swell new book, Girl Power, is about the history and culture of female rockers.
Hunter Stephenson: Following the press screening for The Runaways, I was surprised to hear you loved the film. Having written a book on the legacies and challenges of females in punk, rock, and pop music from the ’70s onward, what real insight does the movie offer on the subject?
Marisa Meltzer: I guess I should admit that I’m a person who is very easily entertained. When you throw in platforms, teenage makeout sessions, and The Stooges on the soundtrack, I’m willing to overlook the film’s flaws. And there are certainly flaws: too much exposition, terrible character development of the other band members, narrative cliches. But I think one important thing to remember is that there really aren’t that many stories being told about women in music—and directed by a woman, no less!—so I’m excited when anyone throws me a bone. I think it’s important for people, especially young women, who might go see The Runaways to realize that girls playing rock music wasn’t always a given, and that their gender was way more of a barrier just a few decades ago than it is now.
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In the new rock biopic, The Runaways, a glum Kristen Stewart sits poolside, suckling vodka from a water pistol before pushing it suggestively down the front of her stomach. In a separate scene, she coaches a bathing teenage band mate on how to get wet using a mental image of Farrah Fawcett and a shower head. And then there’s co-star Dakota Fanning, better known as Hollywood’s 15-year-old precocious precious, who hoovers enough blow on an airplane to soar with Kenny Powers. These scenes are presented as the on-tour lifestyle of the titular ‘70s all-girl rock band, assembled and curated by the group’s wiry and rude L.A. producer, a man named Kim Fowley. Foreseeing the popularity of The Runaways for their jail-bait appropriation of the aggression, punk music, and horniness typically associated with adolescent males, Fowley had no qualms with solidifying a legacy by way of the girls’ quicksilver paths to self-destruction.
Actor Michael Shannon plays Fowley with a commitment and intensity welcome and familiar to any viewer who saw his performance in the new Southern indie classic Shotgun Stories or as the best part of Revolutionary Road (which earned him an Oscar nom for Best Supporting Actor). In recent days, Fowley has come out in support of Shannon’s performance, calling him the Christopher Walken of a generation. Given Shannon’s unflattering if amusing portrayal of the guy as an id swimming in midnight oil and the naivety of young girls, the endorsement is mildly surprising. But the comparison is astute. After interviewing the actor this week in a hotel in NYC, I couldn’t shake similar comparisons with the cornhusk steeliness and alertness of a 30something David Letterman and the seen-a-lot-of-shit-ness of Ray Liotta. In our below interview, Shannon discussed the contradictions of Fowley, HBO’s forthcoming Martin Scorsese series Boardwalk Empire, and the time he hid in a doghouse.
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