Editor’s Note: This is the second of a four part series breaking down /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Look for a new part each day leading up to the film’s release October 26. Read part one here.
With six stories, three directors and actors playing multiple parts across totally different stories, there’s a lot going on in Cloud Atlas. One of the film’s pleasures is how art, and a love of art, is always part of the story. Whether it’s one character reading a book, listening to a piece of music, or watching a movie, art is always at the center of Cloud Atlas helping to sew all of its seemingly random threads together. This is a fact that’s not lost on the film’s directors, all art lovers themselves.
In the second part of our interview with the writers and directors of Cloud Atlas, Andy Wachowski, Lana Wachowski and Tom Tykwer, we discuss this particular reading of the film and how art is truly a way to link us all.
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Editor’s Note: This is the first of a four part series in /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Look for a new part each day leading up to the film’s release October 26.
Film fans would be hard-pressed to find two more perfect late nineties movies than The Matrix and Run Lola Run. Both were groundbreaking, visually stunning and instantly memorable. Each officially announced its director(s) as a force to be reckoned with. Those directors, of course, are Andy Wachowski, Lana Wachowski and Tom Tykwer. Since then, each director has made several solid films (Heaven and Perfume for Tykwer, Speed Racer and the Matrix sequels for the Wachowskis) but none have quite lived up to the insurmountable heights of those signature films.
That changes with Cloud Atlas, a sweeping, epic film that challenges the way stories are told all together. Based on a novel by David Mitchell, Tykwer and the Wachowskis took six radically different but related stories and rearraged them to be digested as one fluid story. The film jumps from one timeline to another, with each scene informing and enlightening the previous one, even though they’re set in totally different periods and genres. Actors portray upwards of six roles, each giving the viewer a hint of how these beings relate to each other, and how they affect the others – and human history – in radical and exciting ways.
How is a film of that magnitude possible? Here, in the first part of our interview, the directors talk about the difficulties of shooting a three-hour movie with six separate stories simultaneously in different parts of the world and then putting it all together into one cohesive story. Check back later this week for the rest of the interview.
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As fantastic a film as Cloud Atlas is, one of the best things about this new film is that fans are finally getting to hear from two of its directors, Andy and Lana Wachowski. Formerly the Wachowski Brothers, the siblings exploded onto the scene in 1999 with the seminal sci-fi action film The Matrix, which was then followed by two sequels, The Matrix Reloaded and The Matrix Revolutions. All three were massive commercial successes, but the sequels were far from revered by fans. Unfortunately, since the Wachowskis chose to maintain their privacy during this time, few got to discuss those films with them.
So now there’s Cloud Atlas and the Wachowskis are being incredibly generous with their time to discuss the film. I had 25 minutes to talk to them and while I had a few Matrix themed questions prepped, we delved so deep into Cloud Atlas we never got around to the subject of their other films. (That interview will be up soon.) One journalist did talk about The Matrix, though, and was fortunate enough to do it on camera. In the video, Lana Wachowkski talks about their intentions with the films, focusing on how the trilogy evolved into more than just a straight action vehicle. Watch it below. Read More »
Cloud Atlas is beautiful, engaging and amazing. It lives with you. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowksi, the film is a challenging yet rewarding interpretation of the popular book by David Mitchell telling six stories, all in different time periods, all populated by the same actors, that seem completely separate in theme and genre but end up being more related than anyone could ever imagine. Days after seeing the film, I’m still thinking about it and dying to see it again.
It opens October 26 and leading up to that, we’ll have plenty of coverage including an exclusive interview with all three directors. Until then, a few videos featuring B-roll from the film have come online and will leave you aching for more information and footage from this epic, incredible film. It’s most certainly one of the best films of the year, check out the clips below. Read More »
Given the often contentious relationship between creators and the work they make, unions such as the Directors Guild of America serve a useful purpose. But sometimes rules just get in the way, which seemed for a moment like it would present a problem for Cloud Atlas, written by Tom Tykwer and Andy and Lana Wachowski (which is not a big deal for the WGA) and directed by all three as well. That last part is kind of a big deal for the DGA, which is old enough to remember when movies just had, like, ONE director.
Any credits issues for the film have been worked out, and so unlike the festival cut of the film, general audiences will see a version that explicitly states who “directed” which parts. After asking around, it seems like there won’t be any changes to the actual film, but after the break you can read Lana Wachowski’s comments about the credits, and check out a new TV spot for the film. Read More »
One of the highlights of Fantastic Fest was last Wednesday’s secret screening, which turned out to be Cloud Atlas, the new film from Andy and Lana Wachowski and Tom Tykwer. The Wachowskis were in attendance to do a Q&A afterward, which is something that would have been unthinkable from the directors in years past. But along with the full public revelation of Lana’s new/true identity we seem to be getting a version of the Wachowskis that is much more open to discussing filmmaking.
And so here is an edited portion of the Q&A the two did after Cloud Atlas last week. It has no film spoilers, but is fairly specific to the novel and the movie, so if you’re not very familiar with Cloud Atlas at this point you can watch the long trailer and/or read our breakdown of the film’s six stories at the same link.
The Q&A video is after the break.
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Posted on Monday, September 24th, 2012 by Angie Han
Given the sprawling scope and staggering ambition of the Andy and Lana Wachowski and Tom Tykwer‘s Cloud Atlas, it seems only appropriate that the movie open on some of the largest screens in the world. IMAX has announced that the epic saga will hit their super-sized screens next month, on the same day as Cloud Atlas‘ regular, non-IMAX release. It’s worth pointing out, however, that Cloud Atlas was not shot in native IMAX but is being digitally remastered for the release.
Still, whether you plan to see it on the big screen or the extra-big one, Cloud Atlas looks like one of this fall’s most intriguing offerings. To pique viewer interest, Warner Bros. has just unveiled the first TV spot for the movie. While the previously released extended and theatrical trailers underscored the movie’s more emotional themes, the new 30-second spot cuts straight to the sci-fi action goodness. Watch it after the jump.
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The themes of Cloud Atlas are legion, and the 160 minutes the film spans are epic. Six or seven plots are considered, depending how you define your storylines, and the time period ranges from 1849 to somewhere 400 years into the distant future. What I’m getting at here is the grandness of the scope, the giantess of the spectacle, the massive overarching ambition of the work. Co-writers and directors Tom Tykwer and Andy and Lana Wachowski have delivered a weighty film tome for our analysis, and I have a feeling this one is going to be spurring conversations for years to come.
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