The Railway Man

Almost three years after he nabbed an Oscar for The King’s Speech, Colin Firth is revisiting World War II from a very different perspective. Directed by Jonathan Teplitzky (Burning Man), The Railway Man tells the true story of veteran Eric Lomax (Firth), who was held as a prisoner by the Japanese during the war.

Decades later, still haunted by that period of his life, Lomax seeks closure by tracking down the army officer (Hiroyuki Sanada) who once tortured him. Nicole Kidman co-stars as Lomax’s wife, and Stellan Skarsgård as his best friend. Jeremy Irvine and Tanroh Ishida play the younger versions of Lomax and his tormentor. Watch the trailer after the jump.

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Michael Bay Dark Of Moon

Watch out, Texas: Michael Bay‘s Autobots and Decepticons are coming to destroy your towns. Also after the jump:

  • Woman in Black: Angels of Death adds two young Brit stars
  • Sorry romcom fans, Bridget Jones 3 isn’t coming anytime soon
  • Transformers 4 continues casting; Bay talks character redesigns
  • Ray Liotta chats about the Sin City and The Muppets sequels
  • Paul Verhoeven had fun watching the Total Recall remake fail
  • Cozy up to the cutest cast member from The Hangover Part III
  • Disney parks reveal big summer plans for Monsters University

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Colin Firth

Colin Firth is ready to step into the world of comic book movies. The Oscar winner has entered talks to star in Matthew Vaughn‘s The Secret Service, an adaptation of Mark Millar and Dave Gibbons‘ comic book of the same title. Firth would play a James Bond-esque figure who takes his nephew under his wing and grooms him for spy work. More details after the jump.

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Arthur Newman

Pretty much everyone has had a moment when they felt an intense desire to run away from their own lives, an urge to leave everything and everyone behind completely and start fresh as an entirely different person. Only a precious few people actually attempt to do it.

In the first trailer for Arthur Newman, family man Wallace Avery (Colin Firth) joins those ranks by faking his own death and assuming the identity of Arthur Newman, golf pro. Along the way, he encounters a troubled woman (Emily Blunt) who’s running from some demons of her own. The comedy is the feature debut of commercial helmer Dante Ariola, whose work we’ve spotlighted here in the past. Hit the jump to keep reading.

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The morning of the Oscars nominations, one of the biggest snubs – in my opinion – was France’s The Intouchables not getting a nod for Best Foreign Film. Written and directed Eric Toledano & Olivier Nakache, it’s a hilarious and heartfelt true story about a quadriplegic and his unorthodox caretaker (François Cluzet and Omar Sy, above). In the United States, the film was distributed by The Weinstein Company, grossing an impressive $10 million. Add that to the $416 million (yes you read that right) it made internationally and the film seemed like a lock for a nomination.

Nope. Snubbed. It happens. Which actually was a blessing in disguise for the Weinstein Company, which has long since planned on remaking the film. With an Oscar nomination, more Americans would have been turned onto the original. Now it remains relatively obscure, leaving the door open slightly more wide for the remake.

Paul Feig was originally attached to write and direct, but has since moved on. His script remains though, along with a possible attachment from Oscar-winner Colin Firth as the quadriplegic. (Chris Tucker was rumored for the caretaker.) Now, the latest update is Tom Shadyac, the director of Ace Ventura: Pet Detective, The Nutty Professor and Liar, Liar is in talks to make the movie. It would be the director’s first feature film since 2007′s Evan Almighty. After that he had a near-death experience and stepped back from his Hollywood life, directing an autobiographical documentary called I AmRead More »

It may seem like there are a ton of new projects hitting this week, and that’s because the American Film Market is getting under way. That’s where indies go to find financing and distribution partnerships, and so it’s one of a couple big marketplace events where producers announce new films. One of the most promising so far is Genius, which has changed up its cast a bit.

Once meant to star Sean Penn, the film will now pair Michael Fassbender and Colin Firth for the first time, in a film about the relationship between author Thomas Wolfe and his long-time editor Max Perkins. In the days where editors often seem more like proofreaders than true literary guiding lights, Maxwell Perkins remains famous for his work with F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe, among other writers.

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What we’ve got here is a remake of a classic caper movie from the writers of Fargo starring an Oscar-winner, a box-office bombshell and a naked Professor Snape. The movie is Gambit, directed by Michael Hoffman, with a screenplay by Joel and Ethan Coen starring Colin Firth, Cameron Diaz and Alan Rickman. Firth plays an employee desperate to get back at his boss (Rickman) who enlists the help of a cowgirl (Diaz) to con him into buying a fake painting. Of course, that’s just the tip of the iceberg and performances by Stanley Tucci, Cloris Leachman and Tom Courtenay all factor in. A trailer has been floating around for about a week but is just coming to our attention now. Check it out below. Read More »

Just because Joel and Ethan Coen wrote a movie doesn’t mean it will turn out well (see Sam Raimi’s early effort Crimewave) but I’ve still had hope for Gambit. That’s in part because the original film is a great bit of fun; it stars Michael Caine as an art thief who recruits a nightclub girl (Shirley MacLaine) to assist in a very specific heist. The original features some wonderful role reversals and simply well-executed scenes, and I hoped that with a script from the Coens the remake might follow suit.

The remake stars Colin Firth and Cameron Diaz in altered versions of the original lead roles, with Alan Rickman as the guy they’re trying to rip off. UK show Lorraine premiered the trailer for Gambit, and we’ve got an embed below that shows most of the footage. Not as good as a legit version of the full trailer, but it’ll do as a start — at least when it comes to making me worried that the film won’t be all that great. Read More »

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