Robin Hood will never die, at least not at movie studios where a recognizable royalty-free character concept is a big deal. (Above you see Russell Crowe as the character in Ridley Scott’s 2010 film.) A new pitch has been making the rounds and Sony is now putting up some big bucks for the story. Just how much the character will be seen is open to question, as the pitch is described as being set “in the world of Robin Hood.” Get the available details on the potential new Robin Hood movie below. Read More »
Posted on Tuesday, September 25th, 2012 by Germain Lussier
We think we’re alone in the world but we’re not. In reality, there is a secret organization of people who are tasked with fighting an enemy we’ve all heard of but don’t actually know exists. If that sounds like the plot to Men in Black, you’re right, but it’s also Lore, a newly acquired Warner Bros. property based on a graphic novel by T.P. Louise and Ashley Wood. It shares characteristics with MIB but, instead of aliens, humans are protected from mythical creatures of the past.
The film version might soon share a director with that other franchise as Barry Sonnenfeld is now in talks to direct the film with Dwayne “The Rock” Johnson as one of the Shepherds, a group who defends humanity from mythical creatures. Read more after the jump. Read More »
Posted on Friday, September 7th, 2012 by Angie Han
Hansel and Gretel won’t be the only witch hunters headed to the multiplex in the near future. Vin Diesel has just entered talks to play the lead in the similarly themed The Last Witch Hunter, which has had The Crazies and Sahara helmer Breck Eisner signed on to direct since last year.
Hmm. On the one hand, Cory Goodman‘s screenplay landed on the 2010 Black List, and with some competent direction from Eisner and a likable performance from Diesel, this could end up being a fun bit of genre fluff. On the other, Goodman’s other credits include the critically derided Priest and Apollo 18. More after the jump.
Posted on Thursday, September 1st, 2011 by Russ Fischer
The public image of NASA isn’t what it once was. In my youth the department was a beacon of scientific hope, but budget cuts and a waning interest in space exploration have helped NASA wither to a shadow of its former self. This year saw the end of the agency’s space shuttle program. But that doesn’t mean the outfit is ready to be associated with any old claptrap. And so, below, we have an official statement from NASA that distances the group from the ‘found footage’ thriller Apollo 18. Read More »
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‘The Crazies’ Director Breck Eisner in Early Talks to Helm ‘The Last Witch Hunter’; Vin Diesel Interested in Starring?
Posted on Thursday, March 17th, 2011 by Adam Quigley
A year ago, almost to the day, Summit attached Timur Bekmambetov (Night Watch, Wanted) to produce and possibly direct a new genre franchise kick-starter they’ve been setting up titled The Last Witch Hunter. (Guess what it’s about.) The film was one of many projects being stacked atop his very full roster, and as such, was more or less lost in the shuffle. Fast forward until now, and the director’s busy getting Abraham Lincoln: Vampire Hunter prepped for production, making it unlikely that any witch hunting would go down anytime soon. But Summit can’t wait around forever. Twilight has been a reliable cash cow to the studio, but the series’ end is imminent, and they’re looking to get their next big money maker off the ground. Enter The Crazies and Sahara director Breck Eisner, who the studio is eyeing to take over the project. Read More »
Posted on Tuesday, December 15th, 2009 by Brendon Connelly
What the world needs now is another insta-forgettable remake of a bona fide horror classic like I need a stake through the heart.
When the Crazies remake rolls out in the new year, I’m going to be crossing the fingers on both hands and hoping for it to be a corker. On one hand because it’s a remake of George Romero’s The Crazies, a wonderful film that doesn’t need a lame looky-likey cousin, and on the other hand because director Breck Eisner has now signed on to direct the remake of David Cronenberg’s superb paedophobia chiller The Brood. A duff Brood do-over would sting and so I want to believe in Eisner, not spend a few months living in dread.
If you haven’t seen the original, here’s a brief, spoiler-free breakdown. Nola Carveth is a patient at the Somafree Institute of Psychoplasmatics, a typically creepy, mysterious and, basically, Cronenbergian medical facility. At the same time, her ex-husband is being haunted by Don’t Look Now-alike little strange figures. These two circumstances are not merely coincidental… the human body is capable of some rather strange and scary things.